A Lonely Place to Die has a very compelling premise. If this setup were given to five different writers, I can only imagine each writer would devise an entirely different story. Sadly, the one devised by director/co-writer Julian Gilbey and his co-writer brother Will is one of the weaker possible options, quickly ditching the elements that make this scenario intriguing in favor of more familiar thrills and chills.
Within minutes, the crew -- Alison, Ed, Rob (Alec Newman), Jenny (Kate Magowan), and Alex (Garry Sweeney) -- have found the edges of the box, pried it open, and found a little girl named Anna (Holly Boyd) inside. Anna does not speak English, and nobody can figure out what language she is speaking, but it's clear that she's hungry and in need of help. The group makes the decision to split up: experienced climbers Alison and Rob will head to the cliff face and climb down, cutting the amount of travel time to the nearest town in half, and send a helicopter back to pick up the rest of the group, taking the long way down to the village.
Without giving too much away, what happens next is a series of decreasingly interesting situations. Something appears to happen to Alison that would've been an entirely different (and, I think, much more interesting) movie, but it turns out to be a dream sequence. The very moment I was thinking it was a nice change of pace for the Gilbey brothers to keep their villains a briefly-glimpsed mystery, they decide it's time to introduce them (Sean Harris, Stephen McCole), as as well as a third interested (but uninteresting) party (Eamonn Walker, Paul Anderson, and Karl Roden). One major sequence of supposed tension involving a ruse is defused by the fact that, if the viewer can plainly see the ruse despite attempts to only hint at it with editing and framing, those who are meant to be fooled by it should see it too.
By the time Alison, Ed, Anna, and several of the other characters are stuck running around town during a parade in a gun-heavy chase-and-hide sequence, the chilling idea that sets the film up is a distant memory. George and Speelers are do their best, with Speelers pulling off a nice character transformation from asshole to hero, and there's no denying the film is somewhat engaging (at least up until the confusing ending, where characters act in ways that don't seem to make sense), but my hook for A Lonely Way to Die is the mystery of a pipe with a desperate voice at the other end, and the answers the film provides aren't nearly as compelling as the question.
The Video and Audio
A 5.1 DTS-HD Master Audio 5.1 soundtrack is surprisingly effective from time to time. The first cries the viewer hears of Anna trapped in her box have an unusual effect laid on them that the audio delivers perfectly, and as the film goes on there are lots of impressive "rushing water" and "underwater" moments, as well as gunshots, a parade, and various other effective aural moments that are immersive and convincing. An LPCM 2.0 audio track, English captions for the deaf and hard of hearing, and Spanish subtitles are also included.