The greatest strength of the series is the music score by Yuki Kajiura. This comes as quite the surprise as many acclaimed anime series have featured stellar music that is perfectly complimentary to the storylines being told and yet Noir is a rare-breed of show where the storyline often feels secondary to the style. Noir oozes style over substance from beginning to end and despite that shortcoming it still receives a first rate score to accompany the proceedings. The music frequently compliments the artistry of the animation and it serves as a lush backdrop to the action on screen. The score tends to bring its own range of emotional depth, and that can manage to make up for some of the depth missing at the core of the writing for this series, but it is never as satisfying an experience as a result.
animation is visually impressive. The character designs are distinctive
memorable for the main characters. The animation backgrounds make
backdrops for each story and are usually extraordinarily detailed. The
supporting roles that are sprinkled throughout the episodes are never
much detail or individuality in character design and that is certainly
and unfortunate. On the bright side of things - this series does manage
showcase amazing visuals in each episode and for a story that tends to
more on style than substance the style is certainly impressive. Noir
stand out quite distinctively as a unique anime series simply because
unique approach to the animation and direction.
The primary series director is Koichi Mashimo (Madlax, El Cazador De La Bruja) and the film-making approach is one of the greatest strengths of the series. Mashimo is typically much more interested in the interactions between the characters and their relationships than he is in the action. This helps to give a distinctive feel to Noir; one which cannot be easily duplicated. The scripts by Ryoe Tsukimura are often extremely minimalistic with sparse dialogue and plot. When the ongoing storyline shows advancements it also builds with considerably slow pacing and the only thing that holds together these simplistic strands is the series direction. Mashimo might focus on the gaze of one of the characters, close up on the eyes, or show viewers a seemingly minute detail in the foreground of the animation. These moments are frequently filled with pathos that seems to be missing within the actual scripts (at least based upon the frequently uninteresting side-stories that make up the bulk of the series middle chapters). In a strange way, Noir might actually consist of many scenes and moments that are less fascinating than what one might typically hope for but the series director has such an interesting approach to how to tell the story that moments that might have felt bland or generic with another director in charge are instead uniquely fascinating and visually hypnotic.
If there is a dramatic pitfall to the series it is that the good intentions of director Mashimo are not entirely warranted given the lackluster character development given in the actual scripts. The beginning of the series was wise to keep elements mysterious and intriguing. Viewers would surely feel the series presented enough potential to become a memorably developed story. Over the course of the series, however, many episodes are spent doing little to actually advance the story and it becomes a bit repetitive and underdeveloped. It doesn't help that the main element that needed to be established - a connection between the audience and the primary characters - is never entirely established fundamentally. The characters are frequently interesting to behold but the stories never given enough insight in to the personalities or minds.
does manage to attempt to ask serious questions about morals and values
way that is interesting and important. The characters seem to be at
with themselves at different points in the show which does help to
dramatic backbone of Noir. The series eventually tries to tell
redemptive story arc (at least in a sense) but the conclusion doesn't
be entirely satisfying in that regard. However,
the last several episodes are filled
to the brim with interesting twists and turns in the storyline.
given some proper development that should have come even sooner to
viewer connection to the characters. While the series takes too long to
certain aspects, the writer and director manage to successfully begin
conclude the overall show in a compelling way that should please fans.
Classics" release might not seem to be a perfect candidate based upon a
that is never fully explored, but the stylistic and original approach
show makes it a noteworthy series worthy of exploration by any anime
Noir is presented on DVD in 1:78:1 anamorphic widescreen (which preserves the original television broadcast aspect ratio in a form enhanced for viewing on widescreen television displays). The picture quality is consistently strong with somewhat muted but beautiful colors that seem to represent the artistic style desired by the animators. The image is smooth and stable with no glaring technical issues.
Noir is presented with two different dub options: English and Japanese 5.1 surround sound. Both audio presentations are generally pleasant. While the show is frequently front-heavy with less emphasis on the surrounds, there are some action-heavy scenes and episodes where the surround usage is substantial and improves the aural presentation. The original Japanese language dub does seem superior as far as the voice acting goes (with stronger and more nuanced performances), but the English language dub is certainly decent and even seems to have slightly superior bass performance. Either option should satisfy fans.
This is one area where the set really surprises. Noir features a plethora of bonus materials for an anime DVD set. While the quality of extras is a bit mixed (some of the bonuses are excellent while others are merely decent) it's hard to imagine fans being disappointed by the number of supplements included.
The inside of the case lists all of the extras as being included on Disc 5 (which only contains bonus materials) but some of the extras are only found on Disc 4: Clean Opening and Ending Credit Sequences and Trailers for other Funimation Entertainment releases.
Disc 5 contains the following extras: Interview with Houko Kuwashima (4:43), Interview with Kotono Mitsuishi (6:33), Interview with Tarako (5:53), Interview with Aya Hisakawa (6:20), Kirika Music Video (1:18), Interview #1 with Shelly Calene-Black (Mireille) and Monica Rial (Kirika) (2:09), Interview #2 with Shelly Calene-Black (Mireille) and Monica Rial (Kirika) (24:17), Interview #3 with Hilary Haag (Chloe) and Tiffany Grant (Altena) (15:02), Interview with the English Language Cast (25:32), Noir: The Unsoled Story (7:45), and Original Japanese Promos (3:44).
The interviews with the Japanese Voice Actors were thoroughly engaging and informative. The questions that were asked were related to the series and hearing the responses was simply fun. It provided good insight into the VA's views on the characters, story themes, Yuki Kajiura's score, and on the work done by director Koichi Mashimo. Any viewer who enjoyed the Japanese language dub will likely be entertained from any of these inclusions.
The Kirika Music Video is pretty similar to how it sounds - it's basically a short (barely over a minute long) Anime Music Video (AMV) that highlights clips of the Kirika character. It was not a particularly engaging video but the decision to make it with most of the color removed was an interesting choice that highlighted how interesting the series could have also been in an even moodier, classic film-noir style.
The interviews with the English Voice Actors were not as engaging as they were for the Japanese VA's but they do have some merit and are worth checking out anyway. Each VA tends to spend more time talking about their own personal backgrounds to greater lengths than they discuss the actual series. There isn't as much cohesiveness to the questions and it makes the interviews somewhat less compelling from a series standpoint. Yet the actors are interesting people and it should entertain some viewers curious to learn more about these Voice Actors.
The Noir: Unsoled Story is a silly camcorder made short film with sock puppets being used as the main Noir characters with dubbing (and actual cameos) from the English VA's. It's a bit ridiculous as a short and not nearly as funny as it probably was for them to make, and while it's nice that the bonus is included it's not likely going to engage most fans unless they are looking for some simple randomness to watch after finishing the actual series.
noting that two episode commentaries are
included on Disc 3 for episodes 15 and 16 (The Cold-Blooded Killer Acte
II) with the English language VA's and dub director. These commentary
feel disorganized and uninformative. Each participant tends to gloss
talking about the actual show and simply goofs off and says random
start to finish. The VA's are not reintroduced for the second episode
unless you've listened to the commentary for the first part there is no
really know who is speaking. I don't see any reason to recommend these
commentaries to fans of the series.
Noir is a dark action-suspense anime series with a higher emphasis on style than on actual substance. At least the series features enough interesting visuals and impressive animation to make the experience worthwhile. The beginning and concluding acts are strong (even if there is a merely decent middle). The score by Yuki Kajiura is fantastic. Noir is definitely not a perfect series but it is unique enough to warrant giving it a fair chance. Recommended.