"Prime" is about a woman who starts dating her psychiatrist's son, and none of the three people involved realize it. How that can happen is a marvel of screenwriting: The writer has to be very careful about what these three people say to each other, lest everything be revealed sooner than he wants it to be. The son can't mention to his mom what his new girlfriend's name is, and the woman can't tell her psychiatrist the full name of the man she's dating. Oh, and the psychiatrist and her son need to have different last names.
I think Ben Younger, who wrote and directed the film, has all his bases covered. Which isn't to say that the whole scenario is plausible, merely that it's possible. Even when the truth does come out, there is still plenty of time left to deal with the aftermath. Younger keeps the focus on the characters as people, not just as pawns in a silly movie plot. I like that a movie with such a farcical premise can be so upscale and witty.
Uma Thurman plays the woman, Rafi, 37 years old and recently divorced. She meets David (Bryan Greenberg) through a mutual friend and begins dating him, recognizing that he's younger but not knowing how much younger until she finally asks: He's 23. Yikes. They both think the age difference is substantial, but they both know they like each other, too.
Meryl Streep plays Rafi's psychiatrist, Lisa, a very Jewish woman who, like all New York psychiatrists (at least the ones in movies), wears big goofy necklaces, out-of-date eyeglasses and a frumpy hairstyle. She's delighted that Rafi's dating someone, and since Rafi tells her that the man is 27 -- she's too embarrassed to mention his real age -- Lisa doesn't realize that Rafi's David is HER David.
Meanwhile, Lisa is berating David for dating a girl who, by his description, is not Jewish. Mom is insistent that there's no point in dating someone you have no intention of marrying, and if he plans to marry a shiksa, he'll do it over her dead body. David doesn't argue the point; he's just dating for fun right now. He's young and carefree, so why not?
So we know more about the characters than they do, and there is much humor in seeing them discover it, one at a time, slowly but surely. Lisa is pleased to hear Rafi talk about her sexual exploits with David; you can imagine how that changes once she figures out who David is. Even simple things like Rafi's discovery that her too-young boyfriend lives with his grandparents (he had to get out from under his mom's thumb) can be hilarious.
You gotta love Meryl Streep, and you gotta love Meryl Streep doing comedy (see "Adaptation"), proving that a great dramatic actress can be funny, too, by employing the same rules: Be real and be honest. She's paired here with Uma Thurman, who's also not famous for being funny, but who is perfectly capable of it. I like the dynamic between Lisa and Rafi more than the one between Rafi and David, actually, and it's reassuring to see that the movie winds up placing as much emphasis on the two women as it does on the romance. (Bryan Greenberg, the likable fellow who plays David, is understandably overshadowed by Streep and Thurman.)
The romance runs into snags because of the age difference: David is youthful and irresponsible, while Rafi has already passed that phase of her life. There is the suggestion that maybe love doesn't always conquer all -- but then again, maybe it does. Or maybe it doesn't. Maybe this movie has too many scenes where Rafi and David break up, reunite, and break up again. Maybe it should give it a rest.
It's enough of a romantic-comedy to satisfy fans of that genre, but different enough from the usual template to be worth recommending to regular people, too. It's also a good reminder not to lie to your shrink.
There is an alternate French-language track. There are optional subtitles in English, Spanish and French.
VIDEO: The anamorphic widescreen (1.85:1) format has been preserved, and all the film's lovely New York colors lovingly transferred. It's a clean, beautiful transfer, perfectly suited to the film's sunny disposition.
AUDIO: You get English or French, both in Dolby Digital 5.1. The sound quality is excellent, as should be expected from a new major studio release.
EXTRAS: There's a handful of deleted scenes (8:29) that are amusing and could have been included without doing any damage to the film. (Not that the movie needed to be 8 1/2 minutes longer.)
The outtakes (3:44), on the other hand, are worthless. This was the best they could find? Just alternate takes and mild flubs? No one screwing up a line, or unable to quit laughing, or falling over? Come on!
"Prime-Time Players" (8:42) is a pretty charming, albeit typical, behind-the-scenes make-of mini-doc. It has a lot of on-set footage, which is always fun to see.
Finally, writer/director Ben Younger and producer Jennifer Todd give a very enjoyable commentary. Younger is a genuinely funny, affable young guy, and his banter with Todd can be hilarious, as when he asks her, "Have you ever lied to your therapist?" and she replies, "This isn't about me."
Younger is fond of making good-natured jokes about his cast, too. He says Bryan Greenberg "was nominated for a little thing called an Oscar for 'The Perfect Score.'" In reference to a bit player who was recently cast in "Commander in Chief," Younger expresses mock disbelief: "He's in that crazy new show where there's gonna be a woman? Who's gonna be president? ... That's crazy. Seriously, you sound like an insane person."
He and Todd also make fun of the fact that all the film's trailers and TV spots revealed the major plot point of Dave's mom being Rafi's therapist. They wish it had been a surprise, but they seem resigned to the fact that everyone watching the movie already knew going in. In all, it's a great feature commentary, a lot of fun to listen to.
The film hardly got any attention when it opened last fall, and I'm not sure why. As someone who sees far too many romantic comedies, I have to say this one is well above-average in the comedy department, and at least average as far as romance is concerned. The DVD treatment it has received makes it a worthy addition to your library, next to "Must Love Dogs" and, I don't know, "Two Weeks Notice."
(Note: Most of the "movie review" portion of this article comes from the review I wrote when the movie was released theatrically. I have re-watched the film in the course of reviewing the DVD, however.)