Exploitation silliness with Jack Palance and scantily-clad ladies
Michelle (former Playboy Playmate and one-time porn actress Susan Kiger) is a big-time Las Vegas music act, but she has to take a break when she finds out her little brother was savagely beaten by drug dealers during a robbery gone bad. She has a chance to get revenge when his teacher April comes to Michelle with a plan to take down the drug cartel by destroying their processing operations. It's hard to explain, but when you meet the teacher, played by Clark's wife Jacqueline Cole, any possibility of believing she's behind the plot (which is silly to begin with) goes right out the window. But that's the story, and these two women set off to gather a distaff Ocean's 11-type crew to pull off the attack, including a Vietnamese karate expert, a black stunt driver, an ex-junkie Hispanic model, a street-wise blonde cop and one of April's students, the sweetly naive Trish.
The movie is full of action, including the group's infiltration of a right-wing militia, led by Thurston Howell III himself, Jim Backus, the assault on the rural drug-processing plant, a number of chases and a shootout with the bad-guys, and all of it is actually produced well, considering the time and budget (though the fist fights are laughable, with obvious missed punches throughout.) However, it's the acting, unaided by a stilted script, that will stand out far more than any fireball that graces the scene. It's for good reason that the seven lead ladies' movie resumes, with the exception of Robin Greer's (the cop), pretty much dead-end after this film. They are there mainly to look at as they run and jump around in busom-enhancing costumes (though it's all teasing, as the movie shies away from anything actually sexual, since the women only use their attractiveness as a weapon.) Even if the dialogue was better, there's no reason to think it would have helped, based on some of the deliveries.
To help raise the bar a bit acting wise, the film features some famous faces, including the aforementioned Backus (who is Magoo-ing his way around as a militia leader), Jack Palance as a gruff middle-man in the drug organization and Rat Packer Peter Lawford as the group's kingpin, along with an odd cameo by controversial former broadcaster Arthur Godfrey. While Palance is fine gritting his way through his tough-guy act, Lawford is just awful as the leader of a crime syndicate. At one point, his reaction to a gunshot is so poorly performed that you might wonder if perhaps there was an audio sync issue, were it not for visible proof of the gun's firing. And having his opposite the legitimately tough Palance just makes it that much harder to take his act seriously. Of course, by that point, you're probably laughing at the quality of the rest of the film, especially the massive plot holes and questionable logic (Michelle is supposedly a big star, but no one recognizes her?), so it just fits right in.
Don't expect much from the Dolby Digital 2.0 track and you won't be disappointed. Dialogue is clear and the somewhat aggressive sound effects are strong, while the film's diverse score and soundtrack, which offer everything from Hitchcockian suspense themes to disco songs to circus music, sound fine as well.
Up next is a nearly 17-minute interview with the film's director of photography, Dean Cundey, who went on to become one of the biggest DPs ever, working on the Back to the Future franchise, Jurassic Park, Who Framed Roger Rabbit and an assortment of cult classics, including Road House and Big Trouble in Little China. Here he talks about working with low-budget auteur Greydon Clark, starting out in the film business, the movie van he created for mobile production and his disappointment over working with Peter Lawford, while also inadvertently answering some questions you might have from watching the movie (like how did an actress this bad get a lead role?) It's a nice little informative chat, though the sound effects and excessive graphic wipes are a bit annoying.
The final extra is an alternate cut of the film, which runs 10 minutes shorter than the main feature, though, for the life of me, I can't spot what was cut, as all the major plot points are still in place. When I first started this version, I thought it was the re-cut Angels Revenge version (the one used on MST3K), which brings more action up-front before turning most of the film into a flashback, but this is just a slightly modified edit, with the better-known title, amd no real pay-off.
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