This DVD is part
of the F. W. Murnau Collection boxed set. Read the reivew of the
entire collection here.
After the international
successes of his films Nosferatu and The Last Laugh, Ufa
studios gave F. W. Murnau carte blanche to bring to the screen his version
of Goethe's classic tale Faust. Here an artist had a huge
budget and the power of a large studio behind him. He created a technical
marvel and remarkable film.
War, Famine and Pestilence ride across the sky. The Devil (Emil
Jannings) looks on as they spread their disaster, his large wings expanding
to engulf the world. But rays of light shine out from behind the
Devil. An Angel of the Lord appears and reminds Satan that he does
not have dominion over the Earth. The Devil claims that the Earth
is his since he can corrupt any one he wants to. The Angel points
out Faust (Gösta Ekman,) and asks if he is corruptible. The
Devil and the Angel make a wager: If the Devil can corrupt Faust,
he will gain control over the Earth, if not, he must leave the world alone.
The Devil starts by casting a plague on Faust's village. In a
few day, half the people have died. Faust prays for an entire day
and night, but the medicine he has still doesn't help cure the stricken.
In a moment of rage at his uselessness, Faust throws his books into the
fire. While one is burning, it opens up and Faust reads an incantation
for summoning Mephisto and gaining earthly powers. He pulls the book
from the fire.
The next evening he goes out to the crossroads and summons Mephisto.
Startled and frightened when he appears, Faust runs home, only to find
the Devil waiting there for him. Mephisto tempts him, and Faust finally
concedes to renounce God for one day, if the Devil will do his bidding.
They sign in blood. The first thing Faust does with his new found
powers is to cure the people in his village. He is successful until
a girl arrives clutching a cross. He cannot get past the crucifix
and the people realizes that his power comes from the Devil and start to
He escapes to his room where the devil tempts him once again, this time
with youth. The old man can not resist this offer, and is transformed
into a charming young man. Mephisto then takes Faust to a beautiful
princess and helps him seduce her. But just as he is getting ready
to join her in her bed, his time runs out. Faust can not stand the
thought of becoming old again, so he agrees to make their deal permanent.
With the Devil always one step ahead of him, is there anyway for Faust
to save his soul and all of humanity with it?
This is an amazing film. The effects were great for the time, and still impress.
It is interesting to note that Murnau filmed this movie entirely on sound
stages, eschewing location shoots that he used so effectively in Nosferatu
(and would use again when filming Tabu.) He wanted the control
over all aspects of the film that a studio shoot would give him, and he
used it to the fullest advantage. The intricate special effects and
camera tricks he was able to create make the film a masterpiece.
The camera works was exceptional, with many shots blocked out to make them
look like paintings. The smoke and flowing costumes all added to
Murnau liberated the camera in this movie too, like he did in The
Last Laugh (though not to the extent he did in the earlier picture.)
He controlled the film's space, and filled it with movement and detail.
A gorgeous film to watch.
The acting was first class all around. Lillian Gish was originally
cast as Gretchen, but wouldn't do the movie unless her cameraman, Charles
Rosher, could shoot it. Ufa refused to this demand, and Camilla Horn,
an unknown German actress was given the part. She would go on and
have a successful career in movies and TV that lasted well into the 1980's.
Gösta Ekman did a wonderful job as both the young and old Faust.
His movements and gestures when he was old were very realistic and convincing.
But the star of the show was Emil Jannings as Mephisto. He played the role
with the right mix of evilness and humor (it really looked like he was
enjoying putting poor Faust through the ringer.) Truly a masterpiece
of early film art.
The sound track was provided by a the Olympic Chamber Orchestra conducted
by Timothy Brock who composed the score. As with the score that Brock
composed for The Last Laugh, this composition is wonderful. It is
full and bold, and the music emphasized the emotions playing out on the
screen. The stereo mix was very good too, with no noticeable hiss.
A clear and clean sound track that matches the movie very well. A
The video was excellent, amazing for a 75 year old film. The print
was taken from a restored 35 mm archive print, that has very good contrast
and definition. There are a wide variety of gray tones and details
are visible even in light shadows. The picture was fairly soft, and
there are some scratches and dirt on the print, but this is a minor problem
with this film. The few spots where emulsion damage or other major print
defects occur are very rare, but there are some. A great looking
The only extra is a photo gallery with a selection of production stills
and behind the scene photographs.
This was Murnau's last film in Germany. After filming Faust,
Murnau left Ufa and went to Hollywood. This artistic yet attention-grabbing
film was a fine ending to his German period. The special effects
were awe inspiring for the time, and the morality play was interesting.
The picture on this DVD is outstanding for a film this old, and the musical
sound track was one of the best I've heard in a while. One of Murnau's
great films on a great DVD. Highly Recommended.