Up until September of 2001, the attack on Pearl Harbor stood as a singular event
in American history. It was an unheard of and unexpected attack on American soil
that many thought was impossible. The attack on December 7th, 1941 changed the
way America thought and provided the incentive for American to join WWII in full
Director Michael Bay and producer Jerry Bruckheimer attempted to recreate the
epic moment in history with their film of the same name. It was an ambitious
undertaking, to say the least. Trying to capture on film one of the most infamous
moments in American history in 3 hours or less in no easy task. The final product
succeeds admirably and only encounters a few minor flaws along the way.
Rafe (Ben Affleck) and Danny (Josh Hartnett) are childhood friends that made
their way into the Army as pilots. Best friends, they have always done everything
together, and Danny feels betrayed when Rafe takes an assignment away from him
and lies to him about the reason. Rafe leaves behind Evelyn, who was a nurse
in the Navy. Rafe heads to England to fight with the British, while Evelyn and
Danny are transferred to Pearl Harbor in Hawaii.
When Rafe is reported as shot down in combat, Danny and Evelyn find comfort
in each other and finally get on with their lives as December approaches and
tension with the Japanese mounts. When Rafe suddenly reappears after being rescued
from occupied France, he faces the relation that has developed between Danny
and Evelyn. Betrayed and heartbroken, the former friends hardly have the time
to argue as the Japanese launch their attack on Pearl Harbor the following morning.
The former friends put aside their differences and manage to be the only two
pilots to make it into the air; despite the fact that there is little they could
do by the time they make it up. With the attack over, you would think the movie
would be nearing an end as well, but you would be wrong. Not content on showing
the attack, Bay decides to extend the movie further by showing the first counter-attack
on the Japanese that reawakened the faith America had in the military.
Herein lies the major fault in the film. It's too long. There's nothing long
with an epic film. Films that can carry the length and bring the viewer along
seldom seem long enough. What Bay attempted to do with this film is combine
too many elements. He wanted to personalize the attack by following Rafe and
Danny, and that would have been fine. It's always nice to have personal investment
in a film. Where Bay went to far is by adding in the love triangle, the story
of Dorie Miller, and the end story of James Doolittle and the Japanese air raid.
In an attempt to lengthen the film and expand interest, the story becomes less
powerful and personal. It's akin to a wartime soap opera and not Saving Private
Ryan, The Bridge Over the River Kwai, or Tora!, Tora!, Tora!
Performance wise, there are hits and misses in the film as well. I like Ben
Affleck, despite the fact that I often find his performances stilted and weak.
Here he comes across as believable and passionate about his duty to the Army.
Likewise, despite the fact that Cuba Gooding Jr.'s story is tacked on as an
afterthought, he gives one of the more emotional performances of the film. His
few minutes of screen time is engaging, personal and unfortunately added as
an afterthought. Dan Ackroyd has a small, but nice roll as a naval intelligence
officer that offers up his suggestions on an attack but was ignored because
of lack of evidence.
Overall, it's an engaging film with several fine performances, unequaled battle
sequences, and several interesting moments. In an attempt to increase the marketability
of the film, the main focus of the story suffers. When watching several of the
clips included as extras that show Pearl Harbor survivors relating their original
thoughts, it's a shame some of that power couldn't have been captured instead.
What's left in the end is a technically amazing, visually pleasing, well acted,
but lengthy half-fictionalization of the attack on Pearl Harbor. It's entertaining,
but dilutes the meaning of the attack with extra narrative.
Video: This Vista Edition 4-Disc DVD set has possibly one of the nicest
transfers you're likely to find outside of a SuperBit DVD edition. The Anamorphic
2.35:1 one transfer shines on almost any television. Brightness and contrast
levels are near perfect. With the multiple explosions, many that include water,
in the film extra care must have been taken to avoid any pixelation. Despite
the high level of activity and multiple elements, there's nary a hint of picture
degradation. Likewise, the transfer is free from any film grain or imperfections
that may have plagued the cinematic version of the film.
Audio: Like the video, the audio on this disc shines as well. THX optimized
and available in Dolby Digital 5.1 or DTS, there's a soundtrack for every format
lover. The 5.1 soundtrack is one of the best I've heard this year. As in most
war movies, there are many uses of the rears and subwoofer. Bullets, explosions,
and planes all move around the listening area. The rears are actively used and
not just for sound effects. The score has been nicely mixed to fill the rear
speakers at times, something that isn't done as often as it should. The subwoofer
also gets an active workout both from the effects and the score. Highs are crisp
and dialog is clean and audible. Also included is a Dolby Headphone track that
attempts to recreate the surround effect for those that listen on headphones.
As a person that watches movies on my laptop, this is a welcome addition.
Extras: With 2 additional discs devoted to extras, plus the material
included on the first two discs, there is enough material here to keep even
the most diehard extra fan busy for a week. The material in the included book
did not correspond with the material on the DVD, therefore I list the extras
in order from disc 1 to disc 4.
Commentary: Director Michael Bay and film historian Jeanine Basinger:
Recorded shortly after the attack on the World Trade Center, Bay relates the
obvious fact from those that have seen the movie that there are eerie similarities.
The two discuss the relevance of the film regarding the events and several of
the historic aspects of the film. As commentaries go, especially compared to
others on this disc, it's rather bland. There are pauses and Bay seems to be
going through the motions and Basinger wants to focus on an academic look at
the film, but seems to hold back while talking to Bay.
Commentary: Producer Jerry Bruckheimer and actors Alec Baldwin, Ben
Affleck and Josh Hartnett: As some DVD commentary fans will tell, Affleck is
responsible for some of the funniest commentary moments around. With a frat-boy
mentality, nothing is sacred while discussing the making of a film that he's
been involved in. Obviously Affleck and Hartnett were recorded separately from
Bruckheimer and Baldwin because they continuously impersonate and make fun of
those two without a comment. Nothing is sacred, from the side of Affleck and
Beckinsale's forehead to seriously commenting on how the movie was over-hyped
and couldn't be expected to meet expectations.
Commentary: John Schwartzman, Michael Kaplan, Nigel Phelps, Michael
Lang, and Hans Zimmer: The production team, minus anyone from visual effects,
provides the more technically interesting of the three commentaries. Cinematographer
Schwartzman, costume designer Kaplan, production designer Phelps, art director
Land and composer Zimmer provide a detached look at the production and reveal
lots of little details that go into making and finishing a film.
Faith Hill Music Video "There You'll Be:" Nothing spectacular
here, unless you're a fan. It's the standard Hollywood tie-in music video that
accompanies any film nowadays.
National Geographic beyond the movie: A tie-in series from National
Geographic previewed in this minute long clip. Featuring actual footage and
behind-the-scenes access, it looks interesting. It's a shame this program wasn't
included on the set.
Journey to the Screen - the Making of Pearl Harbor: This is a great,
almost hour-long broad look at the many elements that made up the film. Featuring
interviews with actual survivors, it's more emotionally involving than the film
itself. Brief clips are also shown of other extended features on the set; like
the basic training, the world's largest gimbal, and the interviews with the
director, producer and cast.
Production Diary: This 10-piece section of clips provides a closer look
at multiple sequences in the film. Comprised of handheld footage, it's an inside
look at the filming of the airstrip attack and other sequences. It's raw footage
that shows the un-film like quality that is present before the multiple levels
of production. The baja gimbal is a series of time-lapse shots that shows the
immense amount of work that goes into producing some elements that are specifically
for just a few shots. Battleship row is worth watching for a look at Bay freaking
out when boat 67 oversteps it boundaries just a little.
In the same section are documentaries on naval cook Dorie Miller and the dud
bomb that the Japanese dropped. The Dorie Miller section is a detailed look
at the filming of the sequence where he takes the machine gun and shoots the
Japanese Zero plane. The Bomb sequence falls into hilarity at the end when the
bomb simply won't spin on cue and everyone has an opinion as to why.
The next two features in this section are detailed looks at the Mechanics Row
and Strafing of the Nurses sequences. The mechanics section is a rather boring
look, compared to the others, that shows what went into filming the attack on
the secondary airstrip. Affleck is present and provides a few funny comments,
but not many. The nurse's section is a short look at what was involved in the
strafing run on the nurses as they ran to the hospital. It offers commentary
from the actresses and details the long waiting that can often be involved in
filming sequences such as this.
The last three sections are a look at a Sandbag Stunt, the Doolittle Raid and
the Arizona Memorial. The sandbag features more small details of the production.
Focusing on the stunts and explosions, it details little facts like a marine
biologist would dive and clear the area of all marine life before any underwater
explosions. In the Doolittle Raid feature, the navy explains the details involved
in using operational fighter planes and air carriers. Learn what the "line
of death" is and how many jets land on a carrier in a certain amount of
time. The last section offers up a never before allowed look at the underwater
remains of the USS Arizona that was sunk during the attack and documents the
many men still buried there. All of these sections provide various hidden details
about the making of the film and truly show the large amount of work it takes
to produce a feature of such magnitude.
Boot Camp: Soldier's Boot Camp: The 15-minute documentary shows the
actual training that Affleck, Hartnett and others in the cast went through in
preparation for the film. This is a hilarious look at what these guys suffered
in the name of realism. The look on Affleck's face at times is worth watching
the section alone.
Officer's Boot Camp: This is a similar look at to what Alec Baldwin went
through in preparation for his roll as James Doolittle. It's not a physically
demanding and focuses more on tactics and warfare than the soldier's camp. The
look at the human stack is a great look at tactics and the teamwork that the
Super8 Montage: This is a 4-minute segment if unused footage filmed
with a Super8 camera for use as stock and newsreel footage in the film.
Trailers: Also included on this disc (disc 3) are the teaser and theatrical
One Hour Over Tokyo: This near 50-minute documentary from the History
channel provides a closer look at Doolittle's raid and what it meant to the
war. It's quite in-depth, as opposed to the brushing over it gets in the film
and also offers a look at Pearl Harbor in general. This and the next feature
will definitely be of interest to those who want a more historical and complete
look at Pearl Harbor.
Unsung Heroes of Pearl Harbor: This is the most moving and meaningful
pieces on this set. It's another production of the History Channel. Comprised
of news footage and interviews it takes the viewers on journey into what exactly
happened on December 7, 1941. If you watch no other feature on this set, make
sure it is this one.
Oral History - the recollections of a Pearl Harbor nurse: This short
re-enactment accompanied by photos is a nurse's view of the events that took
place that day.
Interactive Attack Sequence: Moving on to disc 4, the focus shifts to
visual effects. This is a 30-minute short comprised of 6 audio tracks and 4
angles to one sequence of footage. This is a great look at all the elements
that go into making a short, but successful sequence in the film. Every element
of design is looked at; film, set, effects, visuals, storyboards, and animatics
are all present in this section and of equal importance.
Deconstructing Destruction: More visual effects work is featured in
this 50-minute piece of branching documentary. Director Michael Bay and 2nd
Unit director Eric Brevig discuss what went into making some of the major effects
shots. An icon will occasionally appear on the screen to take you to more detailed
footage of their conversation topic. It's interesting stuff, but occasional
Animatic Attack Sequence: This 5-minute short shows the importance of
animatics when planning and seeking approval of various parties. Without these
pieces it would have been nearly impossible to secure the cooperation of the
studio and U.S. military. It also shows how much planning is done before a single
second of image is committed to film.
Interactive Timeline and others: Disc four also has an interactive timeline,
DVD Rom features and DVD credits. Also contained on the disc is a gallery of
stills that are broken into several sections. Everything from production designs
to effects and make-up tests are show.
Additional Material: Also included are postcard replicas of some of
the promotional artwork. A $10 rebate is available for those that purchased
the original edition of Pearl Harbor and booklet provides a nice list of all
the features included on the set.
Also included on the set are two hidden features. Why Letterbox? is
a two-minute feature that shows how much image is lost and should be presented
before all films on DVD. This is inexplicably buried in the audio commentary
menu on disc one (just press up). Also a hidden gag reel is included
on disc 2. Just press right when the Faith Hill video is selected. It has a
few funny moments, but it's not as funny as the stuff included on the Armageddon
Criterion set that's directed toward Michael Bay.
Overall: I'm tired. This has to be the most extensive set released comprising
of only one film. Despite the fact that Pearl Harbor is a flawed film, it's
still worth watching and this set makes that even more so. Detractors who didn't
like the way the situation was portrayed with like the many documentaries included
and there is definitely something for everyone on this set. It's easily a Collector's
Series set, if only for the massive amount of material provided for the price.