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Funny lady, OK act ![]() The screen shots included with this review are for illustrative purposes only and do not represent the quality of the transfer.
Reviewer's Bias*
The Show Perhaps it's the effect of spending a lot of time around Black, but much of Madigan's act, captured here in a 64-minute performance in New York City's Gramercy Theater, is infused with a slightly world-weary smugness and disbelief at the world around her. Looking at her as she talks about touring a Mormon temple or having an affair with a woman in her 40s, you get the feel like she's an older Lindsey Lohan, perhaps a former party girl who has learned a bit over time, and her experience has given her a solid perspective on the world, which combined with her sense of humor makes her a fun listen. Her riffs on Sarah Palin and her family have that tinge of "Get a load of this..." that can work very well in stand-up, along with a lot of big-picture observational material in play, like her thoughts on women in casinos. ![]() The screen shots included with this review are for illustrative purposes only and do not represent the quality of the transfer.Though I mostly agree with the slightly-insulting Jay Leno quote on the box, which names her the funniest female stand-up today, there are a few things about her act that I don't enjoy, and are the reasons I don't count her among my comedic favorites. First among them would be the lack of flow in her delivery. Almost every segment is very much of its own space, practically needing a direct "and now let's talk about how banks don't stay open" type of segue. The best stand-ups, in my opinion, move and link like a fine musician, but here, it's set-up, joke, set-up joke, more often than not. This may also be why I can't remember much of her act, the way I can a Patton Oswalt or an Elvira Kurt, where the nearly-melodic sound of their delivery enhances the comedy. The other issue, and it's a surprising one to me, is the way she uses stereotypical vocal imitations to sell the occasional weak gag, like her Asian inflection on the Chinese family who moves into a family's house without them noticing at first, or the obviously black voices used on the TSA worker bit and the bank guard. I'm not someone who gets bothered much by politically incorrect comedy, but something about these segments didn't sit right with me, possibly because they felt too easy for Madigan, or perhaps beneath her. Especially when she utilizes a talent for voices in other bits. I think it was in Private Parts when a Chinese guy tells him "You make funny. Not make fun." That's a pretty good way to put it, and when Madigan is making funny, she does a good job at it. ![]() The screen shots included with this review are for illustrative purposes only and do not represent the quality of the transfer.
The Blu-Ray Disc
The Quality Unlike the video, the 5.1 DTS-HD Master Audio presentation is actually pretty nice, with Madigan's voice coming across nice and clean. The overall delivery puts your right in the middle of the room, hearing Madigan in the center channel, while echos of her voice are in the side and rear channels, while the audience joins you there as well. A nice immersive experience.
The Extras ![]() The screen shots included with this review are for illustrative purposes only and do not represent the quality of the transfer.
The Bottom Line |