Lurker Films has re-issued the first four volumes of the H. P. Lovecraft
Collection, a series of DVDs that contain both feature-length and shorter
works both inspired by and adapted from the writing of the father of modern
horror-fiction. Volume Three, Out of Mind, contains a nice
mix of films though it is the weakest installment of the series so far.
While none of these films are bad, most of them aren't as inspired as the
works of previous editions. Even so, the disc contains two hours
worth of interesting movies that are worth watching.
It would be easy to write off H. P. Lovecraft as an over-rated hack.
After all, his plots are very simple more often than not, there's frequently
little in the way of character development, and his prose is turgid and
opaque. Indeed critics have raised all those points and more (especially
the way he labels a creature as indescribably horrific only to describe
it two pages later) but these people miss the point. Lovecraft's
strength, and the reason he's remembered today when so many of his contemporaries
are forgotten, is in his unique ability to create a horrific atmosphere
and a pervading sense of unease. No other writer has been able to
consistently generate a feeling of foreboding and discomfort the way Lovecraft
can. He's the father of modern horror fiction, and has influenced
such diverse writers as Stephen King and Batman scribe Denny O'Neil (who
named Gotham's Arkham Asylum after the fictions city of Arkham Massachusetts
which appears in Lovecraft's fiction.
Because of his prose style and the way he leaves much of the horror
to the readers imagination, Lovecraft's stories are innately difficult,
some would say impossible, to accurately adapt to other mediums, especially
a visual one like film. This hasn't stopped many people from trying,
and the results have been more often than not unsatisfactory, at least
as far as the feature films are concerned.
Lurker Films has now released a series of discs containing adaptations
of Lovecraft-inspired movies that do capture the horror master's style
and atmosphere on film. Known as The Lovecraft Collection,
each of these discs offers some interesting takes on Lovecraft's stories.
Volume 3: Out of Mind:
Out of Mind (56 minutes):
Intertwining a biography of Lovecraft with a story the of an unsuccessful
artist who inherits the Necronomicon, this is an interesting film that
unexpectedly succeeds in a lot of ways. Starting with a "vintage"
filmed interview with Lovecraft (played amazingly by Christopher Heyerdahl
who quotes from Lovecraft's stories and letters) the movie establishes
the writer's personality and beliefs before launching into the narrative
The plot concerns a young struggling artist, Randolph Carter, who unexpectedly
discovers that he's inherited a box from a distant relative he's never
even heard of. The box contains a picture of the relative, who bears
a remarkable resemblance to Carter himself, a letter written in strange
symbols addressed to a professor at a Miskatonic University, and a copy
of a very old book: The Necronomicon. Reading the latin inscription
on the back of the picture, Carter apparently travels back in time to when
his relative was a young man, and meets a man who is studying the black
arts. Told through flashbacks and dreams, the man becomes convinced
that his dead relative is trying to cast a spell on him from beyond the
grave, one that will allow him to take over Carter's body.
As I mentioned, there are several things that work very well in this
film. Heyerdahl's portrayal of Lovecraft is uncanny and amazing.
These intercut scenes work well and help set the tone, and the conclusion
where Carter and Lovecraft actually meet is a highlight of the story.
The bizarre creatures that pop up in the film are also very good, an the
director wisely shows them only in glimpses, or not at all. And while
the plot reveals itself to the viewers before the main character figures
things out, the story is unique and engaging enough to keep people interested.
There are a couple of pitfalls however. First and foremost, I'm
not sure how much this movie would appeal to someone who wasn't already
a Lovecraft fan. A lot of the enjoyment I got out of the film was
picking out Lovecraft references, including the name of the main character
(when writing himself into a story, Lovecraft always gave his alter-ego
the name Randolph Carter) and the person whose tomb is robbed at the end
("Howard Phillips" Lovecraft's first and middle names.) I'm not sure
how well non-Lovecraft would enjoy the story if they missed all of the
in-jokes. There were a few too many scenes that ended with
the main character waking up from a dream, which go old quickly, and the
scene Lovecraft is walking through a forest trying to pronounce Cthuhlu
is just dumb. Even with these defects however, the movie is interesting
and fun and well worth watching.
A/V: I was under-whelmed by the anamorphic 1.66:1 picture
quality of this feature. There were a lot of digital artifacts that
marred the image, mosquito noise was prevalent, posterization was common,
and there was some significant aliasing. Small objects in the background
are very soft and filled with encoding errors. It's actually not
as bad as it sounds. It certainly looks like a professional production,
it's just not overly impressive.
The Outsider (6 minutes):
When watching Aaron Vanek's adaptation of this Lovecraft story one word
comes to mind: Amateurish. I don't mean that as an insult,
more that this film represents someone learning their craft, rather than
an accomplished professional. From the sound levels and lighting
to the acting, cinematography and direction this came across as a project
that was just a bit beyond Vanek's abilities. The one area where
the film excels is in the make-up department. The creature at the
end was magnificent. Not a bad story, but it's hard to suspend one's
A/V: The sound effects were mixed too high in parts obscuring
the narration, and the full frame image was about average. (One note:
when shooting day for night, make sure you don't include the sky in the
frame....it's a dead giveaway.) There are optional subtitles.
My Necromonicon (less than 2 minutes):
A very short piece about a man who obtains a copy of Abdul Alhazred's book.
This silent black and white short was made by the same man who directed
The Outsider (Aaron Vanek) with unused film from that project.
It didn't leave much of an impression.
The Music of Erich Zann (16 minutes):
This is a good example of why Lovecraft's stories are so hard to bring
to the screen. This particular tale involves music, the only Lovecraft
story that I recall where music plays a big part. A young man (named
Charles Dexter Ward in the film though a quick glance confirms that he's
never given a name in the story) takes a room in a boarding house and every
night he hears odd but compelling music coming from the room upstairs.
One evening he meets the old man who is responsible for the strange violin
music and asks if he can sit in on a practice session. Reluctantly
the bizarre, mute man agrees, and the two become friends. Zann is
hiding a secret however, and there's a reason for his nightly concerts.
While the film does an adequate job with most of the story, the ending
is a real let-down. Visually it lacked impact and it didn't do a
great job of tying up the story. Musically the short fails also.
The music that is heard in the piece isn't all the odd or bizarre, and
because of that it's hard to understand why Ward is so fixated on it.
Not the greatest adaptation of a Lovecraft story.
A/V: The full frame image was grainy and there were a few
print defects, a couple of spots here and there. Digitally
there was a little aliasing too. The disc offers viewers an option
of a DD stereo track, a DD5.1 track, or the original audio, which was also
in stereo. The original had more sound effects but they became intrusive
and overwhelming in places. The other two tracks were fine, and I
enjoyed the 5.1 track the most especially during the conclusion.
There were also trailers for The Call of Cthulhu (reviewed here)
and The Unnamable.
This disc also has the third part of an interview with Lovecraft scholar
S. T. Joshi that lastsabout 16 minutes. This time around Joshi
talks about Lovecraft's prolific letter writing as well as the origin of
the Music of Erich Zann. Joshi is a bit pompous at times but he does
know a lot about Lovecraft.
The only other video bonus is an 11-minute interview with the cast and
crew of the movie The Music of Erich Zann. They talk about
the usual things, the genesis of the project, the problems with the adaptation,
and the shooting itself. It's a bit more on the technical side; there
is a discussion about the film stock that was used and the lighting.
Not the most exciting set of interviews but worth watching if you're interested
in the nuts and bolts of filming.
There is also a commentary by director Aaron Vanek on The Outsider.
A bit technical at times, but not a bad commentary.
The disc also comes with a nice 8-page booklet that includes essays
on all the films.
While this wasn't my favorite volume in the H. P. Lovecraft Collection,
I did have a good time screening these films. The feature film is
certainly interesting and the other presentations are worth watching.
The Joshi interviews have been nice supplements to the discs, and this
one is no exception. When all is said and done this is a weaker disc,
but still worth picking up. Recommended.