Shot more or less back to back with his other 'made in Europe' production with the one and only Udo Kier Blood For Dracula 1973's Flesh For Frankenstein ups the ante in the laughs department but still delivers some atmospheric moments and plenty of nasty gore. What made this one stand out from the heard of gothic Frankenstein movies was that it was to be made for 3-D audiences, and while it isn't presented that way on this DVD, you can still tell that there are certain scenes in the film that really would look quite good with the added depth (having seen it in 3-D, I can attest that it's pretty damn cool to see a handful of entrails come out of the screen at you).

Kier plays the one and only Baron Frankenstein, a strange mad scientist type who lives in a creepy old castle with his sister who he has also made his wife, Baroness Katrin (Monique Van Vooren). Together they have two inbred children named Erik and Monica, and the Baron's lab assistant, Otto (Arno Juerging) resides in the castle as well.

The Baron spends almost all of his waking hours downstairs in the lab with Otto, trying to complete his most recent experiment, which is to reanimate a male and female couple that he has built out of parts from various corpses. While the female is looking good and almost ready to go, the Baron still has not found the right head to attach to his male creation, who he'd also like to infuse with a strong sex drive to ensure that the female of the pair is kept happy and so that he can breed his creations.

Thankfully for the Baron, there's a local farm worker named Nicholas (Joe Dallesandro) who spends a lot of his free time making it with the local ladies and as such, he's got a reputation as a bit of a stud. When the Baron heads on down to the local house of ill repute to find Nicholas, he errs and ends up capturing his best friend, Sascha, instead. The Baron cuts of Sascha's head and attaches it to his creation, while Nicholas has been hired by the Baroness to take care of her womanly needs. When he heads on over to the castle for dinner one night, he notices something unusual about the Baron's new pal, and he starts to become suspicious. The more he and the Baron's two children start to look into things, the worse it looks and the decide to figure out just exactly what is going on in the castle and why…

Like Blood For Dracula, this film makes excellent use of its sets and locations which give the movie a look that really does a fine job of hiding the fact that it was shot for peanuts. While some of the gore effects are so obviously fake that it becomes laughable (which may or may not have been the point in the first place), a few others are downright grisly and quite disturbing by their very nature (best exemplified by Otto's scar licking scene and the many shots of hands holding entrails down in the laboratory).

Udo Kier once again steals the show as the mad doctor. He throws himself completely into the role and is at times very over the top in his performance, but it works and it works well. He's got a great chemistry with Arno Juerging and they work well together in the film. Van Vooran isn't as interesting in the movie but she is a treat to look at in that she's got such a unique face that it gives her instant screen presence even when it seems like she might be sleepwalking through a few scenes. Joe Dallesandro is more or less playing the same local man-whore here that he played in Blood and he's more than capable of delivering what the role requires, even if his accent sticks out like a sore thumb.

Video:

Image's 2.35:1 anamorphic widescreen transfer is very nice and proves to be a vast improvement over the previous Criterion DVD release (which was a non-anamorphic port of their laserdisc transfer). The image is much sharper and presents a lot more detail in both the foreground and the background of the picture. Colors look very rich and the reds are vibrant and bright but don't bleed into the rest of the image. Black levels are strong and there aren't any problems with mpeg compression artifacts. Some edge enhancement is present in a few spots but if you're not looking for it you're not likely going to even notice it as it is really minor. Film grain is present throughout but it's not distracting and while there are some instances where you're apt to pick up on some print damage, again, it's nothing too serious (the majority of it is noticeable in the opening five minutes) and for the most part, Flesh For Frankenstein looks really good on this DVD. A 3-D option would have been nice to see, but no dice.