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The Lord
of
the Rings - The Fellowship of the Ring: Special Extended
Edition
In
the
short history of DVD a handful of special editions have risen to a
level
of excellence so lofty as to practically create a category of
their own. Examples
of this thoroughbred class include Pixar's
Ultimate Toy Box, Criterion's Brazil and
Artisan's Terminator
2: Judgment
Day.
In 2002, New Line trumped them all and
released what may well be the crowning
DVD achievement to
date: The Fellowship of the Ring: Special Extended Edition.
This mammoth four-disc set is overflowing with
engaging content that
takes the viewer directly to the
heart of Peter Jackson's fantasy epic.
Every aspect of
the creative process is examined in detail through
interviews, photographs,
paintings, behind-the-scenes
footage and no less than four audio commentary
tracks. If
that
sounds like overkill, think again. There isn't an
ounce of fat on this
amazing set. Each and every piece of
documentary content provides valuable
insight that
leads to a deeper appreciation of the craft of big-budget
movie making.
Of course the real highlight of the
release is the extended cut of
the film. This unique version of
Fellowship of the Ring adds about
a half-hour of footage
to the theatrical cut. Various extended, re-cut and
freshly
added
scenes serve
to open up the landscape, flesh out the main
characters and bring the
narrative closer to Tolkien's
original. The digital transfer to disc
is reference quality
and the finely crafted audio tracks are arguably the best
available on
the format. Add gorgeous, thoughtful
packaging and you have a DVD that
deserves a spot on
every collector's shelf.
Mr.
Show -
The Complete First and Second Seasons
In
certain circles the most anticipated release of 2002 was the
cult sketch
comedy program Mr. Show. Created by the
writing/stand-up/improv team
of Bob Odenkirk
and
David Cross, the first two seasons of Mr. Show (10 episodes)
aired
in 1995 and 1996. Like an edgy update of Monty
Python's Flying Circus,
each half-hour installment
of
Mr. Show is a
stream-of-consciousness collection of sketches,
linking devices
and improbable characters that defy easy definition.
Bob and
David assault every
topic under the sun
from politics (Senator Tankerbell and the inherent
perils of federal arts funding), corporate America (GloboChem
presents
the pansexual spokescreature Pit-Pat) and Paul
Allen (Work is Play!),
to rock and roll (Titanica’s
“Try
Suicide”) and Cops (fan favorite Ronnie
Dobbs).
Extras on the set include some of the most
hilarious audio commentary
tracks to be heard this side
of Kevin Smith’s infamous Mall Rats outing,
a side
splitting short: "Fuzz" the
Musical featuring Ronnie Dobbs,
footage of Bob and
David doing Mr. Show material live and a half-hour
teaser showing
highlights from season three. Fans of
the program know that this set
almost didn’t
reach retailer’s shelves at all so its appearance in
2002 was a cause for
celebration. Here’s hoping that
HBO will see fit to release the remaining
seasons in
2003.
Reservoir
Dogs 10th Anniversary Special Edition – Mr. Brown
Though
his star seems to have lost some of its shine in
recent years, a good
argument can be made that Quentin
Tarantino remains one of (if not the)
most influential
contemporary filmmakers. By now everyone knows about
Tarantino’s hip,
naturalistic dialogue, his trendy
nods to 60s cult culture, his highly
stylized camera work
and the nonlinear structure of his best films. These
techniques have
been imitated over the last decade to
the point of virtual ubiquity so
it can be difficult
to recall how unexpected Reservoir Dogs
seemed to its first-run audiences. Reservoir
Dogs (and Pulp Fiction) changed the landscape
of
hard-boiled Hollywood crime films irrevocably and
catapulted Tarantino’s
career to lofty
heights.
Reservoir Dogs 10th Anniversary
Special Edition includes a nice
selection of extra
features including deleted scenes, interviews, audio
commentary, a
very
interesting documentary on
the state of independent film in 1992 and
a whole lot
more. Much has been made of the quality of the transfer,
which in comparison
to the previous non-anamorphic
version exhibits muted colors and low
contrast, but I
don’t think this is a fatal flaw. The image could have
been juiced up a bit but it’s far from un-watchable
and the transfer
shouldn’t
keep
you from adding Reservoir Dogs to your collection.
Rashomon
Legendary
Japanese director Akira Kurosawa’s best known
film has to be Seven Samurai
but my personal favorite is
Rashomon. Calculatingly innovative, Rashomon is
an investigation into the nature of subjectivity,
truth and the application
of justice.
As is
the case with all of Kurosawa’s finest films, Rashomon
is
flowing, lyrical and impeccably composed right down
to the individual
frame. The nonlinear
narrative recounts a single event from four distinct
viewpoints, leaving
it to the viewer to determine where
objectivity enters the picture.
This technique has
been used again and again in Hollywood movies ever
since
Rashomon's release.
Criterion’s
restoration of Rashomon is crisp and clean
with deep
blacks, pure whites, impeccable contrast and nary a hint of
digital compression
artifacts.
The sound
elements exhibit a surprisingly broad dynamic range and are
substantially free from pops, hiss and other major flaws.
Extras on the
disc include a fascinating
audio
commentary by Japanese-film historian Robert Altman, text screens
with the stories that inspired Kurosawa’s
screenplay, excellent new English
subtitles and
excerpts from a documentary on Kurosawa’s cinematographer
Kazuo Miygawa.
Rashomon
introduced Hollywood to Kurosawa and its influence continues to
color
the work of contemporary directors worldwide. If film
can be thought
of in lyrical terms then Rashomon is
visual poetry. This Criterion
release is a welcome addition to
any collection.
Singin'
in
the Rain
When
it comes to the outstanding restoration efforts of 2002 the
clear champion
has to be Warner Brothers’ stunning
special edition of Singin’ in
the
Rain. Released in 1950, Gene Kelly’s spectacular
song, dance
and comedy extravaganza hit the screen
in blazing Technicolor hues. Singin’ in
the
Rain became an instant classic and a pillar of the
musical genre.
Unfortunately, over the years, the original
three strip Technicolor masters
experienced
significant fading, shrinking and other symptoms of age, all
of which
were very evident on
Warner’s original DVD release.
For the
new two-disc special edition Warner digitized each and every frame
of the three Technicolor master strips, color corrected them,
cleaned up scratches,
removed flaws and recombined them into a
digital master that has to be seen
to be believed.
Singin’ in the Rain looks almost as good as the day it
was released.
The color saturation is unbelievable and the picture
detail is unimpeachable.
There isn’t the
slightest hint of compression artifacting or edge enhancement.
Singin’ in
the Rain is an endlessly
entertaining classic that will keep
you smiling while
giving your TV a real workout.
Sunset
Boulevard
Sunset
Boulevard is an enigmatic film. Though
frequently classified as noir,
it can just as easily be
thought of as a straight drama, dark comedy
and/or
social
commentary. One thing is certain: Sunset
Boulevard is an established
classic and arguably
director Billy Wilder’s greatest film.
Sunset Boulevard’s plot revolves around the twisted
relationship
between a struggling screenwriter (William
Holden) and a middle-aged
has-been actress
(Gloria Swanson). It’s an investigation of the dark
side of Hollywood
culture at mid-century, an indictment
of narcissism and a finely rendered
character
study.
Swanson’s portrayal of Norma Desmond is
the highlight of the movie, and
thanks to an
incredible performance, her character has become as iconic
in American culture as Dickens’ Miss
Havisham is in Britain.
The long wait for Sunset
Boulevard on DVD ended in 2002 with this
serviceable release.
Though the film elements themselves seem very clean and
free
from
scratches and
blemishes, the digital transfer looks
over-compressed and suffers from
aggressive edge
enhancement. These flaws are far from fatal though,
and
shouldn’t
stop fans of the film from purchasing
this DVD.
The
Life and
Death of Colonel
Blimp
Michael
Powell and Emeric Pressburger are responsible for
some of the great films
of the 1940s and arguably the
best British films ever made. Until recently
my knowledge
of Powell and Pressburger’s work was limited to
sporadic airings of their
most famous film, The Red
Shoes, on local TV. It wasn’t until
I saw The
Life and Death of Colonel Blimp that I began to fully
comprehend
their genius.
The Life
and Death of Colonel Blimp is certainly among the finest
character studies
ever
committed to
film. The protagonist, Clive Candy (Roger Livesey in a stunningly
deep and
nuanced
performance), is presented to us first as a bumbling,
heavyset old military
man with an eccentric mustache and
pedantic speech pattern. The movie
quickly shifts
gears, showing us the events of Candy’s early career
that shaped him into
the lampoon-able archetype we meet at
the start of the film. Along the way, we’re
treated to a tenderly sympathetic portrait of a man who, in
the end,
commands well-earned respect in spite
of his trouble adjusting to
new realities.
Because it was considered overly critical of the British military
establishment
(a significant issue as Blimp was
made at the height of World War II), The
Life
and Death of Colonel Blimp was drastically edited
shortly after its release.
Nearly 50 minutes of footage
were removed from the film and the remaining
scenes were
re-edited to remove the nonlinear flashback structure. The
Criterion release
reconstructs the original cut
and running time while offering a fairly
comprehensive
restoration of the film elements. Special features include
an audio commentary
with Michael Powell
and Martin Scorsese, a 24-minute documentary on the
making of the film, production stills and more.
Metropolis
Considered
the Walt Disney of Japanese animation, Osamu Tezuka
is perhaps best known to
Americans as the artist
behind the 60s era TV cartoon Astro Boy. Tezuka, the
father of manga (and by extension anime), was a prolific
creator of comic books
throughout his life, many of which
have been made into animated features and
television
shows.
Metropolis, adapted from
Tezuka’s early manga by Katsuhiro
Otomo
(Akira)
and directed by Rintaro
(Galaxy Express 999), is a stunning blend
of
handmade and computer animation. The story was inspired by
Fritz Lang’s live action
film of the same name and
features many of Tezuka’s quirky stock characters.
The plot follows Lang’s version fairly closely, but the
real highlight
of Metropolis isn’t the plot.
It’s the fantastic vistas,
robots and
baroque set pieces that make this film so rewarding.
The two-disc special edition contains some interesting
ancillary content including
a brief making-of featurette,
interviews with the artists and filmmakers,
a Tezuka biography and
an extensive gallery of conceptual art and character
design.
Metropolis is
an amazing visual spectacle that
transcends the anime genre and should
have a broad appeal, akin to
that of other animated films including Princess
Mononoke
and
Ghost in the Shell.
A
Hard Day's
Night
By
1964 The Beatles were already topping UK charts and
Beatlemania was beginning
to take America by storm. The
release of A Hard Day’s Night solidified
the band’s status as a genuine media phenomenon and
firmly planted an
image of the Fab Four’s
quirky personalities in the minds of teenagers
from coast
to coast.
The Miramax Collector’s Series
release of A Hard Day’s
Night gives
us the film in an immaculately restored version, free of the
ravages
of age and augmented by stereo recordings of
the songs. Reading the box,
one could get the
impression that there’s a wide variety of extras on the
two-disc set,
but the bulk of the content is really just an
extensive collection of
interviews with
Beatles-related figures including Sir. George Martin, director
Richard
Lester,
producer
Denis O’Dell and others. Notably absent are any of the members
of The Beatles themselves.
Viewed nearly
forty years after its release, A Hard Day’s Night
doesn’t
seem nearly as innovative as it once must
have, but it’s still a valuable
historical document
and a suitably entertaining movie. The transfer is
nearly pristine and the audio has never sounded better. Only
the inclusion
of comments
from the surviving
members of the band would have made this disc better.
Mickey
Mouse
in Black and White
I’ve
never been a big Disney fan. When I was a child the
company had already
become the profit-hungry
entertainment machine with a disturbing social
agenda that
we know today. There was a time in the 1920s and 30s
though, when Disney
cartoons were full of the same kind of
irreverent hilarity that most people
associate with
Warner Brothers’ Looney Toons. It was during
this formative period that
Mickey Mouse made Walt Disney
a household name and established the animated short
film
as a distinctly American genre, opening the way for everything from
Daffy
Duck to the Powerpuff Girls.
Mickey Mouse in Black and White collects some of the best
Disney
shorts from 1928 through 1935 and presents them in
beautiful, crisp,
clean versions. From
Steamboat
Willie and Mickey’s Nightmare through
Building
a Building and
Mickey’s Service Station, the cream of the crop is
here.
The disc itself and several of the cartoons are
augmented by friendly
and informative
introductions
by film critic Leonard Maltin. He
helps put the films in context and
gives a little
historical perspective on this phase of Mickey’s career.
Disney should be commended for putting complete and uncut
versions of
the early Mickey Mouse cartoons on
these discs. There’s no place for
political
correctness when it comes to the preservation of our artistic
heritage,
and for once Disney
seems
to clearly recognize that fact.
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