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Pirates of the Caribbean Trilogy

Walt Disney Studios Home Entertainment // PG-13 // September 16, 2008
List Price: $82.99 [Buy now and save at Amazon]

Review by Ian Jane | posted September 13, 2008 | E-mail the Author

The Movies:

One of the most successful film franchises in recent memory, Disney's Pirates Of The Caribbean films were previously released on Blu-ray one at a time in fairly lavish two-disc special editions. Those two-disc sets have essentially been repackaged in a nifty cardboard case and re-released in handy boxed set format as The Pirates Of The Caribbean Trilogy. There are no differences in content or in technical specs between the discs in this collection and the previous releases, in fact, the only difference at all is the slipcase packaging.

With that out of the way, here's a look at what's inside:

Pirates Of The Caribbean: The Curse Of The Black Pearl:

When the first film begins, a warship flying the British flag is heading into the seas around the Caribbean but the crew is soon distracted by a ship they encounter that has obviously been robbed by pirates. There are no survivors on board save for a young boy named Will Turner (Orlando Bloom) who soon grows into a young man who works in a small island called Port Royale as a blacksmith where he hopes to marry the love of his life, the beautiful Elizabeth Swann (KeiraKnightley). Unfortunately Elizabeth's father (Jonathon Pryce) is the island's governor and he'd much rather see his daughter marry Commander Norrington (Jack Davenport), a navy officer soon to be promoted to Commodore. Everyone's lives become considerably more complicated when a rogue pirate named Captain Jack Sparrow (Johnny Depp) comes to the island with every intention of stealing the fastest ship on the seas, The Interceptor, so that he can head back to see and get back to doing what pirates do best.

During the ceremony to celebrate Norrington's promotion, Elizabeth falls into the water. When a medallion she's been wearing, given to her by Will, hits the water it has a strange effect but it's soon overshadowed by Jack Sparrow's successful rescue of Ms. Swann but being a wanted man and all, the powers that be reward Jack by throwing him into prison. Later that night, the fabled ship The Black Pearl, said to carry an undead crew, arrives in port and opens fire on the town. The crewmen kidnap Elizabeth and Will, desperate to save her, frees Jack Sparrow and forms an uneasy alliance with him. Given his past, it's understandable that Will's not exactly comfortable around pirates but he wants nothing more than to save Elizabeth, while Jack still lusts after the ship he came to town for in the first place. The two steal The Interceptor and Jack takes Will to save Elizabeth but Will soon learns that there's more to Jack's story than he's initially let on - it turns out that he was at one point the Captain of the Black Pearl and that Will's own father was one of his crew until a mutiny took Jack out of power and put a man named Barbossa (Geoffrey Rush) in Jack's place. The crew of The Black Pearl then went scoring the seas trying to gather up all the pieces of Aztec gold that they could only to find out that it was cursed, hence their undead state. The only way that they can return to a living state is to spill Will Turner's blood and all the while the navy is chasing Jack and Will.

Incredibly well paced and choke full of excitement and fun, Pirates Of The Caribbean: The Curse Of The Black Pearl: was a smash hit when it played theaters and for good reason. A film that kids of all ages can enjoy, the film embodies the same sense of adventure and fun that made the swashbuckling films of Errol Flynn so popular in their day, only updated for modern times. Loaded with excellent special effects and great camera work, the movie is as slick looking as it is enjoyable and the movie is a great blend of humor, action, thrills and romance. The writing is considerably more intelligent than you'd probably expect for a film that is essentially inspired by an amusement park ride, particularly in the character development department. Each of the core characters has their own distinct personality and traits, making them a lot more fleshed out and interesting than they would have been had they been designed as little more than plot devices used to string together the action set pieces. Thankfully the performances are all up to the task as well, with Depp stealing the show as Sparrow, one of the most enjoyable and now instantly recognizable movie icons to come along in some time. That said, supporting performances from Knightley, Bloom and particularly Geoffrey Rush all add to the fun and provide a lot of genuine on screen chemistry.

Gore Verbinski does a fine job directing. As mentioned, the lengthy film never feels as if it's suffering from pacing problems and the picture easily holds our attention from start to finish. The film manages to find the right mix of action and adventure and genuine heart. The comedic elements fit in with the more serious parts of the film quite nicely and the cast prove capable with both the physical side of the performance (the action scenes) and the more dramatic moments. It's one of those rare films where it all just comes together and works. A true testament to how good a mainstream blockbuster can be when made with care, rather than spit out to cash in on a trend or a craze.

The film's popularity lead to two sequels...

Pirates Of The Caribbean: Dead Man's Chest:

When this second film beings, Will Turner's about to wed Elizabeth Swann only to have their big day interrupted by the arrival of Lord Cutler Beckett who has his man place Will and Elizabeth under arrest for saving Captain Jack Sparrow from the hangman's noose. Beckett offers Will a chance to gain his freedom, however. If he agrees to go after Sparrow and bring him back the compass that he stole in the first picture, he'll let him and Elizabeth go free. Meanwhile, Jack, who is sailing around on his new ship, The Black Pearl, is paid an unexpected visit by Will's late father, Bootstrap Bill (Stellan Skarsgard), who is in allegiance with the insane undersea ruler, Davy Jones (Bill Nighy). Bill is sailing around on The Flying Dutchman, Davy Jones' boat, and he doesn't want Jack to fall into the same trap that he has and so he's hoping his appearance will serve as a warning to the pirate. It seems that Jones is after Sparrow with a vengeance as, surprise-surprise, Sparrow owes him for a deal that he made with him in order to get The Black Pearl up from the bottom of the ocean floor. Jack told Jones he'd work on his ship once thirteen years had passed and now he's run out of time, which means Jones is going to set his monster pet, The Kraken, on Sparrow to claim what he feels is rightfully his. All the while, Will is catching up to Jack...

A worthy successor to the first film, Dead Man's Chest isn't quite as tight as the first picture is but it's still a whole lot of fun. The same sense of grandeur that made the earlier picture so enjoyable is here again and despite a couple of pacing problems and a few scenes that could have been trimmed a little bit, Gore Verbinski and company have turned in a fine film. Much of the credit for this second film's success needs to go to Bill Nighy as Davy Jones. A quirky and unusually animated actor, he really brings a lot of life to the character and the scenes involving Jones and his quest to get Sparrow are the high points of the picture. That said, Depp is still Depp here and his charismatic lead performance infuses the film with a lot of wit and charm while Knightley and Bloom fill in the background quite nicely. That said, it's hard to complete with Nighy and his crew - a bunch of wonderfully animated undersea beasties created by Industrial Light and Magic. There's so much weird detail and macabre humor in these scenes that they really do wind up stealing the show. These scenes stand as an example of how CGI and flesh and blood actors can be combined effectively when the computer generated effects are done right and with the proper attention to detail and, to a certain extent, realism at least in terms of how living creatures move and react.

The action and battles scenes are handled just as well here as they are in the first picture. They're epic and beautifully shot and wonderfully exciting when they do occur. The cinematography and lighting ensures that the cameras capture all of the action with plenty of style and the interplay between the cast members ensures that even during the darker moments we don't have to take any of this too seriously. A sense of humor is a big part what made the first film such a massive success so it's nice to see that the filmmaker's have worked hard to ensure that the same comedic elements trickled down to the second film in the series. Depp in particular shows a real knack for the funnier bits in the picture, and the writers have obviously written the role to play to his strengths as an actor.

Despite the scenes that do go on too long, it's hard not to have fun with this second film. It isn't quite as good as the first picture, which despite its length never felt too long or drawn out, but it comes very close at times and it does a good job of expanding on the mythology established in the series' introductory chapter. Unfortunately, the same can't be said for the third (and so far final) entry in the series...

Pirates Of The Caribbean: At World's End:

Picking up pretty much immediately where Pirates Of The Caribbean: Dead Man's Chest left off, we meet up with Elizabeth Swann, Will Turner, and the recently resurrected Captain Barbossa who have decided to rescue Jack Sparrow. Many assume Sparrow to be deceased though unbeknownst to them he is currently locked up in Davey Jones' locker.

Their travels, with Jack now in tow, find them in hot water with Davey Jones and then Lord Cutler Beckett and unfortunately for our heroes, the two have formed an alliance with one another in hopes of saving the high seas from the scourge of piracy in the name of the East India Trading company. In order to stop Beckett and Jones from wiping everyone out, Sparrow and company must gather together the pirate lords and form an allegiance - but will they be powerful enough to stand up to Jones' mighty fleet? Probably not, so they lords decide that the best course of action would be to gather up the mystical pieces that hold the goddess Calypso captive so that they can free her and enlist her aid in their fight. It all leads up to a massive showdown in which the pirates must fight with everything they have against the East India Trading company or risk becoming extinct once and for all.

Pirates Of The Caribbean: At World's End is a bit of a mess in the plot department and at over three hours in length, it's much too long - there could have easily been a half hour or more chopped out of this film to quicken the pace and improve the flow. As it stands, this cut of the picture feels bloated and the messy storyline doesn't help matters much. This film is much weaker than the two that came before it and not nearly as much fun because of it. That said, the film isn't a total write-off, and in fact, there are aspects of the picture that work quite well and make the movie worth a watch.

On the surface level alone, Pirates Of The Caribbean: At World's End looks fantastic. The battle scenes are fantastic, the effects are excellent, the make up and costume design is top notch and the attention to detail that is evident in the set design is quite remarkable. This is, visually, a very impressive picture and quite a feat in terms of technology and cinematography and the film works perfectly as eye-candy. A few of the performances are also enjoyable. Depp is his usual charismatic self and by this point is obviously very comfortable playing Jack Sparrow and enjoyable supporting rolls from Chow Yun-Fat (who steals the show as Taiwanese pirate lord Captain Seo Fang) and Keith Richards as Captain Teague were a nice touch. Keira Knightley still can't act all that well but she's fun to look at and casting her alongside Orlando Bloom makes her appear to be a better actress than she really is.

There are also some interesting elements in the plot that deserve some mention, as it is a considerably more layered work than the two films that came first. By this, the third film in the series, the world of the pirates has been pretty much established and so with that out of the way the story does go in a different direction than a lot of people probably thought it would. This is a darker, and noticeably more violent film - we see children hanged, and opponents skewered on the edge of a blade. This points in the direction of a more adult oriented picture and in many ways, At World's End is a more grown up film. The picture, intentionally or not, makes some interesting political comparisons by essentially labeling the pirates as freedom fighters, opposing the government that is trying to control them. The romantic sub-plot between Knightley and Bloom doesn't turn out the way we expect it to, and instead it too takes a darker turn than we expect. That said, even with those intelligent bits in the script and the interesting train of thought that the political comparisons can take us down, is a movie based on a theme park ride really the right place for that type of thing? Opinions can and will vary on this, obviously, and maybe it's because the film needed to hit a specific demographic that parts of the script don't work. It almost feels, at times, the movie is trying to be something different and trying to grow but that these growth spurts are hampered by the fact that the audience requires a certain amount of swordplay and a certain number of ship battles to be entertained. It could be that this is the reason for the confusion that is rampant throughout the film - it's almost as if the picture is trying to go in two different directions at once.

Lofty interpretations aside, however, even with the obvious pacing problems and the messy parts of the script, the film does contain some interesting and fun characters, some great action scenes and some amusing bits of comedy. There's certainly plenty of room left for improvement but the movie is not the disaster some would say it is. The visuals are remarkable, the story does have its moments and the premise is interesting. This alone makes it worth a watch and if it doesn't necessarily go anywhere once it's all said and done, at least more often than not it is fun entertainment.

The DVD:

Video:

All three Pirates Of The Caribbean are presented in 2.35.1 anamorphic widescreen 1080p (VC-1 for Black Pearl, AVC for Dead Man's Chest and At World's End) transfers that are, for the most part, excellent. Detail is fantastic throughout each film as is color reproduction. Black levels are strong and deep for the duration of the trilogy and there aren't any problems to note with compression artifacts or heavy edge enhancement. Sharpness and contrast look dead on while skin tones are nice and lifelike. There's plenty of detail in both the foreground and the background of the image - the grain in the wood of the ships, the textures in the costumes, the spray of the ocean and the smoke from the canons and firearms used - it's all portrayed with great clarity. You can make out pretty much every piece of stubble on a random pirate's face or every chink in his sword even during the scenes where there's a lot of smoke and shadows. At World's End doesn't look quite as nice as the first two films, surprisingly enough - there doesn't seem to be quite as much detail and the colors are a little more flat looking - but it still looks great. Regardless, the films all look fantastic in high definition, these transfers hold up very well.

Sound:

English language 5.1 48 kHz/24-bit PCM sound mixes are supplied for each of the three films in this collection. Like the video quality, the audio quality in this set is excellent across the board. There are plenty of directional effects used to add atmosphere and depth throughout the trilogy that comes at you from all over the place. The battles scenes are intense and immersive while the more subdued moments remain crisp and clear with much of the dialogue coming from the front of the mix. Bass response is strong and tight without overpowering the higher end of the sound mix. There's an amazing amount of fantastic background noise present here - listen carefully and you'll notice all manner of interesting little details like the creaking of the boats, background chatter during crowd scenes, and clinks and booms and other effects during the battle sequences. Subtitles are included for each film in English SDH, French and Spanish and standard definition Dolby Digital 5.1 Surround Sound mixes are supplied for each film in English, French and Spanish.

Extras:

Each of the three films is given a two-disc release and the extras are spread across both discs. Here's a look:

Pirates Of The Caribbean: The Curse Of The Black Pearl:

Disc One:

The bulk of the extras on the first disc come in commentary form, as there are three different tracks included here, the first of which features director Gore Verbinkski and lead actor Johnny Depp. This is a fairly relaxed track with the two participants nonchalantly discussing their work on the picture together. At times this track is quite quiet and there's a bit of dead air here and there but it is interesting to hear from Depp about how he got into character and what it was like investing some of himself into the role. The second track is a bit more interesting. Featuring producer Jerry Bruckheimer and actors Keira Knightley and Jack Davenport, this track is more humorous and light hearted. Knightley and Davenport have a very good rapport with one another and while they don't always contribute cold hard facts, they do give us a good idea of what it was like working together on the film. Bruckheimer was recorded solo and spliced into the track where needed and his input is more screen specific and technical and it balances out the good natured goofiness supplied by Knightley and Davenport. The third commentary features the writers - Ted Elliott, Terry Rossio, Stuart Beattie and Jay Wolpert. This is an interesting discussion that focuses on character development and creation. It's interesting to learn just how these guys went about creating a film out of an amusement park ride and where many of their ideas and influences came from. Between the three commentary tracks we get a good sense of what it was like in front of and behind the camera and despite some lagging moments in the first track, a lot of ground is covered here.

Also included on Disc One is the Scoundrels Of The Sea option that, when enabled, displays some interesting historical facts and related trivia on the screen while the movie plays out by way of some pop-ups. As these pop-ups appear, click on ones that look like a piece of gold and a related documentary will start to play at the end of the film. This basically allows you to figure out, as you watch the film, what parts of the movie you'd like to learn more about once it's finished. A little instruction booklet is included inside the case explaining how to play the game.

Rounding out the extras on Disc One are the Disney Movie Showcase option (that basically shows off pre-selected effects intensive scenes to serve as home theater demo material), some Disney promo ads, animated menus and chapter selection.

Disc Two:

The second disc (all of which is presented in standard definition, unfortunately) starts off with a decent forty minute documentary entitled An Epic At Sea - The Making Of Pirates Of The Caribbean. Featuring interviews with all of the principal actors and actresses from the film as well as important crewmembers and members of the writing team, this is a reasonably interesting documentary that never quite gets as deep into the making of the film as it could have. Covered here are specific areas of the production such as the actors, the locations, production design, ships of the Caribbean, make up and wardrobe, the art of sword fighting, special effects and the film's premiere and even if it's a somewhat superficial piece, it does at least give us a feel for what went into the making of the picture, leaving some of the nitty-gritty specific details to some of the other supplements on the disc, such as the Fly-On-The-Wall mini-documentaries. These are essentially quick little documentaries that show us from a 'you are there' perspective how a few scenes were shot and created before then showing us a bit from the finished version - interesting stuff! The scenes covered here are Town Attack, Tortuga, Blacksmith Shop, The Cave, Jack's Hanging, The Dock, The Tavern and last but not least, The Plank.

Up next are a pair of character-centric featurettes, starting with Becoming Captain Jack. Here, Johnny Depp talks about how he tried to make the character his own, some of the influences that came into play as he was shaping the character before shooting started, and how he stays in character when he needs to. Becoming Barbossa is a similar featurette wherein Geoffrey Rush explains how he shaped the character and how he brought some of his idiosyncrasies to life for the big screen.

From there, check out a few effects related featurettes starting with Thar She Blows! which is an interesting look at how green screen photography was used to blow up The Interceptor in the film. The Sneak Attack Animatic is a look at how CGI was used to create the effects where the pirates walk on the ocean floor before commencing their attack on the living, while the Moonlight Serenade Progression shows how yet more CGI was used to flesh out the scene where Elizabeth discovers that the seamen of the Black Pearl really are cursed and not just making stuff up.

Thankfully, a few supplements pay tribute to the ride that inspired the film starting with Spirit Of The Ride which is a really nice look at how many tributes to the original Disney ride were thrown into the motion picture it inspired (there are a lot more above and beyond the more obvious ones like the prisoners trying to tempt the dog holding a key by waving a bone at him). Dead Men Tell No Tales - The History Of The Attraction is, as you've probably gathered, a history of the Pirates ride that shows how Walt Disney's original drawings were used as a source material to create one of the famous theme park's most famous creations. It's quite interesting to see how the ride was built and how the animatronic pirates were created. Walt Disney's Wonderful World Of Color is a clip from a vintage television show where Walt himself explains the concept of the ride before it was actually a finished and working attraction. Here we get an idea of just what Walt wanted and it's neat to compare it to how it all turned out. Some of the footage from this clip is also used in Dead Men Tell No Tales, but it's good footage and it fits well in both featurettes.

Also worth watching are The Monkey's Name Is Jack which is a collection of bizarre but unusually touching interviews with the four key cast members, producer Jerry Bruckheimer and director Gore Verbinkski as they discuss what it was like working with a monkey co-star. There are some amusing stories here and this is well worth a watch. Diary Of A Ship is an interesting look at how a ship called The Lady Washington was sailed from Long Beach in California to the island of St. Vincent to essentially become The Interceptor while Diary Of A Pirate allows bit part player Lee Arenberg (he played Pintel) to talk about his experiences working on a huge picture like this.

Rounding out the extra features on the second disc are Jerry Bruckheimer's Photo Gallery (where the producer talks about his love of taking pictures before showing us a bunch of his fairly impressive work), an interactive guide to the history of pirates entitled Below Deck, Pirates Around The World (an amusing collection of clips from the film dubbed into various foreign languages), a standard still gallery of promotional and behind the scenes images, a collection of roughly twenty-minutes of moderately interesting deleted scenes that were likely cut for pacing reasons, a blooper reel, and some nice animated menus.

Pirates Of The Caribbean: Dead Man's Chest:

Disc One:

The main supplement on the first disc is a commentary track courtesy of screenwriters Ted Elliott and Terry Rossio, the same team that worked on the first film in the series. These guys have worked together on a lot of projects and so they have a nice, relaxed manner to them and a very solid rapport on this track that does a good job of mixing some humor in with the more screen specific information that comes out as the film plays. They cover a lot of the character development and various ideas that the bantered around for various plays in the film and they discuss some of the ideas that they opted not to use as well. They also discuss their thoughts on the finished film, their relationship with series' director Gore Verbinski, and their appreciation for the performances in the film and how the actors handled the material that the two wrote.

Remember the game that the characters play in Davy Jones' ship in the movie? Well, through the interactive magic of Blu-ray technology, no you can play it too with the Liar's Dice feature where you'll be pitted against Pintel. Basically, you compete against him in a game of chance and depending on the outcome, you'll be treated to an appropriate video clip showing your opponents response. Hardly an essentially feature, but it's neat to see some interactivity worked into this format on the DVD and it is in keeping with the spirit of the movie. An instruction booklet is included for this game inside the case as well.

Rounding out the extras on Disc One are the Disney Movie Showcase option (that basically shows off pre-selected effects intensive scenes to serve as home theater demo material), some Disney promo ads, a 1080p trailer for Pirates Of The Caribbean: At World's End, animated menus and chapter selection.

Disc Two:

The rest of the supplements are found on the second disc (though as with the first film, none of them are in HD except for the trailers), starting with a documentary entitled Charting The Return that spends a half hour looking at what went into getting this project off the ground and in front of the cameras. This is basically a fairly extensive look at all the pre-production work that goes into creating a film of this scale, from the writing to conceptual art to scheduling problems. This almost entirely made out of actual footage shot while pre-production work was underway, rather than made up of interviews and talking head bits, and it gives us a fairly intimate look at some of the problems that the various parts of the production team ran into and how they either solved them or worked around them.

According to Plan is a lengthy hour long slot that examines the film's actual shoot that was carried out over a couple of hundred days and took the crew from Los Angeles, CA to the Caribbean islands. It's interesting to watch this initially enthusiastic group soon grow tired and weary - it takes some of the glitz and glamour out of the movie industry, but at the same time, it also paints a very real portrait and proves that as interesting a career as it might be, it's still a job. Along the way we're treated to a wealth of crew interviews and a ton of behind the scenes footage and the end result is a very enjoyable and fascinating glimpse into the grueling schedule and sheer amount of work that can go into a big budget picture such as this.

Up next are a few character/actor related featurettes starting with Captain Jack From Head To Toe that covers pretty much every minute detail of the costume design work that was done for Depp's character. Mastering The Blade is a fun peek at the training that Orlando Bloom, Jack Davenport and KeiraKnightley underwent to learn how to handle swords realistically in front of the camera - there is some interesting interview and behind the scenes footage contained in here. Meet Davy Jones - The Anatomy Of A Legend allows Bill Nighy to get in front of the camera a bit to talk about his work and for the ILM effects crew to show how Davy Jones was created for the film, while Creating The Kraken explores how this monster was created for the film. There's some pretty amusing footage of Depp interacting with the beast as well as some interviews with Depp and some of the crew that give the behind the scenes footage some context.

From there, check out some more effects/technology oriented segments like Fly On The Set: The Bone Cage which is a quick look at how blue screen technology was used to create that specific and memorable scene in the film. Pirates On Location: Cannibal Island And Tortega are quick looks at the location shooting that was done to create these two sets for the film while Inside Dead Man's Chest, a fairly EPK-style promotional featurette, gives viewers some interviews with the cast and the screenwriters mixed in with some clips from the finished film.

Dead Men Tell New Tales is a fun look at how Disney added a few characters from the films to the amusement park ride, namely Jack Sparrow, Davy Jones and Barbossa. It isn't very long or very in depth but it is kind of fun to see how the characters were worked into the ride and then to see Depp enjoying himself riding it once it's all complete. Rounding out the second disc of extras are another one of Jerry Bruckheimer's photo diaries, a three minute blooper reel, a brief collection of footage from the film's Disneyland premier, a still gallery of production and promotional shots, a collection of trailers. (the only extras on this disc in HD), and some animated menus.

Pirates Of The Caribbean: At World's End:

As it was with the first two films, the extras are split up over the two discs in the set. All of the supplements are presented in 1080p HD, which is a nice touch.

Disc One:

Aside from animated menus, previews for other Disney DVDs and chapter stops, the only supplement on the first disc is Bloopers of the Caribbean, which is an amusing outtake reel featuring some flubs made by the cast and crew while on set. There's just over five minutes of material here, and it's worth a watch even if you probably won't go back to it over and over again. Sadly, there's no commentary track for the film included.

Disc Two:

Keith & the Captain: On Set With Johnny And The Rock Legend is an interesting segment that covers the casting of Keith Richards and Johnny Depp (the later of whom admits that Richard was the primary influence when he was trying to figure out how to play Jack Sparrow). With input from producer Jerry Bruckheimer and a few other notables we learn how Keith came on board the project and how he and Depp enjoyed working together. It's pretty self congratulatory and it doesn't amount to much more than Richards fan worship but it is fun to see Richards on set in the behind the scenes footage and it's a nice tribute to the man.

Inside The Maelstrom is an interactive segment is done using some interesting technology that allows you to dig deeper into specifics of how this was made - you want to know about the blue screen effects? Click on the appropriate icon when it appears during playback and it'll happen. It starts off with some time lapse photography showing how the scene was created on a gigantic soundstage but once that's over with, by using the interactivity, it goes fairly deep into some interesting detail. It's really the only Blu-ray exclusive feature on the disc.

Anatomy Of A Scene: The Maelstrom is an interesting technical supplement that provides an in-depth look at the most impressive action set piece in the film. Looks for thoughts on this scene from director Gore Verbinski as well as producer Jerry Bruckheimer, and stars Johnny Depp, Geoffrey Rush, and Orlando Bloom. A lot of the effects technicians who helped create this scene are interviewed and this basically just shows us how the scene was created from the ground up. It's quite well done and very informative and it serves to give us a pretty serious look at the visual highlight of the film.

The Tale Of The Many Jacks looks at how the multiple Captain Jacks were created for the scene in question. We hear from a few of the effects people, the costume designer, as well as Bruckheimer and Depp as this brief but interesting segment details how Depp was replicated again and again in the film through some digital effects, clever camera work and editing. Also on the second disc are two quick deleted scenes, available with or without commentary from director Gore Verbinski who explains why they were cut out of the finished version of the film. The first scene is I Like Riddles (0:49) and the second is Two Captains, One Ship (1:30). Neither scene would have changed much in the cut of the film we see on Disc One but it's nice to see them included here.

The World of Chow Yun Fat is an all too brief look at the career of the inimitable Chow Yun Fat by way of some thoughts and interview clips with the people that he worked with on this film such as Bruckheimer, Orlando Bloom and Reggie Lee as well as from Chow Yun Fat himself. It's fairly superficial and it doesn't go into a whole lot of detail but it is nice to see Chow Yun Fat given some recognition on the disc as he's one of the more memorable characters in the film.

The Pirate Maestro: The Music of Hans Zimmer is an interesting look at Zimmer's compositions and musical score used in the film and how he went about creating it. We get plenty of thoughts from Zimmer himself and we also hear from Bruckheimer and a few other notable crew members, all of whom sing Zimmer's praises.

Masters of Design - Here we find five documentaries (available to watch on their own or through the play all function) that detail the work that the design teams did on the production:

Jim Byrkit: Sao Feng's Map (6:18)
Crash McCreary: The Cursed Crew (5:23)
Rick Heinrichs: Singapore (5:13)
Penny Rose: Captain Teague's Costume (3:37)
Kris Peck: The Pirate Code Book
(5:20)

Though the titles pretty much explain what each of the five parts covers, these short documentaries focus quite specifically on their individual parts. This results in a detailed look at only a few of the more remarkable designs used in the film rather than a general look at the overall production. It's fairly interesting stuff as we learn about the various bits and pieces that have to come together in order to get the look right for the film and it's interesting to hear from the members of the design team and to get their thoughts on the challenges involved in their work.

Hoist the Colors allows Zimmer to explain his inspiration for the "Hoist the Colors" composition that is used in the film for the opening scene. We learn how the song went from an idea through to a fully composed piece of music. Zimmer compares the pirates in the film to The Wild Bunch, accurately describing them as the last of a dying breed.

Inside the Brethren Court - This is a fun, interactive feature that lets us learn about the eight Pirate Lords from the film. We get to check out their costume designs, learn about their origins and their biographies and about their individual personality quirks. This is set up in a clever way and it works quite well. A brief video introduction is also included here. Rounding out the extra features are trailers for the first two Pirates movies, trailers for a few other unrelated Disney DVDs, and some slick animated menus.

Final Thoughts:

Despite some flaws in the two later films, this trilogy offers enough action, adventure, comedy and romance to appease all but the pickiest of movie fans - they're just a lot of well made and very creative fun. Disney has done a fantastic job on the presentation and on the supplements and while those who own the previous releases will find nothing new here, those who don't can consider The Pirates Of The Caribbean Trilogy highly recommended.

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

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