The
movie
Now that Lance Armstrong has won a record-breaking six Tours de
France, cycling has gotten a (deservedly) higher profile in the
United States, but at the same time, the actual day-to-day life of
the professional rider remains largely in the shadows. Viewers may
have a decent idea about the training and competitive schedule of a
basketball or football player, but what about a cyclist? Documentary
filmmaker Jamie Paolinetti's second feature-film outing, Pro,
steps in to shine a light on that very question, illuminating the
fascinating world of professional cycling in the United States.
Although it's a totally independent, stand-alone film, Pro can
be considered in some ways as a thematic sequel to Paolinetti's
earlier film, The
Hard Road, which introduced
us to the neo-pros on small, minimally funded teams who are striving
to "make it" to the next level. To a small team like
NetZero from The Hard Road, just getting some of their
riders to the USPRO Championship in Philadelphia was the climax of a
full season. Pro takes the next step, and concentrates fully
on the Championship, using this race as a microcosm of the elite
level of the domestic racing scene.
The US national championship is quite an interesting race. First of
all, it's the crown jewel in the US racing calendar, and riders who
can make their mark in this one-day race have a good chance of moving
up to the really elite level, to race on the international circuit.
It's also unique in that it's the only national championship road
race in the world that's open to riders from all over the world. As a
result, the championship race is really two races bundled up in one:
there's the race for first place, with its attendant $40,000 in prize
money, and there's the race to be the first US rider to cross the
finish line. That US rider – whether he comes in first, fourth,
or tenth – becomes the new US National Champion, and earns the
honor of wearing the "stars and stripes" championship
jersey for a full year.
Through its interviews with the riders, Pro shows us how this
odd duality in the race generates some conflicting feelings in the US
riders. On the one hand, it's a great honor to win the championship
jersey... but the riders know that the real prestige comes from being
both the first US rider and the winner of the overall race. There's
no denying, though, that the presence of riders from all over the
world makes the USPRO Championship a more thrilling one, for riders
and viewers alike.
Pro isn't just about the nature of the race, though: far from
it. The film centers on the experiences of the riders, as they get
ready to take on the race that's the capstone of their season. The
film actually picks up the action in the week before the championship
road race, as there are several days of smaller races that take place
as part of the overall USPRO event. We see how the riders use these
events to scope out the condition of the other teams, test their own
fitness, and plan out their strategies for the "big day."
Thanks to the comprehensive nature of the film, we get to sit in on
team strategy meetings, ride along in the team cars as they keep pace
with the race, and in general get an inside look into these intense
few days.
Pro's focus on a single race, rather than one team in many
races, provides an interesting perspective: the USPRO Championship
is, essentially, a slice of cycle racing life. The film offers a
broad view of the field, as we meet riders from a handful of
different teams, with different goals, plans, and potential for
victory. Some riders are experienced veterans with a solid chance at
winning the overall race; others are lower-profile riders who are
here to support their teammates. One of the things that Pro
drives home to great effect, in many of the interviews with the
riders, is that cycle racing is truly a team sport. While only one
rider can cross the finish line in first place, if he's there, it's
probably thanks to the efforts of his teammates who used themselves
up unselfishly to support him.
Pro is nicely structured; segments that focus on the events of
the race itself alternate with segments that take a behind-the-scenes
look at the riders' preparations. Thanks to the many candid
interviews that make up a substantial part of the film, we really get
to know the different riders, which in turn makes the race portions
of the film more compelling. The voiceover narration by Tom Simmons
is well done, helping to weave the different sections of the film
into a coherent whole. Pro runs just shy of two hours, and is
well paced enough that it feels like just the right length.
The
DVD
Video
Pro appears in its original, correct aspect ratio of 1.33:1.
All in all, the image quality is respectable, considering that this
isn't material that could have been filmed in a studio: it's all live
footage from the races, or "on the spot" interviews and
behind-the-scenes material. The general look of the image is clean
and bright, with no contrast or noise problems, though not
surprisingly, it's not the sharpest image you've ever seen. The race
footage, with its fast-moving images, does look slightly choppy; this
effect might be the result of the type of cameras used, or it might
be a deliberate stylistic choice to heighten the effect of speed and
chaos in the race. In any case, it's not a big deal, and overall Pro
delivers a quite satisfactory viewing experience.
Audio
The Dolby 2.0 soundtrack is clear and clean, and handles the material
quite competently. The narrative voiceover always sounds pleasingly
crisp and robust, and even the on-the-spot interviews (captured
outdoors in less than ideal circumstances) are all nicely clear and
easy to understand.
Extras
We're talking seriously bare-bones here. There's not even a menu, as
the DVD jumps right to playing the film.
Final
thoughts
If
you're at all interested in the world of professional bicycle racing,
Pro is sure to be of interest. It's quite accessible to
viewers who are relative newcomers to following cycle racing, and
those viewers will find Pro to be full of interesting insights
about the pro racing scene. At the same time, Pro also has a
lot to offer hard-core cycle racing fans, with its detailed look at
the USPRO Championships and its candid interviews with a variety of
racers, including well-known riders like Bobby Julich. Highly
recommended.