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G.I. Blues

G.I. Blues
Paramount Home Video
1960 / Color / 1:85 anamorphic 16:9 / 104 min. / Street Date ? 2004 / 14.99
Starring Elvis Presley, Juliet Prowse, Robert Ivers, James Douglas, Letícia Román
Cinematography Loyal Griggs
Art Direction Hal Pereira, Walter Tyler
Original Music Joseph J. Lilley
Written by Edmund Beloin, Henry Garson
Produced by Hal B. Wallis
Directed by Norman Taurog

Reviewed by Glenn Erickson

Elvis Presley's homecoming movie after two years in the U.S. Army set the standard for most of his 1960s musicals, in which he invariably played a loverboy wading through a dozen songs and as many hopeful females en route to Miss Right. Here the lucky lady is the lovely Juliet Prowse. A trifle with mostly forgettable music and a pitifully inane story, G.I. Blues will nevertheless be welcomed by the legions of Elvis fans.


Swingin' tank corpsman Tulsa McLean (Elvis Presley) can't wait to finish his military duty in Germany to get back to Oklahoma and his dream of starting a nightclub. The rest of his pals are more interested in pursuing fraüleins, and make a huge bet with a high-scoring wolf that Tulsa can "spend the night" with a particularly forbidding nightclub dancer, Lili (Juliet Prowse). Tulsa reluctantly agrees, but after maneuvering into scoring position with the beautiful Lili he realizes he's in love and calls off the relationship. More complications ensue, but we know they'll eventually get together.

Elvis became a subject for sociologists early in his career. In the late 50s he got plenty of publicity with the overblown outcry against Rock 'n Roll that resulted in newsreel stunts such as the burning of phonograph records, etc. In truth, most of the country was always firmly behind the lad from Mississippi; the blunting of his career came not from conservatives but from his own handlers, who saw him as a money-making phenomenon to be molded into a family-safe commodity. Elvis' peacetime drafting was exploited by the army as a recruitment tool, and G.I. Blues plays as if it were produced as a requirement of his mustering out.

The peacetime Army is pictured as being on a permanent vacation jaunt, with battalions of Yankee tank crews trashing the German countryside during the day and then partying all night. They have plenty of free time and the towns are overflowing with German girls of starlet caliber or better. Near the top of the cast list is Letícia Román of The Girl Who Knew Too Much, as well as Erika Peters of Mister Sardonicus and Sally Todd of Frankenstein's Daughter. Their common purpose is to be dated by the American soldiers. Even better, there doesn't seem to be a single German male under the age of 40 or 50 around, leaving the G.I.s with a completely open field. Exactly how far these girls go is discussed mostly through baseball terminology, but it is implied that sex is there for the taking. Prowse is a dazzling beauty with a reputation for not p ... not cooperating, with Elvis a nice-guy Oklahoman too gentlemanly to take advantage. Between the frequent songs, one or two inconsequential misunderstandings stretch the show out to feature length.

To be fair, the film offers one married couple (James Douglas and Sigrid Maier) as an example of fraternization that works out the way it's supposed to. And there's the requisite scene where a nosy Captain-chaperone checks to make sure that Elvis and Juliet aren't really shacking up together. But the recruitment message is clear: No college degree? Can't find a girlfriend? The peacetime Army is where You belong, son. Somewhere in Deutschland is a Freida with your name on her.  1

G.I. Blues does have its fringe benefits. Juliet Prowse was famous for her amazing legs and snappy jazz dancing, and her moment in the spotlight is a good one. There is little feel for Germany beyond picture postcard scenery, but Prowse's nightclub act does remind somewhat of cabaret scenes from the then-popular local crime thrillers called krimi. Presley performs one rather charming song, Wooden Heart, that received plenty of radio play. The uniformed Elvis takes the place of a broken gramophone and sings for a little puppet show in the park. The puppets in the play, of course, are an American soldier and a German girl who wants to kiss him a lot.

A few surprises are hidden in the otherwise colorless cast. Sergio Leone's English version producer Mickey Knox has a couple of lines as a soldier named Jeter, and Ronald Starr of Ride the High Country has an even smaller role. Familiar Roger Corman actor Beach Dickerson is in there too.

A higher percentage of listenable songs can be found in Blue Hawaii. Viva Las Vegas! has the spectacle of a pneumatic, gyrating Ann-Margret. But G.I. Blues still fares better than most of what was to come for Elvis in the sixties. Empty groaners like Double Trouble and Harum Scarum had little to offer besides the Presley name on the marquee. In his pre-Army features he played troubled young men and wild loners in need of taming. Starting with G.I. Blues, Elvis offered an establishment answer to juvenile delinquency, and his character was always a clean-cut guy at heart, no longer perceived as a sexual threat to American values. As the culture changed, Elvis (at least as a movie star) simply became irrelevant.

Paramount's DVD presents G.I. Blues in a beautiful sharp enhanced transfer with great color that makes the ample travelog footage stand out. Audio tracks are offered in both the original mono and remixed for 5.1 as well. There are no other extras.

The bright packaging text gives some historical context for 1960 along with an Elvis trivia question. Blue Suede Shoes is plugged as one of the film's songs even though it plays for only about ten seconds on a jukebox before a brawl starts. Two trailers are mentioned but Savant found only one. doesn't have a new release date for G.I. Blues, which has been available on DVD since 2000. I believe it is being sent out as a screener now as part of a re-promotion.

On a scale of Excellent, Good, Fair, and Poor, G.I. Blues rates:
Movie: Good --
Video: Excellent
Sound: Excellent
Supplements: none
Packaging: Keep case
Reviewed: December 20, 2004


1. I've never heard a contrary word about this basic setup, and I presume that G.I. Blues was as popular in Germany as it was here. But it is pretty ugly; I think the only way to understand the problem would be to imagine a movie made about America if Germany had won WW2, with a German pop sensation in the lead role. He could be assigned to a jaunty Panzer division based in St. Louis or San Francisco. Lots of Dieters and Gunthers and Rolfs could be shown on the town with American girls in bobby sox or whatever, all eager to date the boys from Berlin in their snappy uniforms. There'd be plenty of jokes about 'quaint' American customs and how tranquil the country has become; the new German order would have eliminated troublesome social parasites and intellectuals and restored family values to our decadent Democracy.

It's the smug quality of G.I. Blues that offends, the idea that WW2 seems to have been fought to give the male youth of America a cheap playground & bedroom. When one is the victor, one never has to look at things from the other side.

A less sugarcoated portrait of the American Army in Germany came in the next year's Town Without Pity, in which three bored, insolent G.I.s rape a young German girl played by Christine Kauffman. It's an isolated situation and not typical of Army behavior, but the contrast between the demoralized men in the one movie and the cheerful Romeos in the other is acute.


Republished by permission of Turner Classic Movies.

DVD Savant Text © Copyright 2007 Glenn Erickson

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