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The Movie
Noises Off, the
1992 comedy from director Peter Bogdanovich (based on the play by Michael
Frayn), is one of the silliest and most
laughter-inducing movies I've ever seen. And by all rights, it should be: it's
based on one of the silliest and most laughter-inducing Broadway plays ever
produced. And therein lies its only flaw; more on that in a second.
Noises Off centers on the almost never-ending series of
disasters that plague the production of Nothing On, a lightweight
British chamber farce put on by a group of (mostly) American actors. Michael
Caine plays Lloyd Fellowes, the director of the play who is clearly at his wit's
end. The movie begins with the play's dress/tech rehearsal; it is past midnight,
the play opens the following night, and nothing is going as planned. The actors are missing
their marks, there are technical glitches
aplenty, nerves are frayed beyond the realm of sanity, and that's only
the beginning. Between the six actors, the director, and the two main stagehands,
there are enough subplots, innuendos, and inanities to cripple any semblance of progress. That's
right: it's a play within a play! Or rather,
a movie within a play. Or is that a play within a movie? Or the movie version
of the play within a play?
Where was I again?
Classic farce material, Noises Off definitely generates more
than its fair share of laughter. The cast is comprised of a group of talented
actors who clearly were chosen for their comedic prowess, including the
aforementioned Michael Caine, Carol Burnett as the cynical and clearly
burnt-out, once-was Dotty, Denholm Elliot as Selsdon, the hard-drinking thespian
whose predilection for imbibing and passing out poses a serious hazard to the
play's success, Julie Haggarty as the put-upon stagehand Poppy, Marilu Henner as
the sassy Belinda, Mark Linn-Baker as the harangued technician Tim, Christopher
Reeve as the constantly flummoxed and nosebleed-prone Frederick, John Ritter as
the self-absorbed and the hardly verbose Garry, and Nicolette Sheridan as the
scantily-clad and contact lens-losing Brooke. Through a series of affairs,
misunderstandings, petty jealousies and general incompetence, their live
performances turn into the type of onstage disasters that snowball from minor
glitches into utter comedic catastrophes.
I first saw Noises Off on Broadway in December of 1984, and
it was one of the most entertaining experiences of my life. That having been
said, what works as a play does not necessarily succeed quite as well in a film.
The play was structured in three acts: The Dress/Tech Rehearsal, Backstage,
and Frontstage. The film is similarly structured, but what makes for such
compelling material in front of a live audience isn't as easily portrayed on
film. Pratfalls, crackerjack comic timing, and seemingly bone-breaking
physical comedy goes over like gangbusters with a live audience, but in an
editing room one cannot achieve quite the same effect. Gone are the
spontaneity, the "anything-can-happen" feel of theater, and the delightful
blurring of the fourth wall between audience and stage. Still, Noises
Off delights and entertains as a film. Credit
Bogdanovich's direction and the engaging cast for making the film succeed as well as
it does. There's no doubt that the film is a hoot: even if, in the end,
it seems to go on for too long, the movie never truly wears out its welcome.
The DVD
Video:
Noises Off
is presented in
its theatrical aspect ratio of 1.85:1, and has been anamorphically enhanced for your widescreen-viewing
enjoyment. The transfer is acceptable, albeit with some flaws. There is
noticeable print wear, edge-enhancement, and compression noise present throughout the video, sometimes making
the transfer seem overly digitized and heavily processed. On the plus side, colors are
sharply rendered, with deep contrasts and fine range. Sharpness levels are also
very reasonable; the image seems to be very well-rendered. If it weren't for
the excessive noise, this transfer would garner a good rating, but as it stands
it falls square in the three-star range.
Audio:
The audio is presented in Dolby
Digital 5.1, with an optional French language soundtrack and French and Spanish
subtitles. The
soundtrack sounds warm and
reasonably expansive, with fine dialog levels and subdued but effective use of
the soundstage. Surround effects are used effectively to underscore
the theater-like acoustics of the presentation. There was a little bit
of shrill to the upper-end at times, but overall this is a
well-delivered audio presentation.
Extras:
There are no extras on
this DVD.
Final
Thoughts
I'm of two minds when it comes to this DVD. I enjoy the movie,
but wasn't overly impressed with the disc. I only wish that the video transfer
were stronger and that director Peter Bogdanovich had recorded a
commentary track for Noises Off . The film
was not a huge box-office hit, but became something of a
cult favorite since its release, and there is a small but eager audience waiting for this
DVD release. Still, this relatively inexpensive bare-boned release is probably worth
a purchase for fans and a rental for the curious. The only
thing that's really missing is a good old plate of sardines! |