|
|||||||||||||||||||||||||||||||
Dead Poets Society is a
masterpiece with the power
to change lives for the better. There is nothing
more special and worthy in cinema than a film than has the
ability to influence
the lives of others in a way that is compassionate, heartfelt,
and honest. This
is an example of one of those rare gems. It is blistering with
an uncommon
beauty that holds our hearts in the cradle of true emotions. You
won't walk away
from the experience without shedding a tear of joy and sadness.
Dead Poets Society is
the kind of film
that stays with you, inside the human soul, and doesn't let go
for one's entire
life. The story is a
universal one with an emphasis on friendship,
growing up, and the personal discovery of who it is each of us
are and what we
want to do with our lives. The characters of Dead Poets Society attend an all-boys school by
the name Welton
Academy. It's a school focused on tradition. The teachers
consider the
necessary teachings that will have students travel the course
required to reach
college and to succeed in adulthood. Yet something isn't quite
right... almost
everyone is concerned with conformity and not the possibilities
of
free-thinking, until one unexpected day when a group of students
experience a
teacher with the courage to use a different kind of approach.
His name is John
Keating (Robin Williams) and he teaches his students to think
for themselves
and to aspire to live lives with courage that represents their
true being: Who
do they want to be? How do they want to make their lives great? The message: Carpe Diem. Seize the Day. Robin Williams' grounded performance
is at the
heart of the story. His character plays as a supporting role to
the students of
the Academy but it is his encouraging words and belief in his
students that
drives the entire story. He doesn't want his students to only
aspire to be
something based upon the ideals of others. He wants them to be
true to
themselves and that is something many of the students had never
experienced
before. The core students this story centers upon are Neil Perry
(Robert Sean
Leonard) and Todd Anderson (Ethan Hawke). The other supporting
student
characters are: Knox Overstreet (Josh Charles), Charlie Dalton
(Gale Hansen),
Richard Cameron (Dylan Kussman), and Steven Meeks (Allelon
Ruggiero). Neil Perry is one of the most
accomplished students
attending the school. He's got the great grades, ambition, and
talent. Neil's
father (Kurtwood Smith) continually drives him towards being the
best he can be
but doesn't think about what it is his son wants to do with his
life. This
eventually leads to serious relationship issues between the two.
Neil studies
towards a professional career his father desires for him but
what Neil really
wants is to be an actor in theatre. This is something which John
Keating
encourages. Neil's roommate in school is an incredibly shy and
overwhelmed Todd
Anderson. Todd's brother was valedictorian and one of the most
popular kids in
the school. This leaves him with some confusion over what the
possibilities are
for his own future. John Keating is an
inspiration to both of them
and to the other students attending the school as well. The film so
delicately balances the necessary
elements. Peter Weir did an amazing job in holding the reins of
the entire
production. He clearly brought his own personal wisdom to this
work as the
performances by all of the actors are incredible. It is the mark
of a great
director when something as wonderful as a completely stellar
cast manages to
happen in any film. The script tells one of the best stories to
ever grace cinema
and it does so with characters that are believable and
inherently relatable... Tom
Schulman did win the Best Original Screenplay Academy Award in
1989 for this
script and it is no wonder as to why this was the chosen winner.
The movie
holds up just as well today. The script is timeless. Then
there's the haunting
and beautiful cinematography by John Seale and the powerful
score by Maurice
Jarre. Everything comes together all so beautifully to form a
classic of cinema
that will continue to enlighten, strengthen, and inspire
generations of
movie-goers for many years to come.
The
Blu-ray: Video: Dead Poets Society fares
better than Good Morning,
Vietnam did with its High
Definition Blu-ray debut. The film clearly shows some aging and
could have also
undergone some more extensive restoration but the presentation
is luckily
presented without the excess treatment of DNR to the image. The
film grain is
kept intact and it looks filmic in a way movie-lovers will
surely appreciate.
The colors seem somewhat muted but this seems accurate in
preserving the style
of cinematography and it captures the look of this film
generally well. The
1080p image isn't as sharp as a tack but it's a notable
improvement, especially
compared to the earlier DVD edition. Dead
Poets Society is presented in the original theatrical
aspect ratio of
1.85:1. Audio: The sound mix is a delicate one and
while it won't
be as impressive as the modern-day productions that have
flashier styles this
is still a substantial aural experience. The mix benefits from
having been
designed by Alan Splet (who was a frequent collaborator to
maestro David
Lynch). It is a nicely balanced sound-mix and one that uses
nuance in beneficial
ways to the film. The 5.1 DTS-HD Master Audio track definitely
gets the job
accomplished. Subtitles are provided in English SDH
(for the deaf
and hard of hearing) and French. Extras: The extras included on this release
aren't
necessarily as lengthy as some fans of the film may be expecting
or hoping to
see but the quality certainly doesn't disappoint. The main
inclusion is the
feature-length audio commentary by Director Peter Weir,
Screenwriter Tom
Schulman, and Cinematographer John Seale. Most of the video extras are
presented in AVC but
the presentation still seems to be SD (Standard Definition).
These extras are
also only in the full frame aspect ratio. Some of these
inclusions are in
particularly poor shape (especially the original theatrical
trailer). "Dead
Poets": A Look Back (26:55) is a thoughtful and
compelling video
featurette containing an impressive amount of interview clips
with most of the
core cast and the behind-the-scenes crew. It's a necessary
viewing for anyone
who wants to hear more concerning the individual takes on some
of the film's
themes, characters, and creation. Interestingly, most of the
cast describes
Director Peter Weir as if he was every bit the inspiration to
them as actors as
John Keating was to his students during the film itself. There
really isn't a
moment in this footage that feels unnecessary or overlong. It's
the special
kind of bonus feature that manages to be compelling despite a
relatively short
running-time. Some interesting details are even shared about
some brief changes
that became part of the final film as a result of the actor's
ideas and
suggestions. Raw
Takes (7:57) is as it sounds. Raw Footage
of some of the
films left-out moments. These are presented in the letterboxed
format. Master
of Sound: Alan Splet (10:59). This is basically a brief
appreciation of
the work done by the great sound technician Alan Splet. The
introduction's by Dead
Poets Society Director Peter Weir
and David Lynch then discusses the artist for the rest of the
extra in compassionate
detail of their collaborations. Cinematography
Master Class - An Intensive and Inspirational Lighting
Workshop (14:47). It's going to be pretty interesting material for
anyone with an
interest in working in cinematography as an area of study or for
those who are
simply curious about the process. The piece has specific
information about how
the technical side of cinematography is done. It's a brief but
informative
mini-lesson in the filmmaking craft. Theatrical
Trailer (2:46)
Final
Thoughts:
Dead Poets Society has a
special place in my heart
as one of the most moving, honest, and genuine stories in
cinema. Director
Peter Weir and Screenwriter Tom Schulman gave every viewer a
wonderful gift
with this magical effort. If
you have
ever felt inspired to be better, true to yourself, and to live
life to its
fullest while following the dreams of your heart and mind this
is a movie made for
you. It can also open up the mind to new possibilities with that
majestic
spirit found within the story. It's when I see movies as
powerful as this one
that I remember why I love cinema and how important the art-form
is to the
humanities. |