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![]() The beginning of Vampire
Circus introduces audiences to a
vampire known as Count Mitterhaus (Robert Tayman), who seems to be
luring many young
women into nights of seduction and eventually death. The opening
(pre-credits)
lasts a staggering amount of time with nearly fifteen minutes devoted
to the
setup involving this vampire and how he seduces a woman and has her
help him to
kill a very young girl. The act of killing a child almost seems to
serve as
some kind of perverse foreplay between this vampire and the woman who
aided him
in creating such a trap. We soon discover that the town is determined
to
annihilate the vampire; to kill Count Mitterhaus and free the people
from the fear
and torment of having a neighborhood vampire. Things don't go so great
though
for all involved. The vampire is staked, but curses
the town on the way out! Eventually, the town has an
unspecified plague (possibly the result of the vampire's curse). The
story
arrives fifteen years later to signal the arrival of a circus troupe
that comes
into the town. The rest of film revolves around the townspeople trying
to cope
with the plague by visiting the simple carnival delights while
something else
seems to be resulting in people dropping off dead like flies (left and
right).
Suspicions begin to arise that the new 'visitors', this carnival group,
consists of vampires working towards bringing the Count Mitterhaus
vampire back
from the dead for revenge on the entire town! Sounds
like a premise suitable for a vampire
flick to me.
Given the low budget and rushed nature of the production (as I learned through viewing some informative supplemental features) director Robert Young should be commended for pulling everything together as neatly as he did for this type of genre picture. It seems apparent that the ambition of the entire film may have surpassed the pinning's of the story itself but it certainly makes this a more interesting attempt at a vampire story than what I am sometimes accustomed to seeing. The film was made as an early 70's Hammer Horror production and anyone familiar with the output from Hammer should know to expect an interesting horror film if nothing else.
Combining
the popular
film appeal of vampires and circus thrills into one movie was a good
idea even
if it ultimately feels more than a little silly if one takes the entire
experience too seriously. The greatest strength of the film is it's
ability to
muster up some genuine chills with a strong atmosphere created through
the dark
cinematography and the slow build nature of the camera shots, which are
often
deliberately timed to build suspense in a way that feels right at home
for the
film. The music by David Whitaker is also appropriately orchestrated to
give
both an aura of mystery and a edge of action or suspense during the
concluding
act. One downside is that the special effects are quite dated and don't
really
hold up as well as I'd have liked. Surprisingly, I was really pleased
with the
makeup and costume pieces used throughout the film though. There is a
scene
focused around a nude woman painted with stripes as if she is a wild
tiger
engaged in an act at the circus that plays as both campy and sexy at
the same
time. With
this kind of
production, half the fun may lie in the intriguing premise alone. This
isn't
the kind of film that one can really describe as being particularly
"good"
overall. Vampire Circus is one of those classic B-movies that
really
feels like one in every imaginable way though. While the story is
ludicrous,
the direction is decidedly uneven at times, and the acting is sometimes
stiff
or overly dramatic the film manages to still be a compelling experience
that
entertains and leaves something to chew on (pun intended) more than
some films can ever muster
regardless of genre conventions.
The
Blu-ray: Video: Vampire
Circus is
presented on Blu-ray with a
1080p High Definition AVC encoded transfer that retains the original
1.66.1
aspect ratio (which leaves small black bars on the sides of the
screen). The
film looks reasonably pleasing for a low budget 1972 production. The
colors are
definitely improved over the DVD edition despite the somewhat subdued
cinematography. The picture is also moderately sharp, all things
considered. Black
levels are decent but never as impressive as some video enthusiasts may
expect.
Given the age and likely problematic nature of putting out a high
quality
release of this film it looks impressive. Grain is moderately visible
and
retained. The biggest downside is ultimately the print damage and
scratches
that are occasionally noticeable. Early in the film, a few scenes
display small
yellow print damage that is particularly distracting and detracted a
bit from
the overall experience (this kind of damage actually worried me about
my plasma
television, which I initially feared as the source). If one can
overlook the
sometimes distracting print damage this is certainly an acceptable
transfer. Audio: Sometimes
it becomes aggravating to
have to say this to fans, but keep those expectations in check: this
won't blow
you or your subwoofer away. Vampire
Circus has an incredibly dated sound mix that reflects the time in
which
the film was made. It doesn't offer much in the way of impressive
dynamics.
Most of the film relies heavily on the center speaker for reproduction
of
dialogue. Music gets a decent boost with the left and right speakers,
as do the
occasional sound effects. The film has a lossless 2.0 DTS-HD Master
Audio track
that seems to be a minor but appreciable upgrade over the DVD edition.
A
lossless audio Music and Effects Only track is also provided and would
be a
worthy listen for fans of the score.
Extras: >Final Thoughts: Vampire Circus is a sometimes silly
but often enjoyable B-movie horror flick with a decent amount of
atmosphere
that helps to establish this effort as an enjoyable night of
entertainment. The
included extras are extremely well made and would be educational for
Hammer
Horror film fans who would like to know more about the studio's
history. The
PQ/AQ is decent if marred by a few irritating examples of print damage.
Fans of
the film should consider making a purchase at an acceptable price
point. Recommended.
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