Seduced and Abandoned is a documentary that tries to capture the schizophrenic nature of the movie business, as embodied by this Orson Welles quote that appears a few times throughout: "I look back on my life and it's 95% running around trying to raise money to make movies and 5% actually making them. It's no way to live."
The documentary follows director James Toback (Two Girls And A Guy) and actor Alec Baldwin as they go to the 2012 Cannes Film Festival, looking to corral investors for a project they want to do together. An erotic political drama set in Iraq and inspired heavily by Bertolucci, their potential project is summed up as essentially being Last Tango in Tikrit. They are looking for around $15-$20 million to get the film made.
Toback, who directed the documentary, does not turn this trip to Cannes into a straightforward narrative. He uses the occasion of being at the most famous film festival in the world to weave in more general conversations with filmmakers, actors, critics, and film business people to create a kind of State of the Industry report, counterpointed by anecdotes about filmmaking and broader thoughts on film as an art form. Toback and Baldwin talk with the old guard from the '60s and '70s -- Polanski, Bertolucci, Coppola, Scorsese, actor James Caan -- about the way Cannes and the movie business has changed over the years. They mostly echo Welles's sentiment, but with the added wrinkle that companies are only willing to pay for something if it is either dirt cheap or a mega-budgeted franchise.
As for Toback and Baldwin's salesmanship, they find a lot of resistance to getting investors for their project. Some sniff that Baldwin is just a TV comedian, others don't have much faith in Toback's idea of a leading lady, Neve Campbell. Many people, after hearing the pitch and the projected cast, say that maybe Toback and Baldwin could get $5 million to make their film, but nowhere near $20 million. Toback, either from years of experienced Hollywood schmoozing or as a slight put-on for the film, starts mutating the project in the hope of sounding more appealing to investors. Even though he has claimed to Campbell that she must be his leading lady before leaving for France, he entertains casting Jessica Chastain or Inglourious Basterds' Diane Kruger or The Artist's Bérénice Bejo, if it means he'll actually get the money to make the movie. By the end, Toback and Baldwin have decided maybe the film shouldn't even be set in Iraq.
It-boy Ryan Gosling sits down to talk with Toback and Baldwin, and he manages to get in the most interesting soundbites. Our hopeful filmmakers gently try to coerce Gosling into joining the project, but mostly they talk about his background and approach to performing. Gosling's descriptions of spirit-crushing auditions and the drudgery of acting on a film set are sharp and illuminating, plus they perfectly capture filmmaking's uneasy marriage of creativity and commerce.
Anyone familiar with the personalities of Baldwin and Toback (or familiar with the documentary about the latter, The Outsider) knows that these are both self-important, macho men, and some of that self-involvement does inevitably slip into the film. But apart from being a little overlong -- and featuring an odd montage near the end where interviewees respond to Toback about whether or not they are ready to die -- Seduced and Abandoned is far less solipsistic than one might expect. Toback lets the ideas flow freely and intuitively, but shows admirable restraint in organizing it all.