Among the noteworthy cadre
of Los Angeles-based stand-ups who have emerged over the last decade
or so, Maria Bamford is a unique comedian. She presents audiences
with a individual point of view, drawing inspiration from her own brain
troubles (depression and OCD, or as she has put it, being "paralyzed
by hope") and the bizarre but common personality types she has encountered.
She compresses the mundane craze of them all into perfectly-crafted
characters on the edge of sanity that she effortlessly inhabits, sometimes
for mere moments at a time. Her comedy is less about blasting
the audience with her own thoughts and opinions, than it is about capturing
a set of specific personae in our society and lampooning them in their
own words and behaviors. The personalities she satirizes comprise
an askance view of dominant American cultural attitudes and predictable,
Unwanted Thoughts Syndrome
is Maria Bamford's third solo comedy album, recorded live in August
2008 at L.A.'s Upright Citizen's Brigade Theater. It's presented
as a two-disc CD & DVD set. The CD features her act at its
most personal, refined, and hilarious. Incorporating some material
that had its test-run on her web series The Maria Bamford Show
(the entirety of which is included on the DVD), her routines include
many references to family, friends, and acquaintances from her hometown
of Duluth, Minnesota. Voicemail from the baby Jesus, an impersonation
of God as an incoherent Quasimodo type, along with references to art
therapy, the Velveteen Rabbit, and the power of vision boards form the
basis of some of the best bits.
Since getting the CD a week
ago, it has not been ejected from my car stereo. I have not been
this engaged by a stand-up comic in years. Bamford's quick left
turns, stable of voices and characters, and hilarious joke-surprises
make the album easy to listen to repeatedly, as I continue to do.
Her longer bits are complex, involved, and ingenious - to wit, a lengthy
in-character description of her job as a "Bajoran" Star Trek character.
There is a short, perfect piece about taking painting lessons from "The
Wizard of Art" that ends with the ex-hippie instructor ordering Bamford
out of the class with constructive, vision quest intensity.
Part of what makes Bamford's
performance so enjoyable is a consistent sense of unpredictability and
surprise. This comes not just from the voices and personalities
at her command, but from her nimble observational and interpretive ability.
Her act feels organic, improvised, and natural. Neither contrivance
nor phony comedy short-cuts will be found here. We don't have
to choke down "bridge" material in order to get into the next bit;
Bamford's thought process eschews this kind of cheat because she knows
it's dead air. If a bit doesn't "flow" into the next,
it doesn't matter, because both bits are funny enough to withstand
such cosmetic considerations.
Bamford doesn't cloak her
neuroses with jokes; she celebrates what emerges from her brain with
blunt honesty. Bamford's thoughts are plain and undisguised,
not just set-ups for punchlines. In fact, she sometimes forgoes
punchlines entirely, which adds a layer of honesty to her routines -
a joke about Alicia Keys from Bamford's previous album (How to
WIN!) comes to mind. Alicia Keys is a silly goose, and she's
funny in and of her ridiculous self - face it.
Bamford embraces her separateness
from mainstream American culture, but doesn't obsess over it or insult
her audience with it. She's not angry like George Carlin in
his later years, or smug in the way that David Cross can be - her
show is far from being that kind of shitshower of petty frustration.
Her comedy is not about her views, per se, anyway - it's
about being on the outside looking in and finding absurdity at every
turn. It's about being amused by the world, and occasionally
baffled, while trying to not let it bother you. Our own faults
and problems are, more often than not, ridiculous and hilarious, as
is our capacity to tell each other it's all okay even though it's
not. The problem and the solution are just different outgrowths
of human nature - and the sooner we understand that doom and hope
are part of the same existence, the easier it is to cut through the
bullshit and deal with what we need to deal with.
The DVD contains all twenty
episodes of The Maria Bamford Show, originally broadcast (posted?
streamed? dibletted?) on SuperDeluxe.com (now defunct). This one-person
"sitcom" has Bamford playing a version of herself. The premise
is that Maria has moved back into her parents' house in Duluth following
an onstage breakdown. After getting her brain meds sorted out,
Maria has to rebuild some semblance of her career, all while dealing
with relatives and the blinkered townie types she grew up with.
There is a lot of snappy, fast, funny stuff here, and the show is a
nice record of an artist at work (a lot of this material was later incorporated
into her live act). It was produced on the cheap, but the show
is a wonderful miniature, and the speed and ease with which the episodes
are paced and edited showcases Bamford's diverse characterizations.
Episodes dealing with her attempt at a casino performance, moving in
with her sister, and the surprisingly moving finale are among the best
of this very strong series.
Maria Bamford is the most creative, intuitive, and funniest comedian currently working. Her characterizations remind us that pretty much everyone has a weird, weird brain that functions inconsistently at best. If you aren't able to see her live, I highly recommend that you seek out Unwanted Thoughts Syndrome.