Reviews & Columns
Reviews
DVD
TV on DVD
Blu-ray
4K UHD
International DVDs
In Theaters
Reviews by Studio
Video Games

Features
Collector Series DVDs
Easter Egg Database
Interviews
DVD Talk Radio
Feature Articles

Columns
Anime Talk
DVD Savant
Horror DVDs
The M.O.D. Squad
Art House
HD Talk
Silent DVD

discussion forum
DVD Talk Forum

Resources
DVD Price Search
Customer Service #'s
RCE Info
Links

Columns




Flowers of St Francis

The Criterion Collection // Unrated // August 23, 2005
List Price: $29.95 [Buy now and save at Amazon]

Review by Ian Jane | posted August 18, 2005 | E-mail the Author
The Movie:

Made in between his two better known Ingrid Bergman vehicles (Stromboli and Journey Into Italy respectively), Roberto Rossellini's The Flowers Of St. Francis (also known as Francesco Giullare Di Dio which translates to Francesco – Jester Of God) is a fantastic exercise in visuals with a quaint, simple, and effective story behind it all. The film tells in a few separate chapters over a quick eighty seven minute running time a series of stories that take place during the formative years of the Franciscan Monks in the Italy of the thirteenth century, with St. Francis of Assisi as the central figure (but not so much a lead character).

Rossellini's neo-realist approach to making the film dictated that he use real monks to play the Franciscan brothers in the film (one Brother Nazario Geraldi is in the role of St. Francis himself), and as such there's an air of authenticity to the proceedings. The basis of the film is that these monks act out various small vignettes from the teachings of St. Francis without much else there in terms of structure, plot or narrative. They're connected by the relatively short time span in which they take place and by the founder of the order but other than that, they're more or less random intervals of monks out there practicing what they preach and proving that actions do in fact speak louder than words ever will. It's a very simple idea to base a film on, but the end results are quite effective and quite beautiful.

The film was shot to emulate the paintings of the era in which it is set and from a visual stand point, the film is amazing. Quiet scenes such as when St. Francis holds an audience with a man suffering from a severely advanced case of leprosy have a power in their silence (no dialogue, simply quiet background noise keeping us in the moment) that words would take away from. There's a tenderness to the scene that is relayed to the audience perfectly through actions, not words. The teachings of St. Francis – 'humility, compassion, faith and sacrifice' are each illustrated in the movie, humility illustrated beautifully when one member of the entourage asks the others to punish him while he lays down in the mud as he was too proud and too arrogant in his decision making. The scene where the monks trudge through a bitter storm holds such dramatic strength again despite the infrequent dialogue that you can't help but be pulled into their plight. A scene involving armed soldiers is one of the more dialogue heavy scenes in the film but it too serves its purpose, again illustrating the importance of practicing what one preaches.

Co-written by Federico Fellini, The Flowers Of St. Francis isn't so much a biographical study of the man or even an exploration of his life and times but instead is simply a quiet peek into the world he lived in with a just enough importance given to how he and his fellow brothers of the cloth tried to make it a little better for those they shared it with. The film leaves whatever analysis is necessary completely up to the viewer and it simply shows you what they did and how they did it and lets you make up your own mind. It is neither heavy handed nor preach but simply descriptive of the events in primarily its visuals.

The DVD

Video:

Criterion have done a very nice job of cleaning up their 1.33.1 fullframe transfer, which presents the film in its original aspect ratio. The black and white image is exceptionally strong and there is a pleasing level of depth to picture. Overall image quality is quite strong - contrast levels are well balanced and the black levels stay pretty strong throughout. There is some moderate grain and some noticeable print damage present on the image but it isn't anything to complain too heavily about. Overall there's a pretty revealing level of clarity to the transfer and the image handles not only the stark blacks and whites but also the intermediate grays very nicely as well. This DVD does justice to the beautiful cinematography and considering how important the visuals and compositions are to the film's narrative, that's a very good thing indeed.

Sound:

The film is presented in its native Italian language in a pretty decent sounding Dolby Digital Mono mix which includes optional English language subtitles that are free of any typographical errors and are clean, clear and easy to read. The audio mix for the film is quite basic, there are a few scenes with little or no dialogue and during these moments the film makes use of ambient and background noise which this mix reproduces very nicely. Criterion has obviously gone to some effort to clean the mix up as while there is some audible hiss in one or two spots, it's only very minor and there aren't any problems distortion during playback. The dialogue is pretty distinctive sounding and it's certainly easy enough to follow even if it doesn't have much range. In short, there's really nothing worth complaining about here and what little musical score is used in the film sounds particularly good.

Extras:

The most prominent of the supplements on this release are exclusive new video interviews, conducted in 2004, with Roberto Rossellini's daughter, actress Isabella Rossellini; film critic Father Virgilio Fantuzzi; and writer and film historian Adriano Apra. Isabella Rossellini's interview runs just under fifteen minutes and is the only one of the three conducted entirely in English (the other two have optional English subtitles) and she spends most of the time explaining some background information on her late father and sort of where he was at during this point in his career and how it was a personal film for him to make. The interview with Father Virgilio Fantuzzi is a little more technical and theological in nature, clocking in at roughly thirteen minutes, and he discusses the making and history of the movie in a fair bit of detail. The final interview with Adriano Apra provides yet more background detail on the making of the film as well as some well grounded observations and criticisms of the end product. All three interviews are quite interesting and provide some nice background and contextual information on the feature film itself.

In addition to the interviews, Criterion also supplies the American release introductory scene for the film that places the film in its historical context by way of various paintings and frescoes. While I don't personally feel that this needed to be tacked onto the film (I'm thankful that it's here as an extra and not as part of the film itself), it's nice to see it included here for the sake of completion and there are some very impressive images contained in this sequence.

Inside the keepcase is a thirty six page booklet featuring a new essay on the film by film scholar Peter Brunette, reprinted writings of Roberto Rossellini on the film, and reprinted writings on the film from critic Andre Bazin. This booklet also contains a listing of the chapter stops, a list of cast and crew members, production credits for the DVD release, and technical information about the transfer and sound mix.

Final Thoughts:

While The Flowers Of St. Francis may not get the recognition attributed to some of Roberto Rossellini's better known films, it's a beautiful and simple movie that tells its tale with class and subtlety. The visuals are fantastic and regardless of where your own personal theology may lie, its message is poignant. Criterion gives the film a nice sharp transfer and supplies some interesting extra features that compliment the film perfectly. Highly recommended!

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

Buy from Amazon.com

C O N T E N T

V I D E O

A U D I O

E X T R A S

R E P L A Y

A D V I C E
Highly Recommended

E - M A I L
this review to a friend
Popular Reviews

Sponsored Links
Sponsored Links