The Movie
As a member of the "Holy Trinity" of Chevy Chase films
(alongside Caddyshack and Fletch), National Lampoon's
Vacation represents Chevy Chase at his all-around cinematic best. Of
all the films listed on Chase's résumé, there is none other that encapsulates
what makes Chase one of the best comedic talents of his era. To wit: for as much
as I positively worship at the feet of Caddyshack, the film is
basically a "Clash of the Titans" between Rodney Dangerfield's sarcastic,
acerbic one-liners and the brilliant, seething slow-burn of the late, great Ted
Knight. Fletch is a comedy classic, and Chase is almost
pitch-perfect throughout the film, but his funnyman antics, physical comedy,
piercing impersonations, and throwaway glibness seem slightly out-of-place when
juxtaposed with the film's rather serious narrative.
So what makes National Lampoon's
Vacation the quintessential Chevy
Chase vehicle? Simply put:
everything. Even if you remove Chase from the equation, the film boasts
a promising pedigree. The film was directed by Harold Ramis, the SCTV-vet who
was fresh off writing (and co-starring in) the Bill Murray smash
Stripes, as well having been the writer/director behind Caddyshack
and co-writer of Animal House. Ramis would also go on to direct
Groundhog Day . Now let me repeat all that for effect:
Stripes, Caddyshack, Animal House, and Groundhog
Day. TBS owes their existence to this man, but I digress. The script was
written by John Hughes, based on a short story he penned for National
Lampoon magazine. This is the same John Hughes whose entire oeuvre would
leave a lasting influence of a generation of movie-watchers; films like
Sixteen Candles, The Breakfast Club, Weird Science,
Ferris Bueller's Day Off, Pretty In Pink, and Planes,
Trains, and Automobiles are his cinematic lineage. TBS owes 99.999% of
their advertising revenue to this man... but again, I'm off on a tangent.
So National Lampoon's Vacation benefits
from featuring both a writer and director who collectively have been
responsible for some of the funniest, heavily referenced, and most-beloved
comedies of the last twenty-five years. Plus it sports a strong supporting cast,
featuring SCTV-vets Eugene Levy and John Candy, the brilliant television legend
and comedienne Imogene Coca as the ghastly Aunt Edna, and other talented
performers such as Randy Quaid, Brian Doyle-Murray, James Keach, future Miami
Vicer John Diehl and future Ally McBeal cast member Jane Krakowski as the
Daddy-frenching Cousin Vicki. And as the Griswold family, Anthony Michael-Hall
and Dana Barron are the first (and best) pairing of Rusty and Audrey Griswold
(each successive sequel would feature a new set of siblings, each worse than the
last, and never as good as these
two), while the voluptuously yummy Beverly D'Angelo remains the hottest Mom on
the planet. OK, while she does look
beautiful from pretty much every angle, she also gives a great performance as
Ellen Griswold; she really looks, acts, and sounds like a mother at every
moment. As the steady, sensible (if occasionally irascible) mother, Ellen is the
perfect foil and counterpoint to husband
Clark
's wild
antics.
All of which brings us to
Chevy Chase
in his career defining role: Clark W. Griswold. Family man.
Devoted husband and loving father. Designer of newer and better food additives.
He's beginning to realize that he doesn't spend enough time with his children,
that they are growing up too quickly, and laments the loss of quality "family
time." In light of this, he organizes a family vacation: a cross-country drive
from Chicago to Southern California to see America, spend time together, and top
it off with a trip to the most magical place in the world: Wally World, the
theme park to beat all theme parks. Why not fly? To put it in
Clark
's vernacular, "Because driving is half the fun!" In
addition, it will allow him to spend more time with his wife and children.
In other words, he's pretty much like almost every loving
father in existence... and that's what makes it so magical when Chevy
Chase
tackles the role. He's
recognizable, but while the character of Clark Griswold is endearing and familiar to
the audience, it is also the framework upon which Chase ladles his
inspired tomfoolery. He gives the familiar figure of the overbearing Dad just that
much more lunacy. Clark Griswold comes across as a bit of a schmo and
a buffoon, but we love the character because aren't almost all Dads just like that
when the family goes on vacation? I'd reckon that almost everyone has experienced
that moment of dread mixed with affection when their father takes them miles out
of the way to see "The World's Second Largest Ball of Twine", or whatever. It's
tangible. It's real. National Lampoon's Vacation grabs hold of all the
clichés that comprise the father-to-family dynamics, multiplies and magnifies
them at an exponential rate, and tops it off with
Chevy Chase
at his best. His quips, his gestures and facial ticks, and his
patented pratfalls all align together perfectly to create one of the greatest
comedic performances ever laid on film.
National Lampoon's Vacation is a truly funny movie that touches on all that makes the
concept of immediate family so unique and wonderful in the
cosmos without ever getting mawkish about the entire deal. Twenty years after the film
first graced theaters, it still holds up as both a comedic
classic as well as a great family film (with a liberal amount of
profanity, nudity, drugs, and the single greatest incest joke ever uttered on film.) Vacation
spawned three sequels, each more horrible than the last (including the
utterly over-praised Christmas Vacation, a film with
a following of whom I will never understand), but for fans of the original
classic, Warner's new 20th Anniversary DVD is pure platinum.
The DVD
Video:
Widescreen at last! Previously
available as a fullscreen-only DVD (ecch!), National Lampoon's
Vacation is finally being presented in its original
theatrical aspect ratio of 1.85:1 with a brand-new anamorphic transfer. The
overall video is reasonably sharp, showing some fine image detail while
occasionally interspersed with a few scenes that demonstrate some subtle but
noticeable softness. Colors are bright and quite strong; the scene that displays
the metallic-pea Family Truckster driving past Buckingham Fountain almost pops
off the screen. Flesh tones are warm and natural looking. Grain structure is
pretty strong, retaining the movie's fine film-like appearance. Contrast levels
are deep, with solid blacks and fine shadow detail. I did notice occasional
edge-enhancement and some minor compression noise throughout the transfer, but
overall I was very pleased with the quality of the video.
Audio:
The audio is presented in Dolby
Digital 1.0. The monaural soundtrack is fine, with excellent dialog reproduction
and a fine presentation of the score. I did not discern any noticeable hiss,
distortion, or thinness, but one must be realistic: mono is mono.
National Lampoon's Vacation is not the type of movie that is
screaming for an aggressive, immersive audio experience, and overall I find no
fault with the audio presentation.
Extras:
Bring on the goodies! Stars Chevy
Chase and Randy Quaid alongside producer Matty Simmons provide a
43-second Introduction to the film. The intro is completely ad-libbed and
is not terribly interesting (it's highly doubtful you'd want to see it again
anytime soon), but what the heck, I'd rather have it than not.
More interesting is the Griswold Family Commentary, featuring director
Harold Ramis, producer Matty Simmons, stars Chevy Chase,
Dana Barron, Anthony Michael-Hall, and Randy Quaid. The group was assembled for
this commentary track, rather than having separate comments edited together, and
the result is quite beneficial. The track is extremely lively and informative;
it's absolutely clear that the group is having a great time revisiting the film.
Ramis is particularly prevalent throughout the track, and provides a wealth of
anecdotal material. Dana Barron is surprisingly active throughout, while Chevy
provides some great laughs as well. Overall, this is quite a wonderful
commentary.
The Family Truckster Interactive Feature is a bizarre little extra. By
using your remote to highlight a specific section of the Family Truckster, you
can view a short clip detailing a member of the Griswold family or one of the
supporting characters. For example, if you select the luggage rack, you can view
a minute-and-a-half of Aunt Edna highlights. Select the fender and you can watch
Dana "Audrey" Barron explain why she was never in any of the sequels. The
windshield gives you access to the Truckster Family Radio, showing five clips of
the Griswold family singing in the Family Truckster ("Mockingbird", "Love For
Sale", "The Wallyworld National Anthem", etc.) The Christy Brinkley montage is
worth the price of admission alone.
Rounding out the supplements are the Theatrical Trailer and biographies of the Cast and Crew. Overall, while the extras are fine in and of themselves, I am disappointed by only one omission: the commentary track contains a thorough discussion of the film's original ending. That first ending, which was completely filmed, did not test well with audiences, and was subsequently reshot using the familiar second ending, which tested through the roof and remained in the film. That original ending should have been included here! Alas...
Final Thoughts
Revisiting National Lampoon's Vacation
brings back a ton of memories. I was twelve years old when I saw this in
theaters, and I saw my Dad in every single frame. Twenty years later, I see him
even more! Vacation was a staple of HBO for years, moving on to
the Turner channels where it has been a mainstay ever since. Watching the film
on the 20th Anniversary DVD is almost like watching it again for the first time.
The picture is remarkably sharp and vibrant, and the anamorphic widescreen
presentation along with the uncut, unedited dialog give the movie a freshness
that is very palpable. I've seen Vacation roughly 803,284 times
in the last twenty years, and this DVD is the most fun I've had watching it
since the first time.
There are so
many classic lines, funny moments, and hilarious scenarios to mention. If you're
a Vacation fan, the decision to purchase the 20th Anniversary
DVD is a no-brainer. You simply must have it. If you've never seen the movie, or
perhaps if you've only been exposed to the sub-par (and often substandard)
sequels, the DVD also comes highly recommended. It's relatively inexpensive as
far as DVDs go, and you are definitely getting your money's worth. For hardcore,
longtime fans of the film, the commentary alone makes this DVD a must-buy. For
the sexist pig reading this review, the DVD is even worth it just to see how
amazingly hot Dana Barron has become, or how amazingly hot Christie Brinkley
still is. Of course, Beverly D'Angelo's participation is missing
from the DVD, which is too bad. As she played one of the greatest movie moms
ever, repeating the role in three sequels, I would have loved to have
listened to her thoughts on the project. Nonetheless, the National
Lampoon's Vacation DVD is definitely a metallic pea Wagon Queen Family
Truckster's worth of joy. Highly recommended!