Disgusting and hilarious, Stuart Gordon's very loose
adaptation of HP Lovecraft's Frankenstein rip-off, "Herbert West - Reanimator" (Lovecraft
was ashamed of the story, having written it solely for the money), is
a low-budget favorite of horror aficionados - and understandably so.
Gordon and company fashioned a collection of gore effects that are admirable
given the film's $900,000 budget. Cleverly shot and anchored by the
inimitably creepy performance of Jeffrey Combs as West, Re-Animator is still effective, funny, and entertaining, partly
because it doesn't aspire to qualities beyond those.
The film opens with a scene at a Zurich university,
where Herbert West has just revived his dead professor, Hans Gruber
(a name that fans of Die Hard, which was released three years after Re-Animator, will immediately recognize), with a mysterious
serum. West re-locates to New England's Miskatonic University, where
he lets a room from star medical student Dan Cain (Bruce Abbott). Little
does Abbott know that West intends to use his basement as a laboratory
to continue experiments with his death-reversing serum. One dead cat,
one resurrected dean, and one decapitated doctor later, and West is
well on his way to the assured self-destruction that seems clear from
the film's outset.
Combs made his name as West, and it's always struck
me as unfortunate that his tightly-wound madness wasn't better used
by other directors (one key exception: Peter Jackson, who cast him very
well as the Hitler-haired Agent Dammers in The Frighteners). The other actors are also well cast, including
David Gale as the evil Dr. Hill, he of the head in the pan. Gordon's
direction is concise without skimping on effective camera movements
and attention to continuity.
The movie's finale, which takes place in a morgue,
is incredibly indulgent in a variety of make-up effects, but it's
always oddly refreshing to look back at a movie like Re-Animator that uses practical effects with such an obvious
love of craft. A bone saw punches through the torso of a living corpse;
a severed head performs cunnilingus on scream queen Barbara Crampton;
a group of nude zombies revived by West's serum are dispatched in
a variety of creatively gory ways. It's all dashed off with quite
a bit of humor, however, and if the movie weren't so tongue-in-cheek,
it would be far more repulsive and far less enjoyable. Richard Band's
score keeps the tone light enough so that we don't throw up, despite
the fact that he openly cribs from Bernard Herrmann's highly recognizable
music for Psycho.
Image and Sound
This release from Image Entertainment presents a pretty clean but unrestored
1.78:1 transfer. It would appear to be sourced from the same master
used for their previous "Millenium Edition" DVD of this title, released
in 2002. The film reflects both its age and its low-budget roots: colors
are drab, edges are soft, and there's a lot of grain. I can't say
it's a bad transfer at all; it's just that it hasn't been given
any assistance in terms of restoration. The 5.1 DTS-HD MA soundtrack
is spacious and atmospheric, but when you get down to it, it's just
marginally spruced-up 2.0.
Although there is nothing new here, Image has ported over the
considerable extras from their earlier DVD of this title.
- "Re-Animator Resurrectus"
(68:38): This documentary is all you could ask for from a Re-Animator making-of. All of the key participants are interviewed,
and perhaps because the film was independently produced, they are sometimes
surprisingly frank about the challenges of the production.
with Stuart Gordon and Brian Yuzna (48:47): An informal and fond conversation between the
director and producer of Re-Animator.
with Writer Dennis Paoli (10:40): The film's scribe speaks
intelligently about Lovecraft and the origins of the movie.
with Composer Richard Band (14:42): The first of two pieces with
Band, this one focuses more on the film's production and post-production.
Discussion with Composer Richard Band (16:28): This second piece
with Band covers the film's music itself, dissecting some key cues
in dramatic and musical terms.
with Fangoria Editor Tony Timpone (4:34): Timpone, an early advocate of Re-Animator, recalls seeing it in 1985 and writing about it
and Extended Scenes (26:06): Some interesting stuff here, including
some footage that would indicate the story had once gone in a very different
and TV Spots
Re-Animator holds up well after nearly thirty years. Frightening,
gross, and quite funny, it remains an ideal midnight movie, with a standout
performance by Jeffrey Combs. Although the technical side of the Blu-ray
is not spectacular, the library of special features (though not new)
may be a big selling point for fans. Recommended.
Casey Burchby lives in Northern California: Twitter, Tumblr.