Watching a video game has its highs and lows
Rama is a rookie SWAT team member, heading off to work, leaving his pregnant wife behind. Today's job is not an easy one, as the squad, made up mainly of untested young officers led by veteran detective Wahyu, will be infiltrating the 30-story stronghold of drug kingpin Tama, where he lives with an assortment of low-lifes and his two lieutenants, Andi and Mad Dog. Unprepared for what they are about to face, and tremendously outnumbered, not to mention facing issues inside the group as well, the SWAT team has to make it through a gauntlet of bad guys armed with rifles, machetes and more. Not to give anything away, but it goes badly.
What starts as a tactical mission quickly devolves into a constrained street fight, and that's where the fun starts. In director Gareth Evans' hands (and those of his team of fight choreographers), the battles are transfixing hyperkinetic ballets. The fighting art is a lesser-known form called silat, which involves a lot of blocking and moving from high to low, which makes for constant movement and fighting, whether they are standing or on the ground. The crew developed some seriously innovative fight scenes that are more exciting than anything seen in action movies in a long time. The films' climactic battle is particularly brutal and visceral, and though it goes on way further than human endurance could ever allow, that's not what you're thinking about as they trade punches and kicks.
As incredible as the action is, the film doesn't have a lot going on beyond the fighting. There's a definite video game feel to the proceedings, with each "level" of battle being followed by a "cut scene" of plot that just doesn't hold up in comparison, with an inevitable boss fight. With the exception of one tense scene where the cops are hiding inside a wall from a machete-wielding gang, like most games, you'll be instinctively trying to hit a button to skip back to the battle. Yes, there's some plot involving police corruption, familial connections and loyalty, but honestly, if there was a menu choice that allowed me to watch just the fighting and fast-forward through the plot, I would have readily chosen it. The Raid - Redemption is basically action porn. Awesome action porn.
You've got a choice when it comes to experiencing the sound of The Raid - Redemption, with a few DTS-HD Master Audio 5.1 soundtracks to pick from. If you want the version aimed at North America, you can hear the dialogue in English or the original Indonesian, with a new score by Linkin Park's Mike Shinoda and composer Joe Trapanese. Otherwise you can enjoy either language with the original score. After listening to both, Shinoda's track sounds far more aggressive, as you'd expect from the hip-hop/rock musician, which fits the film's explosive feel, but the sound effects also sound stronger. The original certainly sounds good, but Shinoda makes the room quake a bit more with his electronically-influenced sounds. The sound effects are so prevalent around the room that it's hard to tell if there's anything particularly dynamic about it, thanks to the hail of bullets coming from all sides. It's certainly a concussive affair that will put you right in the line of fire.
That starts in a set of six video blogs that go behind the production of the film. Running a total of nearly 40 minutes, these pieces, loaded with interviews and on-the-set footage, covering the preparatory bootcamp the actors were put through, the location and prep work, make-up and special efffects, specific scenes from the film and the post-production effort. Some of this repeats topics from the commentary, but getting to see what's happening on set makes it better.
A post-screening discussion is the subject of the 40:40 "An Evening with Gareth Evans, Mike Shinoda and Joe Trapenese," hosted by Cinefamily's Hadrian Belove. Many of the stories shared you've heard in the earlier extras, but there's a Q&A as well. Though Shinoda and Trapenese get to sit next to Evans, they don't talk much, leaving their spotlight to come later, starting with "Behind the Music" (11:05.) Here, the musical duo talk about how they got involved with a film that had already been scored, and their thoughts on the formation of the music in the film. And if that wasn't enough Shinoda, you can check out "Inside the Score," (1:23) a trailer focusing on his musical contributions, and the four-part "A Conversation with Gareth Evans and Mike Shinoda" (11:30), where he interviews Evans (getting basically all repetition) and gfets to talk a bit more about his score. Sure, Linkin Park is popular, but this seems like a lot of focus for the score of a film.
Two awesome throw-in arrive in the form of animated viral promotional pieces for the film. First is "Claycat's The Raid" a 2:56 retelling of the film done in claymation, with cats instead of people. It's twisted and cute and awesome, rolled in a ball of yarn. Then there's "TV's The Raid (circa 1994)," a VHS-quality commercial for an anime version of the film, which again, is beautifully constructed. It's nice to get a couple of goofy bits for such a serious film.
The on-disc extras wrap with the film's two-minute trailer that will grab you instantly and a selection of other previews. Also included is a code for a downloadable Ultraviolet copy of the film.
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