Yippee-ki-yay, motherfucker!
-John McClane (Bruce Willis)

For almost twenty years, Die Hard has been an undeniable part of the public lexicon. Bruce Willis' take on John McClane quickly went from endearing to iconic. In many ways, he's the ultimate action star. Not because he's superhuman, but because he remains so very human. McClane is a man who nobody can stand to be around, but he's always the man you want to be near in a pinch. Through the course of four movies, McClane and Die Hard have become bywords for undeniable, unstoppable, unflinching action. To capitalize on the release of the latest film in the series, Live Free or Die Hard, Fox has released all four flicks on Blu-ray, sold individually or together in one collection. Watching them back to back to back (to back), it's easy to see why Die Hard remains such a vital and enduring series.

In the film that started it all, lifelong New York cop John McClane (Bruce Willis) is visiting L.A. to try and make amends with his estranged wife Holly (Bonnie Bedelia). Their first meeting, at Holly's company Christmas party, is tense, and a final reconciliation is put off due to a team of terrorists infiltrating the building. Led by the enigmatic Hans Gruber (Alan Rickman), they hold the company hostage in an attempt to break into the vault located on the premises. But even the best laid plans can fail thanks to one little fly in the ointment, and that is McClane. Able to escape without being noticed, it's now up to McClane to take on the terrorists one by one, or lose everything that's dear to him.

Despite a long and varied career, it's hard to think of Bruce Willis as anything but an action star. Despite going against type time and time again in films like Pulp Fiction and 12 Monkeys, he will forever be remembered for one role: John McClane. But in 1988, Willis was that guy from Moonlighting. He was seen as a funny up and comer, but not as any kind of star, and certainly not in an action extravaganza. What a difference one movie can make. Die Hard exploded like a nuclear bomb in the summer of '88, bringing audiences in by the truckload and redefining the rules of the action genre.

Much of that can be laid at Willis' (bare) feet. McClane was unlike the other heroes of the time. Actors like Sylvester Stallone and Arnold Schwarzenegger had turned the action genre into a self-parodying prospect: Muscled boneheads who can barely speak English ripping through hundreds of faceless victims with gattling guns and exploding arrows, all capped off with a cringe-inducing quip. Willis plays McClane as a down to earth, down on his luck working stiff who's too bullheaded for his own good. He makes mistakes, second guesses himself, and these traits forge an instant connection with the audience. Willis, of course, plays McClane as naturally as breathing, making offhand comments and heroic gestures feel equally spontaneous.

Director John McTiernan choreographs the film brilliantly. Instead of having McClane wade through a sea of unsuspecting baddies, he limits the encounters and makes each one count. Every scene has an arc, which all builds in to the larger construction of the picture. The fights are truly thrilling and suspenseful, and you can see McClane degenerate from damage as the movie progresses. The struggle all takes place in one building, giving Die Hard a now-famous sense of claustrophobia that makes each fight even more breathtaking.

Die Hard isn't just the best film in the series, it's one of the best action films ever made. It's still a benchmark of the genre to this day. It continually captures new audience members every year, and its status as a classic is secure. 5 Stars.

Die Hard 2 - Die Harder:

Having escaped Nakatomi Plaza with his life and his wife, John McClane now finds himself at Dulles International Airport, waiting to pick up Bonnie from a flight. Of course, things don't go as planned when a group of ex-military renegades hijack the airport to facilitate the escape of an imprisoned war criminal being transferred through Dulles. McClane, of course, isn't just going to sit still for this kind of thing, especially when it turns out that as part of the plan, all planes en route to the airport have to circle above until the escape is complete, even if it means that the jets crash.

I know that Die Hard 2 has its supporters. It is nice and comforting to see McClane and the gang back again, but let's face it: This flick is a steaming pile of crap. This shouldn't come as any surprise to anyone who bothers to notice that the director was Renny Harlin. Harlin, a thoroughly mediocre director, had no clue what made the first film so successful, and is completely unable to replicate any of the visceral achievements that McTiernan pulled off so well.

First, the good. Bruce Willis plays John McClane. That's it. That's the only reason to watch the movie. Annoyingly, in an attempt to make McClane even more likable to audiences, Willis softens the role, making McClane more of a jokester, and whining about Holly endlessly. Yes, her life is in danger, but it was also in danger the last time around, and McClane was much more hard edged about things. So even the version of McClane that we get in Die Hard 2 isn't as satisfying as in the other entries.

The airport location also does not lend itself to the kind of close quarters combat that the first film had. Despite being a building, an airport is massive and sprawling. McClane is all over the place, frequently outside, and it's not interesting. Harlin tries to find ways to get McClane into more confined areas, using the flimsiest of excuses to shove him into air ducts and elevator shafts, all to no good effect. The action is more loud than kinetic, and even on a visual level the movie lacks character. Gone are Jan de Bont's dynamic lighting schemes, replaced with flat and flaccid compositions that offer no sense of atmosphere.

The villains are the most faceless in the entire series (and yes, that includes Timothy Olyphant's monotone Thomas Gabriel in the fourth film). Even worse, Bonnie, an essential character in the first film, is shoved onto a plane to participate in a 100% useless subplot that does nothing but take away the focus from the few bits of tension Harlin was able to tape together. It ruins whatever pacing the film had, and goes nowhere but to the punchline of a bad joke.

There's a scene in Die Hard 2 where McClane says to himself, "How does the same shit happen to the same guy twice?" It's a question the audience will find themselves asking the entire time they watch the movie. Harlin doesn't have the talent or imagination to make a passable action picture, let alone something that could stand up against the triumph of the first film. It's not even fun in a "so bad it's good" kind of way, because the production values are too high. Just a miserable failure all around. 2 Stars.

Die Hard With A Vengeance:

Many years have passed since the events at Dulles, and it turns out McClane is still an asshole. He's moved back to New York, leaving Holly and the kids out in L.A. But that's the least of his problems. One morning, a bomb goes off in the middle of the city, and the perpetrator, a man referring to himself only as Simon (Jeremy Irons), demands that McClane go through a series of tasks and solve puzzles of increasing difficulty. If he fails to comply, more bombs will go off and more lives will be lost.

Die Hard 2 was obviously a cash-in, the result of Fox looking to make a quick buck off of a hot property. Thankfully, they took a different approach with the third film, bringing back John McTiernan to handle the directing duties, and changing many of the established formulas. All of the supporting cast is gone. Willis is the only original actor who remains. In their place are a series of comfortable character actors, more than happy to let Willis run wild. And boy, does he ever. McClane is at his lowest in With A Vengeance, starting the film with a horrible hangover. McClane has never been more rude, pushy, and willing to destroy property as he is here, and it's refreshing to see McTiernan and Willis bring the character back down to earth.

Jeremy Irons is the second most memorable villain in the series, rivaling Rickman in many ways. Shockingly, it turns out that when you cast great actors, you get great performances. Simon is a delightful creation: Severe and determined, he just can't help toying with McClane, even though he knows deep down that to do so is a terrible idea.

The other major change is of the locale. Dropping all pretense of small spaces, McTiernan takes the film in completely the opposite direction. McClane and unwilling partner Zeus (Samuel L. Jackson, providing a nice counterpoint to Willis) find themselves frantically racing all over New York. McTiernan uses the geography and nature of the city to create the tension that he loses by opening up the playing field. Many of the film's best sequences involving McClane and Zeus trying to navigate and avoid New York traffic in an attempt to stop yet another bomb.

Visually, McTiernan also shifts gears, making the movie gritty and grainy to match the grime of the story. The vast differences of this film versus the others proves the reliability of John McClane. Many of the elements people thought were essential to the series (Bonnie, confined spaces, Christmas) are thrown right out the window, and With A Vengeance is better for it. All the movie needs is a good story, cast, and director. Die Hard With A Vengeance is my personal favorite of the four, a devilishly fun thrill ride that offered McClane a whole new world of cinematic opportunities. 4 Stars.

Live Free or Die Hard:

John McClane just can't catch a break. His marriage to Holly has finally ended in divorce, and now his college-bound daughter Lucy (Mary Elizabeth Winstead) isn't willing to talk to him. After a particularly poor attempt at reconciliation, John is called to arrest and escort a hacker, Matthew Farrell (Justin Long) that the FBI feel might have hacked into their Cyber Crime Division. But in the attempt, McClane and Farrell find themselves under fire by the henchmen of the real master criminal, Thomas Gabriel (Timothy Olyphant). McClane, determined to finish his assignment, brings Farrell to the FBI, where he finds that much of the East Coast has been shut down by Gabriel and his team. Now it's up to McClane, with Farrell in tow, to stop Gabriel before he ruins millions of lives.

Live Free or Die Hard had so many cards stacked against it that it's a minor miracle that the film is watchable at all. It had been twelve years since the last Die Hard, and usually such long gapes indicate endless script rewrites that have sucked all the vitality out of the original idea. The political climate had also changed, with the idea of terrorism in America no longer being so outlandish. And the choice of Len Wiseman as the director sent many into an uproar. Wiseman is the director of the two Underworld pictures, and while I find them guilty pleasures, I would not put them on the level of the McTiernan Die Hard entries.

It's to Wiseman's credit that his efforts on Live Free show tremendous growth from his first two outings. The sequences in Washington where Gabriel is systematically shutting down system after system, causing chaos and destruction, are so well done that I found myself on the proverbial edge of my seat. The entire film doesn't hit those heights, but for Wiseman to achieve that even for twenty minutes is, in my mind, a major step forward for him. And even the absolute worst moments in the film never get anywhere near as bad as any single second of Die Hard 2.

The biggest flaw is Timothy Olyphant as Thomas Gabriel. Olyphant can generously be described as an actor with limited range. Even on the acclaimed series Deadwood, Olyphant's character was by far the least interesting. Here he tries to appear darkly menacing, but mostly just comes off as laughable. Much better is his second-in-command/lover Mai Lihn (Maggie Q) who whose beauty belies a fierce temper and a mean kick.

The rest of the supporting cast work surprisingly well. Justin Long plays an iteration of pretty much every character he's ever played (except here he's a hacker), but I've always found him to be charismatic and Wiseman knows how to use him. Mary Elizabeth Winstead channels the tenacity of McClane and the vulnerability of Holly in a performance that I bought completely. The film even manages to shoehorn Kevin Smith into its second act and it doesn't rock the boat.

Considering how widely Willis has branched out since With A Vengeance, it's a bit surprising that he agreed to play McClane again. Maybe he missed the character as much as we did, or maybe the money was too good to pass on. Either way, it's great to see him on screen again in the role he was born to play. He seems more balanced than he did in Vengeance, but has developed the gruffness of a veteran cop who knows it's almost time to retire. I don't know if he'll be able to make it through a fifth film, but for now I feel the old McClane magic still works.

Of course, it would be irresponsible of me to review Live Free or Die Hard without mentioning the ratings debacle that accompanied its theatrical release. All three previous movies had been hard R's, as befitted an action series that always felt like a punch to the gut. At some point during production, Fox decided to entertain the idea of making Live Free PG-13, resulting in McClane unable to say his signature line in full. I was quite vocal in my opposition to a PG-13 release, but being the die hard Die Hard fan that I am, I still couldn't keep myself away. I was pleasantly surprised to discover that even without the blood and the swearing, the movie felt like it still belonged in the series. Still, there are some sequences that have obviously been re-edited in order to obtain a PG-13 rating, and they're handled so poorly that it grinds the picture to a screeching halt. Luckily, these scenes are few and far between. 3.5 Stars.

Throughout the years, John McClane has been through his ups and downs personally, professionally, and cinematically. But if there's one thing that isn't in doubt, it's that Die Hard has been resilient, lasting for decades and becoming one of, if not the premiere action franchise of the latter half of the twentieth century. Not too bad for a guy who watched too many Roy Rogers movies as a kid.

The Blu-ray Disc:
Part of the audience's eventual acceptance of Live Free or Die Hard's PG-13 rating came from the knowledge that alternate cuts have become commonplace on DVD. Everyone expected to see the original edit when the picture made its home video debut. Fox has managed to throw a monkey wrench into the works, by providing an unrated cut on DVD, but only offering the theatrical cut on Blu-ray. This might be worse than it sounds. Although I have not seen the unrated cut, I have heard that instead of letting Wiseman go back and create a true director's cut, Fox has simply added CGI blood and ADR swearing into the existing version. That, to me, would be even more distracting than the PG-13 version, so perhaps its omission from Blu-ray is a blessing in disguise. Still, Fox should have provided both versions as a courtesy to the audience.

The Image:
Fox presents all four Die Hard films in their original aspect ratio of 2.35:1 in AVC-encoded 1080p transfers. The series spans twenty years and four different cinematography styles, so it's no surprise that the quality of the video on the set varies wildly.

Die Hard: I was surprised by how much better Die Hard looked in HD than it did on DVD. Aside from the obvious difference in compression artifacts, many of the shots on the Blu-ray have increased clarity and detail. Jan de Bont's stylish lighting, with plenty of lens flares, is well reproduced. The close-up of John in the air duct with his lighter on is a night and day difference. On the other hand, Die Hard is a naturally soft film, shot with anamorphic lenses and a shallow depth of field. It doesn't escape the curse of the late 80's film stock, with colors that look well worn. If you're looking for the best reproduction of the film on home video to date, this is it. If you're looking for demo material, you'll need to keep on moving. 3 Stars.

Die Hard 2: As I mentioned above, Die Hard 2 does not have the visual sophistication of its predecessor. Renny Harlin went for a much flatter look, sometimes going so far as to bathe a scene in a red or blue light. As you can imagine, this results in an image that is generally devoid of fine detail. But even beyond the inferior cinematography of the film, I feel like Fox didn't put as much effort into this film's transfer. Much of it looks blotchy and I was able to detect artifacts in various scenes. The close-ups don't reveal as much detail as they did in the first film, and even a medium two shot looks shockingly soft, to the point of feeling almost out of focus. 2.5 Stars.

Die Hard With A Vengeance: Now we're getting somewhere. Die Hard With A Vengeance was shot in a gritty, grainy style, but that doesn't stop this disc from looking pretty good. Being a more recent film, Vengeance is more in line with what you'd expect from a high definition transfer, with good detail and color reproduction. The grain is ever-present, giving a nice film-like presentation to the image. I was disappointed to see the specter of edge enhancement rear its ugly head, however. On the whole, I was mostly pleased with Die Hard With A Vengeance. 3.5 Stars.

Live Free or Die Hard: In yet another visual scheme, Len Wiseman decided to overexpose much of Live Free and raise the contrast. At times this can get a little distracting, but in general we still get a top notch transfer befitting a brand new motion picture. There's plenty of detail, with every wrinkle, cut, and bruise on Willis' face clearly visible. Blacks are deep and shadow delineation is excellent. The picture is almost entirely free from artifacts, which is a good thing since Live Free has the most tightly cut action of the four. This is exactly what you would expect from a high profile release and should be praised. 4.5 Stars.

The Audio:
All four Die Hard films get brand spanking new DTS-HD MA lossless audio tracks, all 48kHz/24-bit. As my PS3 is still unable of decoding this lossless portion of this codec, I am going off of the impressions of the lossy DTS cores.

Die Hard: Die Hard was originally mixed in stereo, and thus this 5.1 mix feels very processed. The rears are used infrequently, even for the score. When it is, it's not well balanced, being less discrete and more overt. The bass feels anemic and dialogue, especially Holly's more quiet lines, has a tendency to dip down a little lower into the mix than I would have liked. While the DTS track might have sounded pretty good six years ago, I think it's time for Fox to invest in an entirely new mix for this one. 3 Stars.

Die Hard 2: Further fueling my beliefs that Fox just doesn't care about this sequel, Die Hard 2 is actually a minor step down from the first flick. The big action sequences feel a little better integrated, but the scenes in between are pretty much strictly stereo. Many of the same dialogue issues reappear here. The climax shows some improvement, with better ambiance and balance amongst the effects and the score. In particular, the final explosion sounds quite good, with some decent bass. 3 Stars.

Die Hard With A Vengeance: The first film in the series to be made after the general acceptance of large multichannel soundtracks, Die Hard With A Vengeance is a huge step up from the first two. The opening sets the tone, with some great classic rock interrupted by a vicious explosion, with the sound of glass and debris flying every which way, cars overturning, and people fleeing in terror. The mix never lets up, with a wide soundfield that encompasses much of the city's background noise. Dialogue is significantly improved, including Simon's intentionally tinny phone calls. I don't know how much of an improvement the full lossless track offers, but what we've got here is great. 4 Stars.

Live Free or Die Hard: Do you even have to ask? The latest installment is not only brand new, but directed by a man who clearly knows the value of a truly enveloping sound mix. I gave Wiseman's first film, Underworld, a five for sound on Blu-ray, and I'm more than happy to do the same with Live Free. Right from the opening frames, the sound track settles in with a menacing score by Marco Beltrami. Again, an explosion breaks things up, but the sound is so aggressive that you might think it's your own house that's blowing up. The action sequences are sold through the sound, which flash by, traveling from speaker to speaker and by the end, you won't know which way is up. The fidelity is clear as a bell, and the range is astounding. This is a first class audio mix all the way. 5 Stars.

The Supplements:
Fox had previously released the first three Die Hard pictures several times. The top of the line releases were the Five Star Editions (technically Die Hard 2 and With A Vengeance were just two disc special editions) released in 2001. Most, but not all of the features from those two-disc sets have been replicated here. Common to all of the discs are a set of trailers in 1080p. Specifically, you get the trailer for the other three films in the series (thus Die Hard has the trailers for the three sequels, and each movie skips its own trailer) and Alien Vs. Predator. Each disc also has a set of D-Box codes. D-Box is a system that will shake your chair in time to the action of the movie, provided that the chair you own is an obscenely expensive piece of equipment that no one in their right mind would buy. We get this on all four but no unrated cut of Live Free? Where's your head, Fox?

Aside from the trailers I've listed, all of the special features are in 480p.

Die Hard:

• Commentary by Director John McTiernan and Production Designer Jackson DeGovia: McTiernan and DeGovia, recorded separately, discuss Die Hard in an in-depth fashion. McTiernan takes the long view, remembering what it was like to shoot the film, and spends a lot of time discussing the editing, and how thankful he was for his editor. DeGovia understandably focuses more on what we're seeing in any given shot, pointing out all different kinds of production design tidbits. While at times DeGovia does begin to fawn on McTiernan and Jan de Bont, the level of discussion is much higher than it is in the average commentary.
• Commentary by Special Effects Supervisor Richard Edlund: This isn't a full commentary. There's an index on the disc that will take you to each scene on which Edlund comments (made especially handy by the pop-up menu that Blu-ray has). It's very technical in nature, often dealing with effects techniques that are not used anymore. He does veer off at points. It's interesting for tech heads, to be sure.
• Subtitle Commentary by Cast and Crew: If Fox was really able to round up this many members of the cast and crew, you could bet it would have been for a full audio commentary, not a subtitle commentary. This is akin to the subtitle tracks on the Star Trek special editions. This track in particular is essentially a feature-length analysis of the movie, with fun facts and interview excerpts thrown in for good measure. I actually threw it on while listening to the McTiernan/DeGovia track and found I was able to follow both.
• Newscasts: 8 minutes of the newscast footage that's littered throughout the film. A few lame jabs at the male anchor pop up that thankfully didn't make it into the final cut.
• Still Gallery: A collection of photos from the production, presented in a slideshow.
• Trailers: Trailers and teasers for the film.
• A lot of the material from the Five Star Edition was removed for this Blu-ray, including outtakes, a series of interactive featurettes that take you through the post-production process, magazine articles about the film, and the original script. Due to the omissions, the extras on Die Hard only get 2.5 Stars.

Die Hard 2:

• Commentary by Director Renny Harlin: Renny Harlin is very happy to discuss Die Hard 2, talking jovially about all kinds of of things. We get his opinions on Willis, production stories, discussion of the physical set that they had built, and more. Considering how tough it was for me to sit through the movie, I think the best commentary for this would simply be the words "I'm sorry."
• Deleted Scenes: About eight minutes of deleted and extended scenes. It's pretty easy to see why these were cut.
• The Making of Die Hard 2: If you can bear to sit through the piles of fluff and interviews with people saying how great the movie will be, there's a little bit of good information and behind the scenes footage. It's a 23-minute promo and it's not very well done.
• Chaos on a Conveyor Belt: A short look at the conveyor belt shootout sequence.
• Breaking the Ice: An even shorter look at another memorable sequence.
• Interviews: Renny Harlin and William Sadler each get six minutes to talk about the movie.
• Trailers: Again, a good selection of trailers and teasers and a TV spot.
• Omitted features include a shorter TV featurette, several special effects extras, and storyboard comparisons. 2.5 Stars.

Die Hard With A Vengeance:

• Commentary with Writer Jonathan Hensleigh, Director John McTiernan, and former Fox Executive Tom Sherak: This is another edited together commentary. Hensleigh takes the most time, which is fine, as he wrote the script and is very passionate about it. The film started as a standalone piece called Simon Says and was eventually appropriated to become Die Hard With A Vengeance. Hensleigh points out which scenes stayed true to his original script, and where they had to make changes. McTiernan is more production oriented, but often finds himself surprised at how much he's enjoying the movie. Sherak mostly talks about it from a financial perspective. Easily up there with the commentary on Die Hard, this one is both informative and fun.
• Alternate Ending: Writer Jonathan Hensleigh does commentary on this very different alternate ending. It's a lot more harsh and less heroic than the one that made it into the movie. I'm not sure which one I like more.
• Green Screen Comparisons: A side-by-side comparison of six special effects shots from the movie.
• Storyboards: A mix of final production footage and raw storyboards, to give the audience an idea of how storyboards help craft the final product.
• HBO First Look: I don't know if HBO does these programs anymore, but I used to remember watching them on all kinds of different films. Basically, this is no different from any extended TV promo, a mix of "This is gonna be so great!" comments and behind the scenes footage.
• A Night To Die For: A network TV special, this one hosted by Samuel L. Jackson. The interviews get a little more in-depth than on the HBO program, and there's more behind the scenes as well. This is also where you can find the infamous shot of Sam Jackson's prominent nether regions, which will forever overshadow any of the other content in the show.
• Villains With A Vengeance: A quickie profile on Jeremy Irons' character, Simon.
• Featurette: Even more of a fluff piece than the other ones.
• Bruce Willis Interview: A short interview with Willis in PR mode. Not very interesting.
• Trailers.
• It seems one or two effects featurettes are missing from this disc that were on the 2-disc DVD. Still, it's better than what we have on the first two movies. 3.5 Stars

Live Free or Die Hard:

• Commentary with Bruce Willis, Director Len Wiseman, and Editor Nicholas de Toth: The only commentary to have all the participants recorded together. I was disappointed with this one. The three are very subdued, watching the movie in an almost impassive way. There's a lot of talk about shooting for a PG-13 instead of an R, but none of them seem to care that the PG-13 cut was the one released to theaters. Willis and Wiseman do joke around a bit, but mostly this just felt like they were phoning it in.
• Analog Hero in a Digital World - The Making of Live Free or Die Hard: Nowadays it seems like a foregone conclusion that a documentary will be shot for DVD, but even most new releases don't offer this good of a feature. Clocking in at over an hour and a half, "Analog Hero In A Digital World" is a fascinating look at the latest iteration in this long running franchise. Predictably, this starts in pre-production and ends in post, with plenty of time spent on the stunts, the fights, the shooting, etc. This is pretty much the best extra on the entire four-disc set, with the exception of the McTiernan commentaries.
• Yippee Ki Yay MotherF*****!: An informal chat between Kevin Smith and Bruce Willis. While the information revealed isn't terribly exciting or new, the laid back atmosphere does wonders for Willis, who's able to open up and be himself. The "Evening with Kevin Smith" vibe also helps put the audience at ease.
• Black Hat Intercept: The only real Blu-ray exclusive (let's face it, D-Box is a bust), this is a BD-J game. For some reason Fox thinks that the future of movies on home video is in bad java-based games, as several of their big releases have them. The only notable thing about this is that it features new footage of Kevin Smith as The Wizard.
• Fox Movie Channel Presents - Fox Legacy: This is an ad for the Die Hard series disguised as a smaller part of a larger documentary.
• Guyz Nite Music Video: A somewhat funny music video by a group that really likes Die Hard.
• Behind-the-Scenes with Guyz Nite: A less interesting behind the scenes look at the video.
• Trailers: In addition to the standard set of trailers, we also get previews of The Simpsons Movie, Fantastic Four: Rise of the Silver Surfer, and The Siege all in 1080p.
• Unlike the other discs, everything from the DVD is retained. 4 Stars.

The Conclusion:
For many, Die Hard is the greatest action film ever made. The franchise it spawned has had its up and downs (and which of those films are the ups and which are downs changes radically from viewer to viewer), but they've always been undeniably fun. The sound and video quality of the films on this set vary wildly, and not all of the DVD features have been included. But on a purely economic level, if you like more than any two of the Die Hard films, this collection is a good bargain, being cheaper than three of the individually released discs. And it's John McClane in HD, for fuck's sake! So take some aspirin for that hangover, kick off your shoes, make some fists with your toes, bust out the twinkies, and prepare to watch the worst obstacle a German terrorist ever did face. Highly Recommended.