Moonstruck
is one of the most enchanting films about love,
passion, and life ever filmed. It is a genuine classic from the 1980's
and
deservedly has a large following of fans that still cherishes the magic
display
today. This is a work of art that helps to define the idea of what can
truly be
considered as 'timeless'. The result at the time of its 1987 theatrical
release
was Cher winning an Academy Award for her honest and believable
performance as
Loretta Castorini, Olympia Dukakis winning best supporting actress for
her role
as Loretta's mother Rose, and screenwriter John Patrick Shanley (Joe
Versus the
Volcano, Doubt) winning best original screenplay. Did I forget to
mention
that film-maker Norman Jewison became nominated for Best Director or
the fact
that the film was also nominated for Best Picture? Yet I digress...
Even
with all the awards, positive critical responses, and fans the film has
received over the years the truth is that this is one of those rare
film's that
should be able to speak for itself. Moonstruck only needs
viewers
willing to take the time to watch it and become swept away in the
nearly
perfect film-making.
The
main plot of the story focuses itself around Loretta Castorini
(Cher), a woman in her 30's who seems to have lost all faith in finding
true
love. In an early scene in the film, she is proposed to by a
respectable man
who seems to have taken a fancy in her (he seems to contemplate the
idea of
proposing only once at their evening dinner date), and who goes by the
name of
Johnny Cammareri (Danny Aiello). She
accepts the proposal, but reminds him to ask her on his knees and to
give her
some kind of ring (and Johnny then pulls one of his own rings off of a
finger
and hand's it to her). The scene is far from romantic, but it shows two
people
seemingly settling for what they may believe is best for them. When
Loretta
discusses the engagement with her mother Rose (Olympia Dukakis) she
confesses
that she doesn't love him - but that she does like him. Rose seems to
think
that is best as she loves her husband, Cosmo (Vincent Gardenia) who she
knows
is having an affair. Johnny soon leaves the country for an important
family
issue, and while away Loretta decides to speak to his estranged Brother
Ronnie
(Nicolas Cage) who he hasn't spoken to in years. What are the odds
Loretta
might fall for Johnny's brother Ronnie? Apparently, there might be
better odds
than one would expect. This naturally helps to complicate matters and
makes the
film all the more entertaining and comedic as it begins to analyze the
relationships
that are found between the characters in looking into these lives and
loves.
To
make one thing readily apparent: it is necessary to reflect on
how purely brilliant the comedy is. The script by John Patrick Shanley
is
absolutely stellar and it works wonders at getting the best
performances possible
out of the actors, who seem to understand exactly how to make their
scenes as
comedic and heartfelt as possible at all times. Cher fully deserved her
Oscar
win, and Nicolas Cage delivered one of his greatest screen performances
at the
time (and it is still one of his best efforts). This is also, no doubt,
a
result of the incredible direction by Norman Jewison, who without
hesitation I
would say absolutely managed to craft one of his finest and most
memorable
films -- and this is largely in part because of how much devotion he
brings to
these characters in each and every impeccable frame. There is a genuine
thoughtfulness
given to the characters and the actors who portray them in both the
screenplay
and direction.
What
truly makes Moonstruck
so timeless though is how unique the film's portrayal of love is.
Indeed... Love is
unexpected, messy, confusing, and ultimately important above all other
things.
Many standard romantic comedies fail to truly portray this aspect, and
that is
one of the reasons everything feels more realistic in Moonstruck.
It is largely because of how truthful the film is while
still managing to be a hilarious romp that it can manage to make the
viewers
sympathize with characters who are truly going through romantic
roller-coaster
rides themselves. That's a joy to behold and appreciate forever in this
cinematic gold-mine.
The
Blu-ray:
Video:
Moonstruck is
presented in 1080p with an AVC MPEG-4 transfer
encoded at 40 MBPS. The feature is in the original theatrical
exhibition ratio
of 1:85:1 as intended by the film-makers. The picture quality is
generally
quite pleasing and consistently impressive. The biggest improvement
over the
DVD release seems to be in clarity of detail and depth of color. The
film
occasionally manages to show it's age (there are instances of dirt and
debris
in the print) with moderate print damage, but it is rare and never
enough to
become a distraction that detracts from the experience. There is a
healthy
level of film-grain that seems appropriate for the film and is much
appreciated
to see in opposition to a poorly transferred and DNR manipulated mess.
Truthfully, if there had been more restoration work done to the film we
might
have had a slightly better image overall
but this is still leaps and bounds better than previous DVD editions
regardless
and a worthwhile upgrade.
Audio:
The
film is presented with a 5.1 DTS-HD Master Audio surround sound option
of the
original English language, in addition to including French Dolby
Digital, and
Spanish Mono sound mixes. The audio doesn't fare quite
as well as the video does as far as being a substantial
upgrade. It is a moderate improvement in clarity and about as
impressive as I
ever expected from this kind of film. However, it is clear that the
surround
mix resulted from the original source - which was not dynamic in the
same way
any modern productions would have. The music has the biggest effect on
the
surrounds and is enchanting to hear with the lossless audio. English subtitles
for the deaf and hard-of-hearing, Spanish, and French subtitles are
also included.
Extras:
The
extras for the Moonstruck Blu-ray release seem
to consist entirely of the bonus materials previously included on a
Deluxe
Edition DVD release. While it is disappointing that there are no new
extras,
the good news is that what is included is entertaining and worthwhile.
Fans who
only owned the earlier DVD releases will certainly find a substantial
improvement
in extras. There is an audio commentary with contributions by Cher,
Norman
Jewison, and John Patrick Shanley. While it is unfortunate that the
included
commentary is comprised of separate recordings with each contributor
the track
itself was edited appropriately and includes a lot of information about
the
making of the film.
There
are also a handful of enjoyable and well-produced
featurettes.
The first feature, entitled 'Moonstruck:
At the Heart of an Italian Family' features interviews with members
of the
cast and film-makers and also highlights memorable behind-the-scenes
material
that is entertaining. This feature runs around 25 minutes. A second
feature
entitled "Pastas to Pastries: The Art of
Fine Italian Food" is more or less what you might expect to see
from an
extra with a title like that. It's not really directly
in correlation with the film itself, but it would be an enjoyable
view for any food fans wanting to explore the food delights found in
the same
area the film is set in. That extra runs approximately 30 minutes.
Lastly, the
extras are rounded out with a short but sweet "Music of
Moonstruck" piece that is about the original score by
Dick Hyman. It only runs around 6 minutes, but covers a decent amount
of
ground. MGM has also included the original theatrical trailer in high
definition.
Final
Thoughts:
Moonstruck
is one of the best and most beloved romantic comedies from the 1980's.
The film
still stands as a crowning achievement for all involved and should be
capable
of bringing in new audiences to its unique charms. Both the video and
audio
receive reasonable upgrades with this Blu-ray release, though the
extras are
only ported over from a previous special edition DVD. Highly
Recommended, and well worth a double-dip for fans.
Neil Lumbard is a lifelong fan of cinema, and a student who aspires to make movies. He loves writing, and currently does in Texas.