Directed by Goro Miyazaki and co-written by his legendary father, From Up on Poppy Hill shies away from the surreal and supernatural. The film is set against the backdrop of the harbor city of Yokohama in 1963, a year before Tokyo would host the Summer Olympic Games. This is a time of transition for Japan, one in which the island nation seeks to honor its past while looking ahead to a bright, gleaming future. High school junior Umi can relate. Every morning without fail, she hoists naval flags in full view of the harbor to honor the memory of the father she lost in the Korean War. With her mother away studying medicine in the United States, Umi eagerly shoulders the responsibilities of running the family's boarding house while still carrying a full classload at school. Many others might buckle under all that strain, but Umi is propelled by such bright-eyed determination that she never misses a beat.
Her classmate Shun feels a sense of responsibility too. You see, the Latin Quarter -- the aging building that houses their high school's clubs -- is about to be torn down to make way for new development. These student groups wouldn't be homeless or anything quite like that, but Shun doesn't want a new clubhouse when they have such deep-rooted affection for the one they're in now. It's not going to be easy to save the Latin Quarter from demolition, but with Shun, Umi, and a small army of their classmates banding together, maybe looking forward doesn't require paving over history. Something else from years gone by is creeping into the lives of these two high schoolers, though: a secret from the past that may threaten any future they have together.
I adore From Up on Poppy Hill, an infectiously joyous film about the collision of past, present, and future...about passion, responsibility, determination, and family. There's not a glimmer of cynicism or misery to be found. The tragedies in their lives certainly influence the present but are housed in the past. What I mean is that nothing bad happens throughout From Up on Poppy Hill, at least outside of flashbacks. There isn't even a villain to overcome: no sneering student council president who couldn't care less about the clubhouse nor a moustache-twirlingly heartless real estate developer fixated on the bottom line. It's a sweet, heartfelt bearhug of a movie. Miyazaki has crafted a world that's wonderfully immersive, one that's easy to escape into despite a relatively simple premise and its disinterest in formulaic story beats. From Up on Poppy Hill doesn't need a badnik or bursts of tragedy when it has such a playful atmosphere, so much energy, and such richly drawn characters. Though this is a story that could very easily have been told in live action, I can't imagine that From Up on Poppy Hill would have left anywhere near as much an impression without the benefit of Studio Ghibli's achingly gorgeous animation.
Don't make the mistake of trying to rank From Up on Poppy Hill against the many masterpieces that Studio Ghibli has produced over the past few decades. Appreciate this film instead for what it is: a sincere, beautiful story about young
From Up on Poppy Hill looks expectedly terrific in high definition. The line art is crisp, clean, and clear; the slightest bit softer than the likes of The Secret World of Arrietty, perhaps, but it's not enough of a difference to warrant any concern. I couldn't spot any missteps in the authoring: no banding, artifacting, or edge haloes. As From Up on Poppy Hill is a Studio Ghibli production, it goes without saying that the animation itself is stunning, and the film's painterly use of color and attention to detail are showcased wonderfully on Blu-ray.
From Up on Poppy Hill arrives on a dual-layer Blu-ray disc at an aspect ratio of 1.85, and this presentation has been encoded with AVC. An anamorphic widescreen DVD is also offered as part of this combo pack.
This Blu-ray disc features a pair of 16-bit DTS-HD Master Audio 5.0 tracks: one in the film's original Japanese and the other newly dubbed into English. Directed by Academy Award winning sound designer and Pixar alum Gary Rydstrom, there's a staggering amount of talent behind the dub, with Gillian Anderson, Aubrey Plaza, Christina Hendricks, Jamie Lee Curtis, Bruce Dern, Chris Noth, Beau Bridges, Sarah Bolger, and Ron Howard among those contributing their voices. Even with a roster like that and the craftsmanship that was clearly invested in this dub, it still doesn't sound anywhere near as natural or comfortable to my ears as the original Japanese audio.
Of course, no matter which language you ultimately choose, From Up on Poppy Hill leaves precious little room for complaint. I found myself immediately in awe of the richness and clarity of the music. The lower frequencies are substantial and represented well despite the lack of a discrete LFE channel, most memorably an encounter with a mine in a devastating flashback. Though there's no need for a film this gentle and subdued to be backed by an overly aggressive mix, From Up on Poppy Hill still very much takes advantage of every channel at its fingertips. An emphasis on atmospherics ensures that there's a persistent sense of place, making it that much easier to wholly immerse myself in 1963 Yokohama and escape. The sound design is teeming with flourishes that make Yokohama seem that much more organic and alive. I especially love the toy piano and clumsy recorder in the background of the clubhouse. Fidelity is so strong that even a sound as mundane as a chair being pulled out from under a table thoroughly impresses. Shun's bicycle as well as the cars with which he shares the road are among the effects that smoothly make the trek from one end of the soundstage to the other. As anticipated, From Up on Poppy Hill's lossless audio teeters on the brink of perfection.
Two sets of English subtitles are offered here. The first transcribes the English dub, and the other is a proper translation of the original Japanese soundtrack.
From Up on Poppy Hill comes packaged with a handsomely illustrated booklet featuring conceptual art, excerpts from Hayao Miyazaki's original pitch, and a wonderful set of production notes by Goro Miyazaki. This combo pack offers both a Blu-ray disc and a DVD, and the set arrives inside a metallic cardboard slipcover.
The Final Word
It's a natural tendency to try to figure out where a new Ghibli release ranks among the rest of the studio's impossibly brilliant body of work, but try to resist those urges and take From Up on Poppy Hill on its own merits. It's not an awe-inspiring fantasy. There's no spectacle or incendiary action to be found. There's not even the usual sort of dramatic heft. Still, this is a lovely, sweet, and very sincere film, one that's made stronger by its simplicity and straightforward nature. I'm hopelessly smitten with From Up on Poppy Hill, and I'm clearly not alone. This Blu-ray disc is a labor of love from GKids, longtime Ghibli supporters bringing one of the studio's films to home video for the first time. The presentation is spectacular all around, and the disc features several hours of extras as well as a Criterion-style booklet. This is such an underappreciated film that more than deserves to be discovered on Blu-ray. Highly Recommended.