A year passes, and human/mutant relations are in shambles. The Mutant Response Division -- the MRD -- is no longer content to just lock up whatever mutants they stumble across and are now arresting the humans who hide them. There is sanctuary -- the utopia that Magneto has created for mutants on the tiny island nation of Genosha -- but the journey there is long, expensive, and dangerous. The X-Men have been disbanded for a full year now, either returning to the lives they once knew or on the run, doing whatever they can to avoid being found once again. The MRD soon forces Wolverine's hand, and he does what he can to reform the team. It's not easy. Cyclops, having lost both his girlfriend and surrogate father, is a reclusive, self-destructive wreck. The still-teenaged Iceman is being kept under lock and key by his parents. Colossus refuses to leave his homeland of Russia. Storm is once again using her powers to ease the suffering of her people in Africa. There isn't a telepath on the roster to man Cerebro and locate much of anyone else who's missing. Rebuilding proves to be a slow, painful process, especially since Wolverine has been thrust into the uncomfortable role of leader. It gets worse: events in the present day are spawning a war that one day will ravage most every square inch of the globe. What few mutants remain are either buried, imprisoned, or in hiding, and humanity doesn't appear to have fared any better. The Sentinels have a stranglehold over what's left of the scorched remains of our planet. One voice from the future does still have a link to our time, however, feeding Wolverine whatever information he can to avert this apocalypse. A war is looming, and the motivations behind it prove to be far more complex than merely human versus mutant...
I grew up reading the Claremont/Byrne run in the comics, and to try to be as friendly to new readers as possible, those books were bogged down by reams of clunky exposition. Just about every issue, the X-Men would have to awkwardly explain how their powers worked, what their tangled web of relationships looks like, what their backstories are...as much as I love those books, that always seems to stomp all over the flow of the story whenever I revisit them. Wolverine and the X-Men isn't like that at all. If you missed the "previously on...", you're not going to get any dialogue recapping what you might've missed. No one ever really stands around and talks, and no one's yakking about how their powers function in the middle of a fight. No, Wolverine and the X-Men hits the ground running and never eases up on the throttle. Sure, there's enough context that someone who's uninitiated can still follow what's going on, but the whole thing is very much in media res. The rogue's gallery throughout Wolverine and the X-Men is massive, but the X-Men themselves are all too familiar with most of them at the outset. The characters in the series generally know who each other are and how their powers function. Since it doesn't have to keep explaining everything in sight, this approach just frees up that much more time for action. Wolverine and the X-Men also has to juggle two distinct
I'm really impressed by just how swiftly Wolverine and the X-Men moves, and it covers a colossal amount of ground in the space of a single season. Rather than picking up where X-Men: Evolution left off, the series has its own distinct continuity, piecemealing together elements from Chris Claremont's epic run on Uncanny X-Men, New X-Men, the Ultimate books, the movies, and even a little from previous animated takes on these characters. There aren't all that many direct adaptations, but you do get an updated version of the first Wolverine and Hulk battle as well as elements drawn from Fall of the Mutants, the various Weapon X stories, Days of Future Past, the Dark Phoenix Saga, Gifted, and pretty much everything Grant Morrison hammered out in New X-Men. The list of badniks, cameos, and guest stars is endless; the number thrown out in the extras is seventy different mutants, even. To rattle off a few...? Bishop, Marrow, The Shadow King, Psylocke, Rockslide, Dazzler (the Disco Dazzler version, even!), Mystique, Harpoon, Sabretooth, Mojo, Spiral, The Reavers, Nick Fury, Blink, Hellion, Multiple Man, Nitro, Ricochet Rita, Dust, Boom Boom, Domino, Magma, Pixie, Wolfsbane, Polaris, X23, The Scarlet Witch, The Juggernaut, Rover, Squidboy, Mr. Sinister (here just called 'Sinister'). Heck, you even get a look at Wolverine in his original striped costume as well as the original five of Xavier's First Class. Wolverine and the X-Men does a terrific job juggling such a sprawling cast too. Some of those names I just mentioned only appear in the background, for one. Even glossing over those sorts of cameos, the series doesn't insist on shoehorning every character in each episode, so there's not a constant competition for screentime, allowing them to be better fleshed out individually. A select few are lavished with their own showcase episodes as well, giving them that much more of an opportunity to shine.
The character designs are pretty great too. They're really exaggerated, of course: the women are, um, awfully top-heavy, the same as ever, while the men's hypermuscular arms are generally three or four times as thick as their legs. That's to be expected from an animated series, though, and they generally look very much like the characters I know and love. The designs too draw from different continuities; Toad is straight out of the pages of Ultimate X-Men, for instance,
That's one of the great things about Wolverine and the X-Men, really: no, not the massive amounts of cleavage, but that the show isn't watered down. Again, it's not bogged down by reams of explanatory dialogue, instead assuming that the viewer knows who these characters are, and it offers just enough context to be kinda-sorta coherent to the uninitiated. Rather than bother with one-and-dones or small, self-contained arcs, Wolverine and the X-Men weaves together one massive story. The episodes are still individually satisfying, but it's almost always advancing the central plot at the same time, and it's kind of a thrill to see its many individual threads start to intertwine. Jiggly mounds of flesh aside, the imagery on-screen is entirely appropriate for younger viewers -- no blood and a nearly non-existent body count -- and yet it still manages to be impressively dark and intense. Sure, if a helicopter gets shot down, you'll see the pilots leap to safety on a nearby building, the same as the G.I. Joe episodes a lot of us grew up with. Wolverine uses his claws to square off against his opponents' weapons rather than disemboweling or dismembering anyone. It still feels as if there are stakes, though. The X-Men aren't a bunch of pals who live in a mansion that serves as an oversized clubhouse; they're teammates banding together to fight a war. It's not a sunny, cheery series. There aren't all that many moustache-twirling villains either. Very few are motivated by money or greed; no matter what terrible acts they may commit, they're doing it because they believe they're right, and that's so much more compelling. The choreography of the action is really incredible too: from Domino's gymnastic gunplay to a Sentinel slamming down a nearly-severed robotic arm, these sequences are swift, acrobatic, and devastating. Wolverine and the X-Men does its job getting me invested in the story, but even aside from that, action on this scale just makes it a lot of fun to watch.
Some of the characterizations may rub lifelong fans the wrong way. Quicksilver here is a sycophant desperate to please his father. Emma Frost's biting wit briefly rears its head early on, but it quickly makes way for doe-eyed, unrequited love. I miss the edge her character has in the comics. Forge is a gangly teenager played for comic relief, and Cyclops spends a big chunk of the season moping around about his missing girlfriend. Some of these changes work well, at least for my money. The kneejerk reaction a lot of people may have is to the role Wolverine plays in this series, with fans barking that he's never been a leader. That's the point, though. Wolverine realizes from word one that he's a bruiser...a weapon...not a leader. He struggles with that, and so does the rest of the team. Wolverine eventually settles into the role without feeling as if the character has been shoehorned in to fit; it's earned...it's deserved. By the same token, I enjoyed seeing Cyclops as someone who prefers to stay isolated and very gradually becomes part of the team once again. I'd shudder to guess how many hundreds of X-Men comics I've devoured over the years. I've seen
I'm really impressed by how consistently great Wolverine and the X-Men is. There really isn't an out-and-out bad installment, and considering that there are twenty-six episodes in this set, that sort of batting average is really rare for a superhero series. There are some missteps, though they're pretty minor overall. The storytelling in "Hindsight", the series premiere, is kind of choppy. It bounces back and forth so frequently to Xavier straining before the blast that I couldn't tell at first if everything that followed was a premonition, a psychically-induced nightmare, or what. A lot happens in the three-part premiere, but the series' hooks don't really start to dig in for another episode or two after that. Gambit is in the running as the worst character in the history of anything, ever, so obviously the first of his showcases, "Thieves, Gambit", isn't exactly one of my favorites. The closest I came to outright disliking an episode is "Code of Conduct". I like the general idea -- flashing back to Wolverine's past with the woman he loved, forcing him to avoid using his claws in battle, revealing his lack of confidence as a proper warrior -- but the struggle against the Silver Samurai just doesn't resonate the way it did with me in the comics, and it feels so detached from everything else that's going on in the series. On the other end of the spectrum, it's really tough for me to try and choose a favorite. I mean, "Battle Lines" pretty much has the X-Men squaring off against Gamera. A swashbuckling Nightcrawler fends off a bunch of superpowered pirates -- unexpectedly familiar faces, all -- in "X-Calibre". The melancholy and darkness pervasive throughout "Guardian Angel", a practically monosyllabic pet Sentinel taking center stage in "Rover", the sheer number of "I can't believe they did that!" moments that dominate the final third of the season...Wolverine and the X-Men is just such a terrific series.
There are little things I could nitpick if I felt like it, but Wolverine and the X-Men does so much more right than it does wrong. It's just such an endless adrenaline rush, I'm surprised how invested I found myself in its bleak, apocalyptic storyline, and its sporadic, playful sense of humor is a lot of fun too. Heck, Wolverine and the X-Men made me really like Rogue for the first time in ages and Bishop for the first time in, well, ever, so it's gotta be doing something right. This is my favorite animated superhero series since Justice League Unlimited went off the air, and its ambitious scope allows it to easily eclipse the bulk of Marvel's direct-to-video animated movies. It's borderline-criminal that there isn't going to be a second season of Wolverine and the X-Men after all, especially after reading what was planned. Still, its first and only season tells a satisfyingly complete story, and one that's rather sprawling and epic at that. If you're a longtime X-Fan and shrugged off this series when it was making the rounds on Nicktoons, then Wolverine and the X-Men is very much worth discovering on Blu-ray. Highly Recommended.
There's been no shortage of direct-to-video superhero animation, computer-animated blockbusters, towering
On the downside, there is quite a lot of banding, something that's crept into pretty much all of the Marvel and DC direct-to-video titles up to this point. It's a constant nuisance here -- honestly, probably the worst I've come across on Blu-ray to date -- and can certainly be tough to overlook. The authoring is otherwise generally first-rate, with the animation not marred by any compression artifacts, mosquito noise, or edge enhancement. I have to admit that the last installment of "Foresight" does seem unusually sloppy in that respect, however; the posterization and banding is more spastic here than any other episode, leaving a few shots looking outright unstable.
Still, Wolverine and the X-Men's strengths easily overcome its weaknesses. It's always frustrating to tune into sites like TVShowsonDVD.com and realizing just how few television series, period, are making their way to Blu-ray. It's a pleasant surprise to see that Wolverine and the X-Men has scored this sort of release, and between this and the recent announcement of a Ben 10 volume, maybe more and more Western animated TV series will wind up being issued in high-def. Even though this particular series doesn't look perfect on Blu-ray, it's still a very strong showing, and I hope to see more like it in the months to come.
All three of the discs in this set are BD-50s, and Wolverine and the X-Men takes better advantage of that capacity than a lot of the other TV-on-BD discs that I've reviewed. Each episode is presented at its broadcast aspect ratio of 1.78:1 and has been encoded with AVC.
It's understandable that the sound design would place most of its emphasis on the front speakers -- most people tuning in were probably watching it through the tinny little speakers built into their TVs, after all -- and there really is a very strong sense of stereo separation up front. The series definitely takes full advantage of the LFE, so it's a mild disappointment that it doesn't do the same with the rear channels. It's not too hard to look past that, though, and these full-bodied, spectacularly clean soundtracks are perfect in pretty much every other conceivable way.
Also offered with each episode are a stereo Spanish dub and English (SDH) subtitles.
The Final Word
The only truly disappointing thing about Wolverine and the X-Men, really, is that a second season isn't lurking somewhere off on the horizon. I can't get over how ambitious this series is: juggling multiple timelines, its manic pace, a darkness and an intensity that far outstrips anything I'd expect from a series making its debut on these shores on NickToons. This isn't a kiddie show that's been watered down to play to the junior set. Sure, it's age-appropriate in that Wolverine isn't sopping with blood and dismembering anyone -- there's not a drop of the red stuff, no profanity, or anything like that -- but it moves at a breakneck clip, and there aren't reams and reams of exposition to drag it all down. Especially after piling on somewhere around seventy different mutants and ensuring that each action sequence is an infectious adrenaline rush, this is a series that's very much for fans, by fans. Highly Recommended.
A Few More Random Screengrabs...