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      <title>DVD Talk DVD Reviews</title> 
      <link>http://www.dvdtalk.com/reviews/list.php?reviewType=DVD+Video</link> 
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         <title>Charlie's Angels - Season 5</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=61127</link>
         <pubDate>Sat, 18 May 2013 18:04:20 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=61127"><img src="http://images.dvdtalk.com/covers/B00AIA884W.jpg" vspace="10" hspace="10" align="left" border="0"></a><div align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/279/1368916450_2.png" width="400" height="300"></div><p><b>The TV Series:</b><p>So, it's come to this. The twilight of an epoch, a sea change for ABC and Aaron Spelling     the year Tanya Roberts joined the fifth, final, and least fondly remembered season of <i>Charlie's Angels</i>.<p>Nearly a full decade after the disc release of the first season of this jiggle-TV icon, <i>Charlie's Angels: Season Five</i> has finally seen the light of day as part of the <i>Sony Choice Collection</i> line of made-to-order (m.o.d.) DVDs. The sixteen episodes of this shortened (due to a contentious writer's strike) 1980-81 season are spread across four discs, in this nice looking set.<p>The five-year run of <i>Charlie's Angels</i> neatly encapsulates the rise and fall of a typical, trendy TV series of yore. Year One was The Age of Farrah, a chee...<a href="http://www.dvdtalk.com/reviews/read.php?ID=61127">Read the entire review</a></p>
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         <title>Love and Pain and the Whole Damn Thing (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=61094</link>
         <pubDate>Sat, 04 May 2013 13:54:08 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=61094"><img src="http://images.dvdtalk.com/covers/B00AIA8AAY.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><br> <p><p align="center"> <img src="http://www.dvdtalk.com/reviews/images/reviews/177/1367693210_1.jpg" width="400" height="225"> <p>Two troubled souls running from lives they'd rather not face find each other out in the world and fall in love. Such is the stuff of great romance, as well as the clich s upon which many a tepid love story fizzles. <i>Love and Pain and the Whole Damn Thing</i>, a 1973 film from writer Alvin Sargent (<a href="http://www.dvdtalk.com/reviews/2590/ordinary-people/"><i>Ordinary People</i></a>) and director Alan J. Pakula (<a href="http://www.dvdtalk.com/reviews/46409/all-the-presidents-men/"><i>All the President's Men</i></a>) gets it about half right. They manage to fluff up their cinematic souffl  long enough to whet the audience's appetite, only to have it deflate before we get a chance to dig in. <p><a href="http://www.dvdtalk.com/reviews/45442/america...<a href="http://www.dvdtalk.com/reviews/read.php?ID=61094">Read the entire review</a></p>
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         <title>The Big Gusher</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60771</link>
         <pubDate>Wed, 01 May 2013 03:47:46 PDT</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60771"><img src="http://images.dvdtalk.com/covers/B00BBGZ6VK.jpg" vspace="10" hspace="10" align="left" border="0"></a>Brimming with political incorrectness (by today's standards), <I>The Big Gusher</I> (1951) is a pretty entertaining if obviously cheap second feature running little more than an hour. Wayne Morris and Preston Foster star as pair of roughnecks hoping to strike oil while competing for the same blonde (Dorothy Patrick) working to con them out of any black gold they might find. The movie audience doesn't have to look far: the opening titles listing the cast and crew drips with oily black crude. <p>A Sony Pictures manufactured-on-demand DVD, <I>The Big Gusher</I> is presented in its original full-frame format and in black-and-white. The image appears a little grainier than similar Columbia titles from the early fifties, but it's still okay. <p><H1 align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/68/1367384825_1.jpg" width="263" height="400"></H1><br><br><p>Longtime friends Kenny Blake ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60771">Read the entire review</a></p>
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         <title>Chapter Two</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60772</link>
         <pubDate>Wed, 01 May 2013 03:47:46 PDT</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60772"><img src="http://images.dvdtalk.com/covers/B007G8SEUM.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>Neil Simon's "Chapter Two" was one of those unfortunate films from a master scribe that I approached with a heavily skeptical viewpoint.  Somehow I managed to avoid one of Simon's semi-autobiographical offerings, produced in the heyday of Simon's 1970s film offerings, mostly due to negative word of mouth and truth be told, a EP VHS copy I tried to watch a number of times but couldn't get past the sickening picture quality.  Thankfully, due to Sony's manufactured-on-demand Choice Collection, one of the more noteworthy but illusive Simon film offerings makes its way to DVD.  Despite the negative word of mouth in my own circle, "Chapter Two" is a film of critical merit, garnering Marsha Mason her third Academy Award nomination.  Now, 34 years after it's release, "Chapter Two" is a surprisingly familiar diversion and one I found enjoyable for reasons that wouldn't have existed even...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60772">Read the entire review</a></p>
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         <title>711 Ocean Drive</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60769</link>
         <pubDate>Mon, 29 Apr 2013 19:07:09 PDT</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60769"><img src="http://images.dvdtalk.com/covers/B004CZZZUY.jpg" vspace="10" hspace="10" align="left" border="0"></a>Despite its overly-familiar story about an ordinary dissatisfied man's meteoric rise and fall through the criminal underworld, <I>711 Ocean Drive</I> (1950) otherwise is quite well done, with an especially authentic feel given its bookmaking setting. Indeed, the film begins with a silent, pre-title prologue stating, "Because of the disclosures made in this film, powerful underworld interests tried to halt production with threats of violence and reprisal. It was only through the armed protection provided by members of the Police Department in the locales where the picture was filmed that this story was able to reach the screen. To these men, and to the U.S. Rangers at Boulder Dam, we are deeply grateful."<p>Reportedly, Las Vegas gangsters pressured the filmmakers not to shoot on location in and around Las Vegas as well as in Palm Springs, California. The movie has almost no Las Vegas location footage bu...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60769">Read the entire review</a></p>
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         <title>The California Trail</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60767</link>
         <pubDate>Mon, 29 Apr 2013 07:58:54 PDT</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60767"><img src="http://images.dvdtalk.com/covers/B00BBGZ1Z6.jpg" vspace="10" hspace="10" align="left" border="0"></a>Though filmed in just nine days on a small budget (probably less than $25,000), <I>The California Trail</I> (1933) is a highly effective B-Western starring Buck Jones and lovely Helen Mack, here cast against type - boy, howdy - as a tempestuous senorita. <p>A Sony Pictures Choice Collection, manufactured-on-demand DVD, <I>The California Trail</I> sources reissue film elements, when this Columbia Pictures production was rereleased by Gail Pictures in 1953. Beyond that, the movie looks great, with a bright, sharp picture throughout and virtually no signs of any damage. <p><H1 align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/68/1367211526_1.jpg" width="200" height="317"></H1><br><br><p>In 1830s Spanish California, Mayor Don Alberto Piedra (George Humbert) and his brother, Commandante Emilio Quierra (Luis Alberni), are trying to starve the poor into surrendering their land, the mayor ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60767">Read the entire review</a></p>
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         <title>Nightwing</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60766</link>
         <pubDate>Sun, 28 Apr 2013 21:42:26 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60766"><img src="http://images.dvdtalk.com/covers/B004CZZZEK.jpg" vspace="10" hspace="10" align="left" border="0"></a>As horror movies go, <I>Nightwing</I> fails spectacularly. Virtually everything about it is so thoroughly wrongheaded the picture almost defies the laws of chance, relentlessly making bad choices again and again with almost no redeeming qualities to justify its existence. Prompted, clearly, by the gargantuan success of <I>Jaws</I> (1975), instead of a Great White shark <I>Nightwing</I> concerns hoards of bubonic plague-carrying vampire bats.<p>Often confused with the similar (and similarly terrible) <I>Prophecy</I>, released just one week earlier in June 1979, <I>Nightwing</I> unwisely shoehorns ecological horror concepts and Native American issues to awesomely bad effect. The results are singularly boring and uninvolving. Reviewers at the time argued the film simply wasn't scary, but while the three set pieces involving the bats aren't too terrible, everything in-between sure is. <p>A manufactured-on-...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60766">Read the entire review</a></p>
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         <title>Death Goes North</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60762</link>
         <pubDate>Wed, 24 Apr 2013 18:50:09 PDT</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60762"><img src="http://images.dvdtalk.com/covers/B00BBGZB3S.jpg" vspace="10" hspace="10" align="left" border="0"></a>One wonders how the people at Sony's Choice Collection manufactured-on-demand DVD program select the titles they do. <I>Death Goes North</I> (1939) is an extremely obscure, filmed-in-Canada programmer running a bit more than an hour. Probably it was chosen because, third-billed in the credits, is Rin Tin Tin, Jr., the less-talented offspring of the huge silent era and early talkie canine star rescued from a World War I French battlefield. Rin Tin Tin, Sr. died in 1932 but Junior continued appearing in films, <I>Death Goes North</I> being one of his last. Rin Tin Tin Jr. really has only a supporting part but plays an active role in the lively climax. <p>The movie is routine, but an interesting relic. It starts out as a Northwestern, set as it is in British Columbia, but near the end resembles a Charlie Chan-type murder mystery with an unexpected plot twist that the IMDb regrettably gives away, so don't ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60762">Read the entire review</a></p>
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         <title>Once More, With Feeling! (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60756</link>
         <pubDate>Tue, 23 Apr 2013 19:04:23 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60756"><img src="http://images.dvdtalk.com/covers/B00AIA88AQ.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><br> <p><p align="center"> <img src="http://www.dvdtalk.com/reviews/images/reviews/177/1366741203_1.jpg" width="400" height="311"> <p>I suppose it's kind of ironic that the director of such classic musicals as <a href="http://www.dvdtalk.com/reviews/56373/singin-in-the-rain-60th-anniversary-collectors-edition/"><i>Singin' in the Rain</i></a> and <i>Royal Wedding</i> would make a comedy about musicians that barely has any music in it, but that's part of the joke of Stanley Donen's <i>Once More, with Feeling!</i>. The 1960 adaptation of the stage play by <a href="http://www.dvdtalk.com/reviews/10214/pink-panther-film-collection-the-pink-panther-a-shot-in-the-dark-strikes-again-revenge-of-trail-the/"><i>A Shot in the Dark</i></a>'s Harry Kurnitz (who also wrote the film script) stars Yul Brynner as Victor Fabian, an egomaniacal orchestra conductor who can't get past the first four note...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60756">Read the entire review</a></p>
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         <title>Arizona Raiders</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60755</link>
         <pubDate>Mon, 22 Apr 2013 03:52:47 PDT</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60755"><img src="http://images.dvdtalk.com/covers/B004CZRE5I.jpg" vspace="10" hspace="10" align="left" border="0"></a>A surprisingly sturdy low-budget Western, <I>Arizona Raiders</I> (1965) seems to have been cut from the same cloth as producer A.C. Lyles's cheap Westerns for Paramount. Lyles's <I>Law of the Lawless</I> (1963), produced in Technicolor's budget-saving Techniscope process, had been an unexpected hit, so much so that Paramount ordered a steady stream of these nostalgic, traditional oaters, which were usually stacked with familiar, once-popular Western actors and character players. Lyles ended up making 14 of these movies over the next five years. <p>Robert E. Kent's Admiral Pictures produced <I>Arizona Raiders</I> for Columbia, but otherwise it closely resembles Lyles's Paramount Westerns. It was made for about the same amount of money ($400,000), was likewise shot in Techniscope with Technicolor prints, and stars Audie Murphy, Buster Crabbe, and Gloria Talbott, all on the career downslide but each a wel...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60755">Read the entire review</a></p>
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         <title>Three Hours to Kill (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60751</link>
         <pubDate>Sun, 21 Apr 2013 07:47:26 PDT</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60751"><img src="http://images.dvdtalk.com/covers/B004TH78IM.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>More-than-competent B oater with an enjoyably dark undertone.   Sony's fun <i>Choice Collection</i> vault of hard-to-find library and cult titles, has released <b>Three Hours to Kill</b>, the 1954 Western whodunit from Columbia Pictures starring Dana Andrews, Donna Reed, Dianne Foster, Stephen Elliott, Richard Coogan, Laurance Hugo, James Westerfield, Richard Webb, Whit Bissell, Charlotte Fletcher, and Carolyn Jones.  Straightforward in plotting and execution, <b>Three Hours to Kill</b> satisfies as only a confident oater can when we're jonesing for those genre conventions...at the same time giving us a thematically messy undercurrent that's nicely contrasted against the square-jawed whodunit framework.  An original trailer is included in this nice-looking color widescreen transfer.</p><P><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1366514905_1.jpg" width="400" height="225"><...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60751">Read the entire review</a></p>
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         <title>5 Against the House (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60744</link>
         <pubDate>Thu, 18 Apr 2013 18:09:09 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60744"><img src="http://images.dvdtalk.com/covers/B00BBGZA9S.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Okay crime drama until that bogus, anti-climactic ending.  Sony's fun <i>Choice Collection</i> vault of hard-to-find library and cult titles, has released <b>5 Against the House</b>, the 1955 heist suspenser from Columbia Pictures, co-written by Stirling Silliphant (from a Jack Finney short story), directed by Phil Karlson, and starring Guy Madison, Kim Novak, Brian Keith, Alvy Moore, Kerwin Mathews, and William Conrad.  An early prototype for the kind of heist pictures that would prove to be so popular in Hollywood from the 1960s on, <b>5 Against the House</b> suffers today by comparison, with a few creaky performances (I'm looking at you, Madison and Mathews), some unfortunate musical interludes, the rather tame, late-arriving heist leading nowhere...and an evocative backstory that was frankly more interesting than the crime itself.  No need to double-dip if you already own this title from the 200...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60744">Read the entire review</a></p>
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         <title>The Lineup (1958, Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60741</link>
         <pubDate>Wed, 17 Apr 2013 16:57:10 PDT</pubDate>
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               <b class="first">DVD Talk Collector Series</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60741"><img src="http://images.dvdtalk.com/covers/B00BBGZA5C.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Violent, unsettling, still-creepy <i>noir</i> classic.  Sony's increasingly valuable <i>Choice Collection</i> vault of hard-to-find library and cult titles, has released <b>The Lineup</b>, the 1958 crime meller/actioner from director Don Siegel and screenwriter Stirling Silliphant, starring Eli Wallach, Robert Keith, Warner Anderson, Emile Meyer, Richard Jaeckel, and Vaughn Taylor.  A cult favorite for fans of the genre and of the director, <b>The Lineup</b> doesn't bear <i>too</i> close scrutiny when it comes to logical exposition&amp;#8213;why, exactly, does "The Man" need these psychos from Miami?&amp;#8213;but those bumps are quickly forgotten as Siegel moves relentlessly through his beautifully-staged set-pieces.  Buyers of 2009's <b>Columbia Pictures Film Noir Classics I</b> boxed set, in which <b>The Lineup</b> previously appeared, won't need to double-dip here.  However, regular patrons of t...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60741">Read the entire review</a></p>
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         <title>A Matter Of Wife ... and Death</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60709</link>
         <pubDate>Thu, 11 Apr 2013 03:48:07 PDT</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60709"><img src="http://images.dvdtalk.com/covers/B00ARVRCLC.jpg" vspace="10" hspace="10" align="left" border="0"></a>I have very little to say about <I>A Matter of Wife ... and Death</I>, a TV-movie starring Rod Taylor that first aired on the NBC network the evening of April 10, 1976. Taylor plays private detective Shamus McCoy, the same character Burt Reynolds portrayed in <I>Shamus</I> (1973), a moderately popular theatrical film, though its $3.3 million in domestic rentals pales compared to that year's big hits, movies like <I>The Sting</I> ($159 million) and <I>American Graffiti</I> ($140 million). <I>A Matter of Wife ... and Death</I> was also a pilot film for an intended <I>Shamus</I> TV series.<p>That it didn't sell is hardly surprising. I requested this title primarily after seeing Rod Taylor (<I>The Time Machine</I>, <I>The Birds</I>) and Joe Santos (<I>The Rockford Files</I>) on the cover art, two actors I've always liked. Both are likeable here, too, but the material they have to work with is resolutely or...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60709">Read the entire review</a></p>
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         <title>The Hireling (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60708</link>
         <pubDate>Wed, 10 Apr 2013 19:14:43 PDT</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60708"><img src="http://images.dvdtalk.com/covers/B00BBGZ39A.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><i>"I think we all have our place in life."<br>"We don't have our given place in life...we make our own."</i></p> <p>Fascinating, particularly in the beginning...until a rather unfortunate (and obvious) third act.  Sony's increasingly interesting, valuable <i>Choice Collection</i> vault of hard-to-find cult and library titles, has released <b>The Hireling</b>, the 1973 British period drama from Columbia Pictures, starring Robert Shaw, Sarah Miles, Peter Egan, and Elizabeth Sellars.  Scripted by Wolf Mankowitz and directed by Alan Bridges, <b>The Hireling</b> managed to score a co-<i>Grand Prix du Festival</i> (along with Jerry Schatzberg's <b>Scarecrow</b>) at the Cannes Film Festival.  Based on a novel by L.P. Hartley (whose novel, <i>The Go-Between</i>, had provided the basis for another <i>Grand Prix du Festival</i> winner in 1970), <b>The Hireling</b>'s (familiar) exploration of isolation and in...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60708">Read the entire review</a></p>
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         <title>The Bamboo Prison</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60706</link>
         <pubDate>Wed, 10 Apr 2013 04:29:18 PDT</pubDate>
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               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60706"><img src="http://images.dvdtalk.com/covers/B00ARVRCRQ.jpg" vspace="10" hspace="10" align="left" border="0"></a>"Anyone who doesn't enter into the spirit of free discussion will be severely punished!" - North Korean POW camp announcement<p>"Ya dirty cruds!" - Pvt. Pike (Leo Gordon)<p><br><p><br><p>It's no surprise that <I>The Bamboo Prison</I> (1954) had the working title <I>I Was a Prisoner in Korea</I>. The film is classically, hysterically anticommunist, though unlike most such pictures this one is fairly well made, its naivet  and political extremism notwithstanding. The picture also boasts an exceptionally good cast of future stars and character actors, and it's the third of just four movies featuring young leading man Robert Francis (<I>The Caine Mutiny</I>), who died in a plane crash just seven months after this was released. <p>Part of Sony's manufactured-on-demand Choice Collection, <I>The Bamboo Prison</I> is a rare case of Sony mucking up the video transfer. The movie is clearly shot for 1.85:1 widesc...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60706">Read the entire review</a></p>
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         <title>The Spanish Prisoner</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60705</link>
         <pubDate>Tue, 09 Apr 2013 19:15:20 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60705"><img src="http://images.dvdtalk.com/covers/B00ARVRD3E.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><p> David Mamet loves games: the games that he plays with words and the games that his characters play with each other.  This is especially evident in his affection for movies featuring con men.  His directorial debut <a href=http://www.dvdtalk.com/reviews/29897/house-of-games-criterion-collection/><b>House of Games</b></a> is a shining example of the genre done right and <a href=http://www.dvdtalk.com/reviews/3500/heist/><b>Heist</b></a> is a minor masterpiece featuring some of his most quotable lines (<i>"Everybody needs money.  That's why they call it money"</i> and <i>"I'm as quiet as an ant pissing on cotton"</i> being two of my personal favorites).  <p> With that said, I have a real soft spot for his 1997 thriller <b>The Spanish Prisoner</b>.  Perhaps it's partly due to nostalgia because the film was my first true exposure to Mamet (which sparked an enduring fascination) but I...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60705">Read the entire review</a></p>
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         <title>Apache Ambush</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60703</link>
         <pubDate>Tue, 09 Apr 2013 05:05:56 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60703"><img src="http://images.dvdtalk.com/covers/ts1363693364.jpg" vspace="10" hspace="10" align="left" border="0"></a>A funny thing happened on the way to the DVD player: In response to a press release from Sony about upcoming Choice Collection titles, I requested a movie called <I>Ambush at Tomahawk Gap</I> (1953) while my colleague Paul Mavis requested one called <I>Apache Ambush</I> (1955). However, when Paul opened his shrink-wrapped copy of <I>Apache Ambush</I>, the disc inside was actually <I>Ambush at Tomahawk Gap</I> and, sure enough, a week or so later when my shrink-wrapped copy of <I>Ambush at Tomahawk Gap</I> arrived, the DVD inside it was <I>Apache Ambush</I>. The reason I point this out is to remark with some amazement that, apparently, such titles truly are manufactured-on-demand, one at a time. Clearly whoever packaged these screeners up saw the word "Ambush" in these similar titles and got them mixed-up. <p>It all worked out in the end anyway, as <I>Apache Ambush</I> turns out to be a nifty, action-pa...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60703">Read the entire review</a></p>
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         <title>Flight Into Nowhere</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60700</link>
         <pubDate>Mon, 08 Apr 2013 04:17:02 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60700"><img src="http://images.dvdtalk.com/covers/B00AIA895U.jpg" vspace="10" hspace="10" align="left" border="0"></a><I>Flight Into Nowhere</I> (1938) is a strange little B-movie. Its story revolves around the actions of a singularly unpleasant character, whom others try to help to no good end. One wonders why it was made in the first place, or why Sony selected it for its manufactured-on-demand "Choice Collection." It does star Jack Holt, a popular leading man whose long association at Columbia peaked in a trio of early-talkie action films directed by Frank Capra, but he has little to do here. <p>The movie, partly about pilots in the tradition of movies like <I>Night Flight</I> (1933) and <I>Flight from Glory</I> (1937), a sub-genre climaxing with <I>Only Angels Have Wings</I> (1939), segues into a standard jungle movie plot: the search for a downed aircraft and its pilot. <p><I>Flight Into Nowhere</I>'s full-frame, black and white video transfer is excellent, and for its age also boasts exceptionally good audio. <p...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60700">Read the entire review</a></p>
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         <title>The Long Haul (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60698</link>
         <pubDate>Sat, 06 Apr 2013 17:53:35 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60698"><img src="http://images.dvdtalk.com/covers/B004CZZZGS.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>I live for these kinds of Bs--British <i>noir</i>, shot in widescreen black &amp; white, and with those leads...how can it miss?  Sony's increasingly valuable <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>The Long Haul</b>, the 1957 British-made <i>noir</i> programmer released by Columbia Pictures, directed by Ken Hughes, and starring Victor Mature, Diana Dors, Patrick Allen, Gene Anderson, Peter Reynolds, and Liam Redmond.  Nothing particularly new when it comes to story, <b>The Long Haul</b> makes up time with no-nonsense, energetic direction, evocative location shooting in England and Scotland, and typically enjoyable performances from those always-welcome pros.  An original trailer (a nice bonus for these usually bare-bones <i>Choice Collection</i> outings) is included in this super-sharp anamorphic widescreen transfer (are you listening, Fox <i>Cinema Ar...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60698">Read the entire review</a></p>
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         <title>Target Hong Kong</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60694</link>
         <pubDate>Sat, 06 Apr 2013 04:26:04 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60694"><img src="http://images.dvdtalk.com/covers/B00ARVRD8E.jpg" vspace="10" hspace="10" align="left" border="0"></a>One usually associates anticommunist melodramas and thrillers of the late 1940s and early '50s with such hysterical, paranoid examples such as <I>Jet Pilot</I> (1952, release delayed until 1957), <I>Red Planet Mars</I> (1952), and <I>Big Jim McLain</I> (1952), movies so cartoonish and politically na ve they've evolved into enormously entertaining high camp. Although <I>Target Hong Kong</I> (1953) has a similarly outrageous premise, by B picture standards it's simply too well made to be so easily dismissed. In recent years I've developed <a href=" http://www.google.com/search?client=safari&amp;rls=en&amp;q=%22Fred+F.+Sears%22+%22Stuart+Galbraith%22+DVD&amp;ie=UTF-8&amp;oe=UTF-8">quite an appreciation</a> of B movie actor-turned-B movie-director Fred F. Sears. While no great, unheralded auteur, Sears knew his way around such pictures and how to maximize their potential despite modest budgets and absurdly...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60694">Read the entire review</a></p>
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         <title>Ghost of the China Sea</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60079</link>
         <pubDate>Tue, 02 Apr 2013 19:41:05 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60079"><img src="http://images.dvdtalk.com/covers/B00ARVRD7K.jpg" vspace="10" hspace="10" align="left" border="0"></a>An unremarkable World War II meller, <I>Ghost of the China Sea</I> (1958) is of interest more for the talent involved than for the movie itself. The film combines personnel culled from Columbia's B-picture unit with artists usually associated with producer-director Roger Corman, notably writer-producer Charles B. Griffith (<I>It Conquered the World</I>, <I>Little Shop of Horrors</I>) and actor Jonathan Haze. At the time Griffith was anxious to move on to bigger and better things, and  <I>Ghost of the China Sea</I> was supposed to be the first of five movies he was to make for Columbia. However, Griffith ended up making just one more picture for Columbia, <I>Forbidden Island</I> (1959), before returning to the Corman fold. Like <I>Ghost of the China Sea</I>, it was filmed entirely on location in Hawaii and co-starred Haze. Fred F. Sears directed <I>Ghost of the China Sea</I> while Griffith directed <I>F...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60079">Read the entire review</a></p>
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         <title>There's Always A Woman</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60076</link>
         <pubDate>Sun, 31 Mar 2013 12:43:00 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60076"><img src="http://images.dvdtalk.com/covers/B00ARVRCW6.jpg" vspace="10" hspace="10" align="left" border="0"></a><div align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/279/1364692763_1.png" width="400" height="300"  vspace="12"></div><b>The Movie:</b><p><i>There's Always a Woman</i> (1938) follows the "imitation is the sincerest form of flattery" rulebook. The success of the <i>Thin Man</i> series in the '30s brought about a slew of competing series featuring lovers exchanging witty repartee while solving crimes. Warner Bros. jumped into the fray with its <i>Torchy Blane</i> series, while MGM supplemented their own <i>Thin Man</i> films with a short-lived series following a pair of married book dealers who sleuth on the side. What, you never heard of the Joel and Garda Sloane movies? Perhaps Warner Archive will remedy that, someday.<p>Columbia's effort at a <i>Thin Man</i> franchise kicked off with <i>There's Always a Woman</i>, starring solid Melvyn Douglas and vivacious Joan Blondell as a p...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60076">Read the entire review</a></p>
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         <title>Charley Chase Shorts - Vol 01</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60041</link>
         <pubDate>Thu, 21 Mar 2013 11:03:24 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60041"><img src="http://images.dvdtalk.com/covers/B00AIA89ZA.jpg" vspace="10" hspace="10" align="left" border="0"></a><div style="text-align: center;"><b style="">The Shorts:<o:p></o:p></b><br></div><o:p> </o:p><br>Though he was never as big as Charlie Chaplin, Buster Keaton,or Harold Lloyd, Charles Parrott, better know by his stage name ofCharleyChase, was a very talented comic.<span style="">  </span>Hewasn't only funny in front of the camera, but he was a gifted director,writer,and editor as well.<span style="">  </span>He directed theThree Stooges, and was Director-General at Hal Roach's studio,basicallyrunning the whole show for a time.<span style=""> </span>Though he's not very well known today, a fair selection of hissilentwork is available on DVD.<span style="">  </span>Unfortunately,few of his sound shorts have been released... until now.<span style=""> </span>Thanks to Sony's MOD program some of thetalkies that he did in at <st1:City w:st="on"><st1:place w:st="on">Columbia</st1:place></st1:City>have seen the...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60041">Read the entire review</a></p>
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         <title>How To Save a Marriage -- And Ruin Your Life (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=60029</link>
         <pubDate>Sun, 17 Mar 2013 07:41:02 PDT</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=60029"><img src="http://images.dvdtalk.com/covers/B00AIA89W8.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Cute, pallie.  Sony's <i>Choice Collection</i> vault of hard-to-find library and cult titles has released <b>How to Save a Marriage -- And Ruin Your Life</b>, the 1968 sex comedy starring Dean Martin, Stella Stevens, Eli Wallach and Anne Jackson that <i>isn't</i> all that "hard-to-find"...because Sony already released it back in '06 as part of <b>The Dean Martin Double Feature</b> disc (along with <b>Who Was That Lady?</b>).  Anyone owning that disc won't need to double-dip here; it looks to be the same transfer, and there are no extras, new or otherwise.  A silly, dated, but well-tempoed battle of the sexes farce, <b>How to Save a Marriage -- And Ruin Your Life</b> still generates laughs with its often amusing script and its superlative cast.  Looks terrific in this anamorphically-enhanced widescreen release.</p><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1363516260_1.jpg...<a href="http://www.dvdtalk.com/reviews/read.php?ID=60029">Read the entire review</a></p>
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         <title>The Vertical Ray of The Sun</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59977</link>
         <pubDate>Thu, 28 Feb 2013 04:16:34 PST</pubDate>
         <description>
           <![CDATA[
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               <b class="first">Highly Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59977"><img src="http://images.dvdtalk.com/covers/B009M4KSUW.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><br> <p><p align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/177/1362012880_1.png" width="400" height="225"> <p><i>The Vertical Ray of the Sun</i>, the 2000 drama from Vietnamese director Tran Anh Hung (<a href="http://www.dvdtalk.com/reviews/55024/norwegian-wood/?___rd=1"><i>Norwegian Wood</i></a>), is an artfully conceived, beautifully realized cinematic poem, a story of life that could be compared to <a href="http://www.dvdtalk.com/reviews/35157/ashes-of-time-redux/?___rd=1">Wong Kar-Wai</a> or <a href="http://www.dvdtalk.com/reviews/19678/cafe-lumiere/?___rd=1">Hou Hsiao-hsien</a>, both masters of the blithe rhythms that Hung so effortlessly dances to. Yet, <i>The Vertical Ray of the Sun</i> is also very much representative of a singular voice, of a tone that indicates the artist's assurance of his own perceptions and his willingness to trust his instincts. ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59977">Read the entire review</a></p>
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         <title>The Boogie Man Will Get You</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59974</link>
         <pubDate>Wed, 27 Feb 2013 04:01:37 PST</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59974"><img src="http://images.dvdtalk.com/covers/B009M4KSWK.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><br> <p><p align="center"> <img src="http://www.dvdtalk.com/reviews/images/reviews/177/1361944371_1.jpg" width="400" height="311">  <p>First of, there is really no boogieman in <i>The Boogie Man Will Get You</i>. Only the slightest hint of one. Which just goes to show you how slapdash this would-be slapstick comedy from 1942 really is. <p><a href="http://www.dvdtalk.com/reviews/24003/frankenstein-75th-anniversary-edition/"><i>Frankenstein</i></a>-star Boris Karloff stars as mad scientist Professor Billings, owner of a historical homestead and a pile of debt owed to small-tow con man Dr. Arthur Lorencz (Peter Lorre, <a href="http://www.dvdtalk.com/reviews/24782/humphrey-bogart-the-signature-collection-vol-2/"><i>The Maltese Falcon</i></a>). When a na ve young woman (Jeff Donnell, <a href="http://www.dvdtalk.com/reviews/5887/in-a-lonely-place/"><i>In a Lonely Place</i></a>) decides to...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59974">Read the entire review</a></p>
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         <title>Experiment In Terror (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59965</link>
         <pubDate>Wed, 20 Feb 2013 03:47:12 PST</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59965"><img src="http://images.dvdtalk.com/covers/B0096PBCMK.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Undeniably striking at first...but far, far too long.  Sony's <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>Experiment in Terror</b>, the 1962 thriller from Columbia Pictures, directed by Blake Edwards, and starring Glenn Ford, Lee Remick, Stefanie Powers, Ned Glass, Anita Loo, Patricia Huston, Clifton James, and another actor I'll name later (but whom I'm sure you already know).  An at-times hypnotic suspenser from comedy director Blake Edwards, <b>Experiment in Terror</b> is probably better known today for its Henry Mancini soundtrack and for its influence on director David Lynch, rather than for its own glossy-but-minor, protracted achievements.  A vintage trailer is included in this sharp-looking anamorphic black and white transfer.</p> <P><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1361358553_1.jpg" width="400" height="225"></cent...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59965">Read the entire review</a></p>
</p></b></i> </span>
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         <title>Don't Panic Chaps</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59959</link>
         <pubDate>Fri, 15 Feb 2013 05:22:17 PST</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59959"><img src="http://images.dvdtalk.com/covers/B009M4KTRY.jpg" vspace="10" hspace="10" align="left" border="0"></a>Though today Hammer Films is remembered primarily for its Gothic horror pictures, back in the late-1950s the company was producing nearly as many war movies, both comedy and drama, as horror films. <I>Don't Panic Chaps</I> (1959) is one such example, a minor but pleasant little farce about British and German soldiers sharing an idyllic little island in the Adriatic in 1943. Based on an apparently one-off radio play by Michael Corston and Ronald Holroyd, the picture wisely confines its story to a small cast and a limited scale in keeping with its small ( 75,000) budget. <p>A manufactured-on-demand, Sony "Choice Collection" release, <I>Don't Panic Chaps</I> ("Don't Panic Chaps!" in some of the ads but not on the film itself) is presented in a very crisp, enhanced widescreen black and white transfer bereft of extra features or even menu screens. <p><H1 align="center"><img src="http://www.dvdtalk.com/revie...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59959">Read the entire review</a></p>
</p></b></i> </span>
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         <title>Assignment K (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59949</link>
         <pubDate>Mon, 11 Feb 2013 14:15:25 PST</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Rent It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59949"><img src="http://images.dvdtalk.com/covers/B009M4KSNO.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>The "K" stands for <i>krap</i>, dummkopf.  Sony's <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>Assignment K</b>, the 1968 espionage thriller from Columbia Pictures, written and directed by Val Guest, and starring Stephen Boyd, Camilla Sparv, Michael Redgrave for a couple of minutes, Leo McKern, Jeremy Kemp, Robert Hoffmann, Jane Merrow, Werner Peters for a few seconds, John Alderton, and Geoffrey Bayldon for one scene.  A disconcertingly languid, tepid outing, <b>Assignment K</b>'s top-flight cast, energetic writer/director, and solid production values would seem to suggest, at the minimum, an entertaining entry in the overcrowded late-60s spy genre.  However, an obvious, empty, overly-familiar script, a bland leading performance by Boyd, and worst of all <i>no action</i>, make this spy programmer one majorly failed assignment.  No extras for this good-looki...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59949">Read the entire review</a></p>
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         <title>East Of Sudan (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59948</link>
         <pubDate>Sun, 10 Feb 2013 07:04:35 PST</pubDate>
         <description>
           <![CDATA[
              <span class="rss:item">
               <class="posted">
               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59948"><img src="http://images.dvdtalk.com/covers/B00A92MDV8.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Ultra-cheap but amusing juvenile adventure.  Sony's <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>East of Sudan</b>, the 1964 historical thick-ear released by Columbia, directed by Nathan Juran, and starring Anthony Quayle, Sylvia Syms, Derek Fowlds, Johnny Sekka, and little Jenny Agutter in her movie debut.  Crafted largely out of meager studio mock-ups, laughable rear projection, and a <i>whole</i> lot of stock footage from Korda's <b>The Four Feathers</b>, <b>East of Sudan</b> certainly doesn't entertain on a grand scale like its contemporary big-star, big-budget epics...but it's plucky as hell, and best of all, it doesn't take itself seriously for a moment.  No extras for this great-looking anamorphic widescreen transfer.</p><P><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1360446723_1.jpg" width="400" height="225"></center></p>    <...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59948">Read the entire review</a></p>
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         <title>The Fighting Frontiersman</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59947</link>
         <pubDate>Sat, 09 Feb 2013 17:09:59 PST</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59947"><img src="http://images.dvdtalk.com/covers/B00A92ME6M.jpg" vspace="10" hspace="10" align="left" border="0"></a>Charles Starrett is back as The Durango Kid (along with his alter-ego, Steve Reynolds) in <I>The Fighting Frontiersman</I> (1946), the 18th of more than five dozen series B-Westerns churned out like sausages from Columbia Pictures, this being the tenth such film in 1946 alone. (Reader Sergei Hasenecz notes, "Starrett did an amazing 131 B-westerns for Columbia from 1935 to 1952, of which 65 were in the Durango Kid series. He did nothing but Durango Kid movies from 1945 to 1952. Columbia did churn them out, but that's because they were so popular.") <p>As B-Westerns go, this one is truly ordinary and brimming with genre clich s, though it's not unpleasant. Sony's "Choice Collection" has mostly been a true delight, their video transfers especially being consistently good. Thanks to this program, a great many long-forgotten B's are being made available for reappraisal, and this has produced some really ple...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59947">Read the entire review</a></p>
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         <title>Hook, Line &amp; Sinker (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59858</link>
         <pubDate>Wed, 06 Feb 2013 03:56:13 PST</pubDate>
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               <b class="first">Skip It</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59858"><img src="http://images.dvdtalk.com/covers/B009M4KTH4.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>A "sinker" indeed, if you know what I mean.  Sony's <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>Hook, Line &amp; Sinker</b>, the 1969 comedy from Columbia Pictures, directed by 77-year-old George Marshall ("Mr. Marshall...Mr. Marshall?  Wake up, Mr. Marshall...we're ready for a take,"), and starring Jerry Lewis, Peter Lawford, and Anne Francis.  A woefully unfunny outing that finds a terminally bored Monsieur Jerry playing a terminally ill suburbanite, <b>Hook, Line &amp; Sinker</b> was just one more nail in the coffin of Jerry's fast-fizzling leading man movie career...and it hasn't aged any better 40+ years later.  No extras for this nice-looking widescreen transfer.</p><P><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1360149638_1.jpg" width="400" height="225"></center></p><p><i>Granite Life and Casualty</I> insurance agent Peter J. ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59858">Read the entire review</a></p>
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         <title>Breaking In - The Complete Series</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59851</link>
         <pubDate>Sun, 03 Feb 2013 10:36:20 PST</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59851"><img src="http://images.dvdtalk.com/covers/B009M4KTQU.jpg" vspace="10" hspace="10" align="left" border="0"></a><div style="text-align: center;"><b style="">The Show:<o:p></o:p></b><br></div><o:p> </o:p><br>Debuting in April of 2011, <i>Breaking In</i> was a sitcom staring ChristianSlater as the eccentric owner of a security firm that specializes inbreakinginto their clients companies to highlight weaknesses in their systems.<spanstyle="">  </span>As a mid-season replacement, there were only 7episodes that first year, which earned the show... a cancellation.<spanstyle="">  </span>Yep, it was axed.<span style="">  </span>Itwas a pretty good show that was on Fox, sonaturally they had to cut it.<span style="">  </span>Then threemonths later, apparently coming to their senses, the network broughtthe showback from the dead for a 13-episode season.<span style=""> </span>Unfortunately, there were a lot of changes made in the show andin thatsecond year the show was a shadow of its former self.<span style=""> </span>Now ...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59851">Read the entire review</a></p>
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         <title>The Houston Story (Sony Choice Collection)</title>
         <category>DVD Video</category>
         <link>http://www.dvdtalk.com/reviews/read.php?ID=59850</link>
         <pubDate>Sun, 03 Feb 2013 05:02:16 PST</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="http://www.dvdtalk.com/reviews/read.php?ID=59850"><img src="http://images.dvdtalk.com/covers/B009M4KT6A.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Typically minor Sam Katzman production:  speedy, pulpy, thoroughly familiar entertainment...and that's good enough.  Sony's <i>Choice Collection</i> vault of hard-to-find cult and library titles has released <b>The Houston Story</b>, the 1956 gangster/<i>noir</i> programmer from Columbia Pictures, directed by soon-to-be horror <i>meister</i> William Castle, and starring Gene Barry, Barbara Hale (even better looking as a platinum blonde), Edward Arnold, Paul Richards, Jeanne Cooper, and Frank Jenks.  No <i>noir</i> masterpiece, that's for sure, <b>The Houston Story</b> sticks to its fast-moving, primitive storyline while leaving some intriguing thematic elements in the dust&amp;#8213;but that doesn't mean you won't enjoy this nasty-edged little B.  No extras for this pristine, anamorphically-enhanced black and white transfer.</p><P><center><img src="http://www.dvdtalk.com/reviews/images/reviews/190/1...<a href="http://www.dvdtalk.com/reviews/read.php?ID=59850">Read the entire review</a></p>
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