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DVD SAVANT

Zorba the Greek
Studio Classics


Zorba the Greek
Fox Home Entertainment
1964 / B&W / 1:85 anamorphic 16:9 / 142 min. / Alexis Zorbas / Street Date August 3, 2004 / 14.98
Starring Anthony Quinn, Alan Bates, Irene Papas, Lila Kedrova
Cinematography Walter Lassally
Art Direction Vassilis Photopoulos
Film Editor Michael Cacoyannis
Original Music Mikis Theodorakis
Written by Michael Cacoyannis from a novel by Nikos Kazantzakis
Produced by Michael Cacoyannis, Anthony Quinn
Directed by Michael Cacoyannis

Reviewed by Glenn Erickson

Zorba the Greek was a smash hit in 1964, cleaning up in the market left behind by the beloved Never on Sunday four years earlier. The image of the earthy Anthony Quinn dancing is what remains now, that and the memory of Mikis Theodorakis' infectious music. Some bad plotting and unexplained character reactions blunt the film's "live for life" message.

Synopsis:

Basil (Alan Bates) comes to Crete to restart his family lignite mine. His new foreman Alexis Zorba (Anthony Quinn) becomes his steady companion. They are greeted warmly by the locals but resentments against strangers lie close beneath the surface. Foreigner Madame Hortense (Lila Kedrova) is French and may do as she pleases; she and Zorba begin a warm relationship. But the town's attractive Widow (Irene Papas) is shunned because she refuses to take one of the many unattached men as a lover. When Basil finally becomes interested in her, it's bad news for everyone.

Michael Cacoyannis established himself as Greece's number one filmmaker in 1956's Stella, a film that shot the beautiful Melina Mercouri to stardom. For Zorba the Greek he secured Nikos Kazantzakis' best-selling novel and formed a producing partnership with the perfect actor for the role, Anthony Quinn. Quinn had graduated from ethnic villain parts into major star status through Federico Fellini's La Strada, and from then on was the master of larger-than-life ethnic heroes in The Guns of Navarone and Lawrence of Arabia. The exuberant, life-affirming Zorba is the defining role of Quinn's career.

Shot on location with real peasants, Zorba is the story of a friendship between an inhibited English bookworm and a lusty Greek who lives to philosophize, drink, make love and express his affinity with nature. The two of them try to get an old mine back in operation, which seems a hopeless cause. Zorba obtains mineshaft timber from the local monks by fooling then into thinking water has changed into wine. But he's much more interested in amusing himself with the slightly unhinged Madame Hortense, or spending Basil's remaining money down in the fleshpots of the port city.

Cacoyannis creates fascinating characters for Zorba and Madame Hortense but leaves Basil frustratingly undeveloped. Expectations are raised that he'll find happiness with Irene Pappas' local widow, yet the Englishman doesn't act on the Widow's signals of encouragement. Zorba helpfully advises Basil that "If a woman sleeps alone it puts a shame on all men."

Although the screenplay advances some hints, we're totally unprepared for many events in the movie's last act. Basil unaccountably lies to Hortense, telling the aged courtesan that Zorba intends to marry her. Basil and the widow finally get together, but the villagers become enraged that she has chosen an outsider instead of one of their own, a heartsick young local. The reaction is primitive and brutal. Basil is incapable of coming to the widow's aid, and although Zorba initially intercedes, he too abandons her to a horrible fate. Zorba shrugs his shoulders and Basil seems to have no reaction at all. Instead of accepting rural vigilante injustice as a regrettable fact of life, we lose interest in our two leading men. Zorba and Basil can dance and philosophize all they want, but they no longer have our sympathy.

The film then proceeds to the bedside of the sickly Madame Hortense. The villagers we already hate now gather like scavengers, looting her house before she's even stopped breathing. Zorba comforts the dying lady (in the film's best scene) and Basil asks whether she'll be buried properly, which is more concern than he had for Pappas' unlucky widow. What in Kazantzakis' book was probably an ethnographic revelation here comes off as a further outrage.

Zorba the Greek won three Academy Awards and was nominated for four others. Lila Kedrova has the showy part but it is Irene Papas' haunted beauty that now makes the greatest impact. Visuals of Anthony Quinn soulfully dancing on the beach have stayed with us, but I have the feeling that the Tijuana Brass's radio version of the title tune was Zorba's biggest cultural contribution - newspaper clippings mention that theatrical bookings were extended after the song hit the top ten.


Fox Home Enertainment's DVD of Zorba the Greek is a great-looking enhanced encoding of the Greek-American hit film. The B&W feature is on one side of a flipper disk accompanied by a Michael Cacoyannis commentary. He's a proud retired filmmaker who frequently comes up with amusing claims like being the first to use a hand-held camera. He also provides lot of fascinating information, such as mentioning a scene that had to be cut out. It was a Russian flashback that featured Ingrid Bergman's daughter Pia Lindström. The part of a pimply-faced letter writer played by the young George P. Cosmatos, the director of 1993's Tombstone, was left intact.

The flip side of the disc holds some newsreels, trailers and a rather good Biography TV show on the life of Anthony Quinn. It makes frequent use of the words "troubled artist" when dealing with the star's various broken marriages. The best extra is the film's charming original opening scene, in which Zorba narrates his idea of Heaven. God is a bearded old man in Zorba's image, lounging in the clouds and benevolently admitting all sinners to heaven.


On a scale of Excellent, Good, Fair, and Poor, Zorba the Greek rates:
Movie: Very Good
Video: Excellent
Sound: Excellent
Supplements: Commentary, Biography docu, newsreels, trailers, alternate opening
Packaging: Keep case
Reviewed: August 1, 2004





DVD Savant Text © Copyright 2007 Glenn Erickson

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