Where Americans have the western, the Germans have bergfilme.
This genre of film centers around mountain climbing and the hazards associated
with the activity, and is almost solely German in nature. It was
very popular in Germany between the wars and launched many careers including
Dr. Arnold Fanck who is the director most associated with the genre, and
Leni Riefenstahl the one time dancer who became a leading lady and then
world famous director.
After appearing in several Fanck pictures, Riefenstahl started directing
her own bergfilmes with The Blue Light a move that she also stars
in and wrote. It was this film that entranced Adolph Hitler brought
the director to his attention. Meeting with the leader of the
Nazi party, Riefenstahl agreed to make an hour long documentary about the
Nazis which was released as Der Sieg des Glaubens (Victory of
Faith). The following year she filmed the 1934 Nazi Party rally
at Nuremberg. The film to come out of this rally, Triumph of the
Will, is one of the most effective propaganda movies ever set down
on film and greatly advanced the Nazi cause. As impressive as that
film is, you can see Riefenstahl's eye for style and scenery in this first
film that she directed.
In a small mountain town in Germany, the villagers know that there are
valuable gems at the top of the local peak. Every full moon the top
of the mountain gives off a blue light that signals the crystals are there
for the taking. Many of the young man of the village try to climb
the peak, and some do bring back small pieces of the gemstone, but none
of them are able to make it to the top. Many die in the attempt,
lured by the promise of untold riches.
There is one person who can make it to the top however, a young girl
that has been ostracized from the community, Junta (Riefenstahl).
She's called a witch and lives alone in the wild, only coming to town occasionally.
On one trip into town, a merchant sees that Junta's carrying a huge crystal
from the mountain. She refuses to sell her treasure to him and runs
away, but this event brings her to the attention of Vigo (Mathias Wieman).
The young man in attracted to the wild, free girl who lives on the mountain
and seeks her out and eventually gains her trust. She shows him the
path she uses to get to the treasure, which leads to the film's tragic
This was a good bergfilme. While it doesn't have as much mountain
climbing scenes as some others in the genre, the story was interesting
and there was a good amount of drama. The main attraction of this
film however was the glorious cinematography. Riefenstahl was
able to make the mountains impressive and foreboding yet beautiful.
She turns Junta's simple home into a Eden-like setting with abundant berries
for her to eat and picturesque waterfalls right outside her door.
The message of the film is also clear and strong without being overpowering.
While Vigo is an intellectual and a member of modern society, he has little
in common with the simple Junta. While the girl has almost nothing
and is content with it, Vigo is constantly striving to get more and more.
The barrier between nature and civilization is clear, but the two manage
to get over that wall and fall in love. That turns out not to be
enough, and in the end it is clear that Vigo never did understand the woman
A very impressive early sound movie, it was obviously film silently
and then an audio track was added on in post-production. The dialog
is fairly sparse, as are the sound effects. This movie was also released
as a silent film in the US, though it was heavily edited.
The silent version of the movie doesn't play nearly as well as the sound
version, but the dialog and sound effects have little to do with that.
The silent edit was cut by about 27 minutes, over a third of the movie,
and this really hurts the flow of the narrative, to say the least.
This version of the movie is pretty bad and should only be viewed to see
just how badly a film can be mutilated.
Both the sound German version of this film and the silent edit made
for export to non-German speaking countries is included on this single
sided DVD. It comes in a standard keepcase. There is no insert.
The sound version of this film comes with the original German soundtrack
in two channel mono. The quality was fine for an early sound film.
Of course there was little in the way of dynamic range, but the sound was
clean with no hum or hiss, and the dialog was strong.
The silent version, on the other hand, sounded pretty bad. It
was presented with an old mono score that consisted mainly of guitar music
and was not scene specific. There was a very loud hum through the
entire film too. Not very impressive.
The video was windowboxed, with an aspect ratio of 1.18:1. The
image was very soft, and a little bright, but otherwise it looked very
nice. Though fine details were blurry the overall picture was clear
and there was a good amount of contrast.
The silent version, by contrast, looked pretty poor. The image
was faded, scratchy and dull with little in the way of contrast.
A pretty poor presentation all together.
The video quality of the silent
version of this film leaves a lot to be desired.
This disc also comes with an image gallery that collects 18 publicity
and production photos from the film. A nice collection.
This first movie that Leni Riefenstahl directed is a good film and clearly
shows the potential that she would nurture. The scenery is beautiful
and the story has a lot of drama. The audio and video quality of
the original version is good, but the silent film leaves a bit to be desired
in both categories. I'd look at the silent edit as a bonus feature
rather than a film onto itself. (I've graded the film that way.) This was an interesting film that
is easy to recommend.