Flicker Alley recently released an impressive five-disc collection that
gathered all of the existing works of the pioneer filmmaker George Méliès.
(Read my review of the set here.)
The mammoth set is a great addition to the collections of film scholars
and die-hard fans of early film. Honestly though, how many people
are really interested in seeing 173 Méliès films? Most
people would be happy with a nice selection of this important director's
work, and that's where Kino comes in. They've recently released,
in association with Film Preservation Associates, The Magic of Méliès. Previously available in the The Movies Begin: A Treasury of Early Cinema 1894-1913 boxed set,
this collection of 15 entertaining and fun films created by the French director
over 100 years ago.
George Méliès was the son of a factory owner, and rather
than join his brothers in the family business and live a comfortable, but
boring life, he was drawn to the stage. He studied magic and eventually
talked his father into buying the Robert-Houdin Theater in Paris for him
where he performed. In between acts, Méliès would project
magic lantern slides onto a screen, and when the Lumiere Brothers presented
their first movies, Méliès knew that they were going to be
popular. He was unable to buy a camera from the Lumiere's, they said
that in all good conscience they couldn't take his money since movies were
just a fad (though that was just an excuse....they didn't want the competition.)
He ended up going to England to purchase a camera and projector and started
making actualities, slice of life films that everyone was making at the
time and showing them in his theater.
It didn't take him long to start innovating however. Méliès
soon discovered that by stopping the camera and movie around set pieces
and people, he could cause object to appear, disappear, or appear to move
on their own. He experimented with double exposures and split screens
and basically invented the art of special effects.
This collection includes over a dozen of Méliès creative
and imaginative shorts. Watching these, it is easy to understand
why his films were so popular. Even today the movies are entertaining
and ingenious; Playing cards come to life, the sun and moon have human
faces, and a prankster attaches two policemen to each other with a stick
of glue. Méliès really let his imagination soar with
his films and created some of the most innovative and commercially viable
movies ever made.
The highlight of the set is The Impossible Voyage (1904), a film
that tries to cash in on the success of Méliès most famous
film, A Trip to the Moon (1902, which despite the image on the cover,
is not included on this disc. That's not an egregious error however
as the film is available on several other DVDs.) In this a fantasy
adventure film that has a group of explorers traveling around the world
and eventually taking a train to the stars. The version included
on this disc is hand-colored and features a narration that was written
by Méliès especially for the film.
These films come with a synthesizer score that is nice, but I'm really
not a fan of electronic music for silent films. There's just something
about it that seems 'off'. The audio wasn't distracting or horrible,
just not my cup of tea. The sound quality was good however with no
distortion or background noise.
These films are presented window boxed with a 1.15:1 aspect ratio.
Though I haven't researched it, I expect that this is the OAR. The
films are very old, but they look very good in on this disc. The
contrast varies but is generally excellent and the level of detail is also
strong. The image is a bit soft, but that's not unexpected.
The image from
this collection (left) has a bit more image, though it is not as sharp
as the one from Flicker Alley's set (right.)
When compared with the Flicker Alley collection, these prints seem to
be the same ones used for that collection, but the Flicker Alley set has
a bit more contrast and is sharper overall. The blacks in the larger
collection of films are also deeper. There is a bit more image shown
on the films on this disc however, mostly on the top and right.
This disc comes with a 20 minute documentary on Méliès
from 1978: George Méliès: Cinema Magician.
It's a nice overview of his career if a little dry. The narrator
is pretending to be Méliès, complete with a phony French
accent, and speaks in the first person, which isn't my favorite way to
narrate a documentary. If all of his spoken parts had come from actual
letters he wrote or interviews he gave, that would be one thing, but this
didn't sound like that was the case.
There are also a series of film notes, which just reproduce the description
of each film from Méliès' own catalogs.
Running at an hour and twenty minutes (plus extras) this disc has just
the right amount of material. There's a nice selection of enjoyable
and inspired shorts, but it's not so much that it gets overwhelming.
If you're looking for a taste of this innovative director's work, this
is the disc for you. A strong Recommendation.
Special Thanks to Karl R. for pointing out where this disc originally appeared.