The Hangover is a buddy/road
comedy that has many of the same plot points as director Todd Phillips'
previous pictures Road Trip (1998) and Old School (2003).
But the familiar structure is strengthened by the performances of a
talented cast of comic actors. I would propose that these performances,
along with the celebration of a clichéd male rite of passage and the
trite Vegas setting, account for this film holding the current box office
record for R-rated comedies.
Doug Billings (Justin Bartha)
is to be married in a couple of days, but not before he goes to Las
Vegas for a bachelor weekend with his friends Phil (Bradley Cooper)
and Stu (Ed Helms), and brother-in-law to-be Alan (Zach Galifianakis).
After arriving in Vegas at the wheel of his father-in-law's classic
Mercedes, the quartet pledge their friendship and embark on Doug's
"final" evening of debauchery. Cut to the next morning.
Phil, Stu, and Alan wake up in their $4,200-per-night Caesar's Palace
suite. Doug is nowhere in sight. There is a tiger in the
bathroom. Stu has lost an incisor. And there's a baby
in the closet. The three guys proceed to reconstruct their evening,
find the baby's mother, and locate Doug - all while trying to get
back to Los Angeles in time for Doug's wedding.
The three lead characters -
and the actors who portray them - are the reason The Hangover
rises above the commonplace outlines of the screenplay. Phil is
a sleazy hotshot, a schoolteacher who funds his Vegas weekend with his
students' field trip fees; Cooper carries off the role with a likeable
scumminess of the sort Robert Mitchum made famous. Stu is an uptight,
browbeaten dentist whose long-term girlfriend treats him like shit and
has cheated on him at least once. He's a nervous Nellie and
Ed Helms plays him just right - as someone who desperately needs to
break out of his self-imposed prison. However, Zach Galifianakis
nearly steals the entire movie as Alan, a weirdo with a child-like lack
of awareness and knowledge about the world. He's got a lot of
Teddy from Arsenic and Old Lace
in him, along with a tendency to not wear any pants.
Although the set-pieces here
are hit-and-miss - a bit involving Tasers should have been cut altogether
- the actors and the quick direction by Phillips keep things interesting.
Waiting for Galifianakis's oddball line readings alone is enough to
keep the average viewer engaged. But the script takes certain
aspects of the plot seriously, particularly Stu's dilemma. While
Phil's sleazy disregard for his job and family is not fully explored,
he is wisely shifted into the third place of importance, since his character
is flatter than Stu or Alan. The final credits roll over stills
that document their forgotten night, ending the movie on a hilarious
Overall, The Hangover
is much funnier than it could have been. What could easily have
ended up as a rude, colorless comedy ends up with a lot of laughs thanks
to great casting and skilled performances.
This two-disc set is housed in a standard keepcase. The sole
content on the first disc is an Unrated Version of the movie, running
eight minutes longer than the Theatrical Version. The added content
is almost totally expository - all of it seems to be in the movie's
first half hour. It adds virtually nothing of value to the film,
slowing down the first act unnecessarily. Stick with the Theatrical
Version if it's your first time seeing The Hangover.
That's on the second disc, along with all of the bonus content.
The widescreen 2.35:1 transfer is excellent. This brand-new
2009 release maintains a crisp sharpness that replicates the brightly-lit
Las Vegas locations and production design with strong fidelity.
Excellent contrast and bottomless blacks elevate the transfer to the
top tier of visual presentation. Is Warner Brothers still the
best in the business when it comes to video quality?
The 5.1 surround track is very good and naturally dialogue-driven.
Still, there are scenes where surrounds are used judiciously, even if
the mixing seems to lack depth at times. More than any other aspect
of the generally fine soundtrack, I take issue with the choice of music.
Phillips favors heavy hip-hop, and uses it sarcastically against images
of four white dorks out on the town - this particular musical joke
is completely stale at this point, having been used repeatedly in bad
comedies and beer commercials. It comes off as weak here.
It was an avoidable error that deadens scenes that otherwise work.
French and Spanish surround tracks are available, as well.
All of the extra content is on the second disc, with the Theatrical
Version of the feature. First up is a commentary track
with director Phillips and actors Cooper, Helms, and Galifianakis.
It's a group talk that is okay, and funny in places, but not enthralling.
An interactive Map of Destruction
allows the viewer to tour the locations where The Hangover
was shot. The Madness of Ken Jeong (7:55) has the actor
discussing his character Mr. Chow and introducing some outtakes; there's
some good stuff here. Action Mash-Up (0:36) is a silly
and disposable set of clips showcasing the film's stuntwork.
Also fairly useless is an uncut version of the Three Best Friends
Song (1:23). The Dan Band!
(1:08) showcases the work of the world's most irreverent - and best?
- wedding band of all time. There's a great Gag Reel
(8:16). Finally, there are More Pictures from the Missing Camera.
With the kind of script that could have gone the wrong way, The Hangover's three talented leads - and several
great supporting players - make the film an entertaining comedy that
even manages to feel novel at times. Good technical presentation,
two cuts of the film, and a few decent extra features make a generous
DVD package. Recommended.
Casey Burchby lives in Northern California: Twitter, Tumblr.