When the Buena Vista Social Club movie came out in 1999 Cuban music found itself
in
the hot-seat, with Americans buying up the traditional sounds in droves. But it was
really
just the Buena Vista imprimatur that was selling; The entire rest of the Cuban music
scene
was still locked up within that island-nation's famously insular borders.
Cubanissimo
spreads the love around a little more broadly, showcasing a host of artists and styles
not
familiar to the Buena Vista generation.
But it's also a loosely structured, sloppily edited film, with little in the way of
actual
historical content. Still, I usually find myself criticizing music-related
documentaries for
dwelling too much on the stories and not presenting enough of the music. That's
definitely not
the case here: I would say that nearly all of Cubanissimo's 84 minute running
time is
taken up by music, often with songs presented in their complete form. I'm not
complaining: The
free-form nature of the film makes it a uniquely engaging experience. Brief, sporadic
snippets
of interviews explain the musical and dance styles, like the Son, rumba, and cha cha
cha, but for the
most part the film flits from performance to performance.
There are street performances
shot
recently on video, clips from old Cuban films, and performances from large concerts.
The
effect is of a huge tapestry loosely woven but with each style blending to the next.
Once I
realized that I wasn't going to be hand-fed a narrative (unlike Wim Wender's Buena
Vista film) I just sat back, relaxed, and let my mind wander as I listened to some
fantastic music.
From tender, sorrowful ballads to uptempo dance songs, the music
of
Cuba is a real inspiration. While Cubanissimo mostly avoids politics (images of
Fidel
Castro are unavoidable in this setting) it still gives a sense of the music being
integral to
the lives of the people. This is especially clear in the communal sing-along
performances
featuring casual bands of older Cubans, their group voices creating a great chorus of
melody.
Of the few sequences that spend time discussing a particular performer, the most
interesting
is probably the one about Beny More. More was the most popular Cuban singer and
performer in
his day but alcoholism ran him into the ground. When one former collaborator shows how
he
"drank" in his final days (by rubbing booze into his hands like cologne and deeply
inhaling
the fumes) it's a quiet, sad moment.
But for the most part Cubanissimo doesn't pause for reflection like this. In
fact, it
barely stops to identify who is on screen at any time. Identifications are inconsistent
and
often fleeting, and subtitles race by, often too quickly to be read. Song lyrics are
translated - sometimes. Still, the sum of the parts here is a living, breathing whole;
A film
that works in total in ways that the individual parts fail.
VIDEO:
The biggest downer about Cubanissimo is the video quality. The full-frame
transfer,
whether intentional or not, is horrendously ugly. The entire film is tinted an ugly
yellow,
rendering the sunny colors of the Cuban settings murky green and orange. I have no idea
why it
looks like this, but it's a joke. I thought perhaps my TV was broken at first. The
picture is
also not particularly sharp (which is understandable given the variety of sources used)
but
whatever the filmmakers did to the picture after they assembled it was a big mistake.
AUDIO:
The Dolby Digital stereo audio is much better. Not showcase quality, and still
compromised
technically by the variety of source material, the soundtrack does a nice job of
presenting
the music. It's lively and clean, for the most part. Unlike the video, the audio works
nicely
and makes the disc worth a look. It's in Spanish with permanent (if inconsistent) English subtitles.
EXTRAS:
Nothing.
FINAL THOUGHTS:
Aside from the strangely terrible video quality, Cubanissimo is a worthwhile
film. For
all its choppy style, the film contains fabulous performances and that makes up for a
lot of
filmmaking incompetence. Fans of the music will definitely enjoy listening to the
parade of
greats on this disc.