Reviewed by Glenn Erickson
Z is a political exposé of the killing of a Greek politician, Grigoris Lambrakis, in
1967. In the subsequent investigation that implicated the ruling political party in his
murder-conspiracy, the culprits took over the country and formed a military dictatorship. Unlike
some other contemporary movies proclaiming injustice and decrying the evil of repressive regimes (
Medium Cool, Zabriskie Point), Z
is exciting entertainment that slowly unwinds its portrait of right-wing villainy as a good mystery
story. Enormously popular, it did a lot for liberal thought wherever it played. Savant at age 17
thought artworks like Lindsay Anderson's If... were far-out but impenetrably abstract - Z
was an eye-opener that gave me a different perspective on political authoritarians who constantly
evoked God and the Flag in their rhetoric.
An senator and opposition leader in a democratic 'Mediterranean' monarchy, The Deputy
(Yves Montand) arrives by plane to speak to his supporters about his hopes for the country. The ruling
party is essentially
a handful of military officers who keep discrediting their competition by calling them Communists.
They use their influence to get the opposition leaders thrown out of their meeting hall. Forced to meet
in a tiny venue, the overflow crowds on the street are harassed by thugs, while government troops
stand refusing to help. When the deputy tries to return to his hotel, he's hit on the head by an
assailant standing in the back of a speeding truck (Marcel Bozzufi).
The Deputy undergoes surgery in the hospital, but is not expected to live. His wife Helene (Irene Papas)
is sent for and his aides try to uncover the truth. But while the generals and colonels assure the
public that the 'incident' was a simple drunken driving accident, a photojournalist (Jacques Perrin)
easily uncovers the truth by interviewing witnesses on his own. The government's examining
magistrate (Jean-Louis Trintignant) has been handpicked to declare the case an accident,
but every bit of evidence points to a trail of murder and conspiracy ... that reaches up
the government ranks to the very top.
Z is an autopsy of a political conspiracy that leaves the viewer with little room to stay
neutral. One either has to consider it a total pack of lies, or give it an open mind and accept it
as the unvarnished truth. Although the country involved is never directly identified, publicity
accompanying the film established all the relevant facts. Composer Mikis Theodorakis was actually
under house arrest in Greece to keep him from working, but he so believed in the film that he
authorized the producers to adapt his earlier work. To get an unusual effect for a scene, they actually
ran one of Theodorakis' tracks in reverse! The picture won an Oscar for best foreign film and best
editing. It's interesting that for this basically French show, the country of origin was listed as
Z makes a complex story very accessible by keeping its narrative very straightforward, and by
making sure its characters are distinguished one from another physically. It helps in keeping who's who
straight. A Mason who runs the meeting hall is only seen for a few seconds, but is easily recognizable
when he later leaps aboard a speeding truck to nab the assassins. 1
The impressively-staged main scene is a rally in a square between a hotel and a meeting hall, where
hundreds of the Deputy's supporters are set upon by a crowd of reactionary hooligans,
while several squads of police stand and watch. Much of it is hand-held, beautifully shot by Raoul
In a story where intrigue is all, the characters are sketched in swift strokes. Yves Montand is
established as his country's possible next JFK, and wiped out after only 15 minutes on screen. By
that time we've become familiar with a dozen faces of supporters, thugs and government officials. The
ostensible 'star' of the second half of the show is the examining magistrate, sort of a governmental
D.A., played by Jean-Louis Trintignant. He's never given a name, and barely seen onscreen until he's
given the go-ahead to 'investigate'. Our attention is absorbed by his professionalism. He
begins by shouting at people who mention anything like a conspiracy, before the mounting evidence
starts to accumulate. Half an hour later, his own clerk has to correct him when he himself refers to the
'incident' as a murder.
The supporting cast also make very effective impressions, with little screen time. We barely get
to see Irene Papas, but her behaviors while dodging newsmen and giving the cold shoulder to her
husband's murderers, say a lot with few dialogue lines. When she picks up her husband's belongings
from his hotel room, she expresses the character of her marriage in just a few despairing gestures.
The audience with which I saw Z when it was new, were Air Force Airmen at Norton A.F.B. - not
exactly a liberal audience. They laughed when the tight-laced Trintignant had to correct himself, and
when he started handing out the indictments. The pompous guilt of the conspirators creates a few minutes
of relief, as we see them squirm even more guiltily. But Costa-Gavras and history have a sting in
the tail of Z that leaves audiences breathless and perfectly poised to start paying attention
to the international news. Z was easily the most influential political film of the late '60s,
because its message was accessible to so many politically complacent moviegoers.
Wellspring's DVD of Z is a very good transfer of this classic, which has shown up many a time
in inadequate presentations, often dubbed poorly into English. The 16:9 encoding is good and the
picture's soft colors well-presented. It actually looks better than the grainy print we saw when it
was new. The subtitles are particularly well-done - it was a real chore to read so many titles so
fast in the theater.
The best extra is a French-language commentary by Costa-Gavras, that Wellspring has backed up with
its own subtitle
track. The director explains most of the details above and talks about how one of the actors, Jacques
Perrin, found financing for the film at the last moment after his French backers bowed out (rather like
the owner of the meeting hall in the movie?). A separate video interview with Costa-Gavras
and author Vassili Vassilikos is rather dark-looking, but puts faces and
personalities to names long memorized. Some text filmographies and a trailer are also included, along
with a slow-paced restoration demonstration, that shows, Criterion-style, how much frame damage
had to be cleaned up digitally.
On a scale of Excellent, Good, Fair, and Poor,
Video: Very Good
Sound: Very Good
Supplements: Commentary, Interview, filmographies
Packaging: Amaray case
Reviewed: July 14, 2002
1. The Mason is a great little character, and one of the smarter ones.
Obviously a big supporter of the Deputy, he's willing to get into a scrap to protect him, and leaps
aboard the speeding truck to attack the assassins. When the police nab them all, he has sense enough
to know that the authorities will stop protecting him and perhaps even kill him when they find out he's
a witness to the attack. Most of the main 'intellectual' heroes, the Deputy included, don't have the
kind of sense to protect themselves.
DVD Savant Text © Copyright 2002 Glenn Erickson
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