|
|||||||||||||||||||||||||||||||||||||||||||||||||||
The Movie There's nothing like a good
Agatha Christie mystery to get the blood pumping and the little gray cells
twitching. Ms. Christie might have been one of the most formulaic writers ever,
but her formula definitely worked wonderfully. She had an eye for compelling
plots that, even if many of them were constantly recycled from one story to
another, generally kept the reader coming about for more. Ms. Christie had her
own beat, a distinct rhythm to her writing, and if you knew the key and beat
count you could probably spot every clue, red herring, and suspect right as they
were dangled before you. For instance: why are the characters suddenly, for
absolutely no reason that has to do with the storyline, having a discussion
about ambidexterity? Why is another character bringing up the non-sequitur topic
of the Anglicized derivation an Italian composer's name? Or perhaps the
seemingly pointless location of a missing mole? Because they are clues?
Gosh.
And if any character gets
injured off screen, you know something's definitely awry
there!
Yes, there's nothing like a good
Agatha Christie mystery, and Agatha Christie's Seven Dials
Mystery is simply nothing like a good Agatha Christie
mystery. Shot for British television in 1982, Seven Dials Mystery is
filled with fine performances and impressive production values, but everything
else seems to suffer in contrast. The pacing is stilted, the editing incoherent
and frenzied, the direction flat and lifeless, and the storyline curiously
convoluted.
The movie, in short, is
dreadfully dull. After a practical joke involving alarm clocks results in (what
seems to be) the accidental death of their friend Gerry Wade, several
frilly and somewhat bored members of the British aristocracy decide to
investigate. When another friend Ronny Devereux turns up dead,
indicting a secret society called "The Seven Dials", it is left to Wade's
friends Jimmy Thesiger, Lady Eileen "Bundle" Brent, Rupert "Pongo" Bateman, Bill
Eversleigh, and a host of other characters to determine who killed them, how the
mystery involved the theft of state secrets, and who are and exactly what is
"The Seven Dials" society.
I'll admit that the end of the
final act was moderately entertaining, but unfortunately it was preceded by
almost two hours of fairly boring material. Underneath the presentation of the
material is what seemed like a fairly good mystery, but it was so lifelessly
delivered and poorly directed that tedium and indifference set in long before
the resolution of the storyline. Agatha Christie's Seven Dials Mystery
does little to intrigue or entertain the
viewer.
The DVD Video: Agatha Christie's Seven Dials
Mystery was created expressively for British television, retaining a
full frame aspect ratio of 1.33:1. Like many similar productions of the
era, all of the exterior scenes were shot on film, while interior scenes were
videotaped. Judging television material from twenty years ago usually
involves a fair amount of leeway in the rating category, but subjectively
speaking the overall quality of the video is pretty bad. The taped scenes
are extremely noisy. There's a great deal of static and magnetic noise from
the original video. Sharpness levels are flat, especially during the soft
filmed scenes, while the taped scenes show a little more detail (but not
much). Colors ranged from rich and lush to murky and muted. The filmed
portions are especially weak, riddled with dirt, debris, and scratches on
the print. Shadow detail is minimal, with characters and images
disappearing murkily into dark lit scenes. There's an excessive amount of
shimmering to the entire affair. In short, this is unfortunately a very weak
transfer. Audio: Extras: Final Thoughts
|