DVD Talk
Release List Reviews Shop Newsletter Forum DVD Giveaways Blu-Ray Advertise
Reviews & Columns
Reviews
DVD
TV on DVD
Blu-ray
International DVDs
Theatrical
Adult
Video Games

Features
Collector Series DVDs
Easter Egg Database
Interviews
DVD Talk Radio
Feature Articles

Columns
Anime Talk
XCritic.com
DVD Stalk
DVD Savant
High-Def Revolution
Silent DVD

discussion forum
DVD Talk Forum
Resources
DVD Price Search
Customer Service #'s
RCE Info
Links

DVDTalk Info
Review Staff
About DVD Talk
Advertise
Newsletter Subscribe
Join DVD Talk Forum
DVD Talk Feeds


Special Offer

Search: For:
Reviews » Theatrical Reviews » The Guard
The Guard
Sony Pictures // R // July 29, 2011
Review by Tyler Foster | posted August 26, 2011 | E-mail the Author
C O N T E N T
R E P L A Y
A D V I C E
Highly Recommended
E - M A I L
this review to a friend
P R I N T
Printer Friendly
In 2008, writer/director Martin McDonagh crafted In Bruges, a dark yet very funny little thriller about two hitmen weathering various stages of remorse in a remote part of Belgium. When it came time for Focus Features to release the film in the United States, they did their darndest to stuff it in the same box as Lock, Stock, and Two Smoking Barrels. Although there are big laughs in In Bruges, it's not a great fit for a film that's also moody and occasionally grim. Now, Martin's brother John Michael McDonagh has surfaced with his own film, The Guard: almost as funny, slightly less grim, and destined for a similarly ill-fitting categorization in the "buddy cop" genre.

Brendan Gleeson (also from In Bruges) stars as Sergeant Gerry Boyle, a bored cop in a tiny Irish burg named Galway, where very little crime actually occurs. To pass the time, Boyle spends time visiting his mother, picking up hookers, and occasionally saying a thing or two just to get a rise out of any of the numerous stiffs surrounding him. The newest stiff, an American FBI agent named Wendell Everett (Don Cheadle), has been reluctantly teamed with Gerry in hopes of stopping a "half-million" dollar drug delivery organized by a gangster named Sheehy (Liam Cunningham), and the results are...acidic.

At a glance, Boyle seems like a real ass; he's loud and straight-to-the-point, some of his jokes are casually racist, and he seems less than overwhelmingly concerned with the impending drug deal and at least one homicide stemming from it. Upon closer investigation, however, there's a devilish smirk and relatively straight moral compass guiding Gerry's actions. If he says something to get a rise out of Wendell, no matter how outrageous it is, he does it both to see how his new partner reacts, and in many ways, as a way to locate their common ground. To that end, Gleeson imbues Gerry with hidden layers of sharp intelligence, self-awareness, and ultimately, a genuine kind-heartedness that shows through around the character's rougher edges.

On the other side of the table, Cheadle's character of Everett is a guy who's not aware of himself until Gerry uses his personality to point it out to him, and Cheadle does a good job of playing his slow-burn shift from responding to Gerry's barbs on the surface to reflexively understanding that Gerry's ribbing is observant, in a backwards sort of way. The two's on-again, off-again level of growing respect drives the whole movie, as Gerry slowly gets Wendell to look at the situation the way he looks at it; early scenes of Gleeson without his co-star are far more broad and a little clunky. Meanwhile, Mark Strong gets his best role to date as one of Sheehy's fellow gangsters, who bristles at having to deal with idiots in the crime business and argues with Sheehy and company about philosophy, and Cunningham himself has a great scene with Gleeson in a diner that may contain the funniest exchange in the movie.

Compared to Martin, John's direction loses some of the glossy sheen, opting for a more naturalistic, less cinematic look befitting the film's small-town story. He also opts for a far brighter ending than his brother, which ties all of the movie's threads together in a remarkably satisfying way. The Guard may not fit into the "buddy cop" genre, which is all about surface differences, but plays off of it in a pleasing way. Where some movies start with a growing friendship that ultimately turns into professional respect when they realize their goals are aligned, McDonagh does the opposite, turning a begrudging professional respect into an unorthodox friendship that neither of the two men would've guessed they wanted.


Please check out my other DVDTalk DVD, Blu-Ray and theatrical reviews and/or follow me on Twitter.
Other Reviews:
Buy tickets to "The Guard" now!

Popular Reviews
1. Transcendence (IMAX)
2. Blue Ruin
3. Oculus
4. Jodorowsky's Dune
5. Under the Skin
6. Captain America: The Winter Soldier
7. Draft Day
8. Hank and Asha
9. Dom Hemingway
10. Captain America: The Winter Soldier


Special Offers
DVD Blowouts
1.
2.
3.
4.
5.
6.
7.
Alien [Blu-ray]
Buy: $19.99 $9.99
8.
9.
10.
Special Offers
Release List Reviews Shop Newsletter Forum DVD Giveaways Blu-Ray Advertise
Copyright 2014 DVD Talk.com All Rights Reserved. Legal Info, Privacy Policy, Terms of Use