The movie
They say that every year, in May,
the blood of Italian professional cycling runs pink... because pink
is the color of the leader's jersey in the Giro d'Italia, one of the
three Grand Tours on the cycling calendar and by far the most
important race for Italian fans. The Quest follows one team -
Saeco Cannondale - as they try to put one man - Gilberto Simoni - on
top of the podium in the 2003 Giro. It's a story of redemption in the
eyes of the cycling world, and of teamwork at its finest.
The Quest is a documentary in
the tradition of A
Sunday in Hell, Stars
and Watercarriers, and Hell
on Wheels: it's a behind-the-scenes look at what it takes to
win the Giro, rather than coverage of the race itself (for that, you
can watch the
actual race coverage of the 2003 Giro). It's a polished and
nicely handled film, providing an engaging and revealing in-depth
look at the race that will be very interesting for both seasoned
racing fans and new viewers.
The film follows the Saeco team
throughout the three-week race, using a mix of interviews,
behind-the-scenes material, and clips from the race footage. The
overall flow of the documentary is very clear; we see how the team is
progressing over the course of the race, and at the same time we're
learning more about the different individuals involved, and about the
challenges that they all face as they try to bring Simoni to the
finish in Milan as the leader of the race. There's a lot of attention
to detail in the preparation of the material, and the payoff is
apparent in the clarity and excellent pacing of the film. Whenever
anyone is interviewed, their name is shown on-screen, with
identifying tags such as "soigneur" or "team mechanic"
added for the support personnel. The different locations are likewise
labeled, and the progression of time is generally clearly shown as
well. This is a seemingly small but essential touch, especially for
viewers who aren't familiar with the pro racing world: Saeco's
participation in the Giro involves a large support team as well as a
full team of riders, and over the course of the race's three weeks,
the race shifts to a new location every day. The fact that The
Quest keeps all of this straight in the viewer's mind, while also
delving deeper into the behind-the-scenes material, is a major point
in its favor.
The Quest's look behind the
scenes, at the daily details of life on the Saeco squad, is what
really makes the film stand out. We hear from Gilberto Simoni in a
number of candid interviews. One of the major topics is his thoughts
on the 2002 Giro, in which he was disqualified for a positive drug
test (though he was later shown to be innocent of doping), and his
desire to vindicate himself in the eyes of his fans in the 2003 Giro.
Other interview segments fill out our picture of Simoni as a
competitor and as a person. While the film focuses on Simoni, it
doesn't neglect the other riders on the team: we get a number of
interviews with the other riders who are there to support Simoni's
Giro bid, including an up-and-coming Damiano Cunego. The film
succeeds admirably at explaining a difficult concept: how a bicycling
race, with each rider counted separately, relies so heavily on
teamwork.
Racing fans will be naturally
delighted to hear from the riders, but the support staff provide a
very interesting and valuable perspective as well. The Quest
includes interviews with support staff and pays a lot of attention to
all the activities that go on behind the scenes to support the
riders: maintaining the bikes, transporting the riders from hotel to
the start, making sure they all get proper meals (in order to
replenish the approximately 8,000 calories each will burn while
riding each stage), and providing massage for weary muscles. We also
see how the riders have to do more than just race, as the demands of
their fans, the press, and their sponsors also have to be met.
The comparison to Hell on Wheels is
unavoidable; made in the same year as The Quest, Hell on
Wheels also follows a single team (T-Mobile) through one of the
Grand Tours (the Tour de France). The two films actually feel quite
different, though. Hell on Wheels has an advantage in that
it's a more distinctive topic, since T-Mobile was actually having a
remarkably unsuccessful period when the film was made; in contrast,
The Quest is more traditional in its attention to a team and
rider en route to success. On the other hand, it's nice to see The
Quest focus on the Giro d'Italia, a race that many people (myself
included) consider to be more challenging and more exciting than the
Tour de France, even though the Tour gets more publicity. In the end,
The Quest comes through as the more polished and overall more
engaging film; it does a better job of giving viewers an interesting
and well-explained look at what it takes to win a big race like the
Giro.
To top it all off, the film is
narrated by none other than cycling's most beloved commentator, Phil
Liggett, who for many viewers simply "is" the voice of
racing. Liggett does a splendid job of providing the voiceover
narration for the entire film as well as for the clips from the race.
The DVD
Video
The Quest is presented in a
non-anamorphic widescreen transfer, at what seems to be its original
1.85:1 aspect ratio. The subtitles for the Italian interview segments
sometimes get cut off at the far edges of the screen, if there's a
really long sentence, but there aren't any other indications of
misframing that I could see.
The transfer is watchable, but it
definitely has problems. The interviews and behind-the-scenes
material all looks fine, but the race footage is very badly handled.
There are frequent dropped frames, resulting in a somewhat jumpy
effect at times. On top of that, the race footage has a interlacing
problems, so that the overall clarity of the image is significantly
degraded. I was able to slightly correct for the interlacing problem
by turning off the progressive scan on my DVD player and then setting
the TV to video mode; without those tweaks, it looked pretty bad.
Fortunately, only the race footage is affected, and the overall
experience of watching the documentary ends up being OK.
Audio
The stereo soundtrack for The
Quest is clean and crisp, with all the participants' voices as
well as Phil Liggett's voiceover narration sounding clear and easy to
understand. The interviews are all in Italian, and the English
subtitles are easy to read.
Extras
There are no special features for
this DVD.
Final thoughts
There aren't many documentaries that
do a really good job of serving both the dedicated fan and the new
viewer, and The Quest is one of them. I'd certainly recommend
it to viewers who are interested in cycle racing but don't know too
much about it yet; it's informative and very interesting even if
you've never seen a bike race before. Devoted cycle racing fans will
also really enjoy the documentary, especially the rider interviews
and the great insights into what it's like behind the scenes. Even
though the image quality isn't what it should be, this DVD still
merits a "highly recommended" rating.