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Book Talk - Obsessed With TV, King Vidor
Book Talk - August 2009
Chapters are divided into categories that include Comedies, Dramas, Reality TV & Game Shows, Action Shows (an umbrella moniker for Westerns, mystery shows, detective series and the like), Sci-Fi & Fantasy Shows, Kids' Shows, Music & Variety Shows, The Icons, The Awards, and Anything Goes (a grab-bag of subjects, many of which could have easily been inserted into the previous categories). Open the book to any page, and in addition to twenty or so questions on both pages, you'll get a sharp black & white still illustrating a particular question, along with a couple of background paragraphs by Hofstede discussing the question's context within television history - nice. You may question one or two of Hofstede's assertions in these paragraphs (for instance, he states Diana Rigg's Mrs. Emma Peel was "arguably television's first female action hero," but at the very least, Anne Francis' Honey West beats her to the punch), but the "arguably" gets him off the hook, and besides, that's part of the fun of discussing TV trivia: disagreeing. As for the hard, cold facts contained in the trivia questions themselves, I didn't find anything remotely questionable. The difficulty level for the questions ranges from very easy ("On which cop show will viewers hear the phrase, "Book 'em, Dan-O"?), to tough ("The special two-part Starsky and Hutch episode "The Las Vegas Strangler" features a guest appearance by Lynda Carter. Which role did she play?"). I love entertainment trivia books like Obsessed With TV because you can pick it up any time, and at any place in the book, and pass a few moments (or a few hours if you're truly obsessed), and find something of interest. The game module only adds to that fun. David Hofstede's slickly designed Obsessed With TV is recommended for TV trivia lovers. ![]() This funny and very entertaining autobiography is equal parts about Lucille Ball and her first TV show and about Oppenheimer himself. Of course the former is the most interesting and the book covers not only the creation of the show but also some of the classic episodes and story lines. He goes into detail about the reaction everyone had when Lucy announced she was pregnant, and how they were able to convince the network to allow them to write her pregnancy into the scripts. One of the things that make this book so wonderful is that Jess has a real appreciation for Lucy and her talents and never slights her. He relates just how much talent she had and how she could turn the slightest description into comedy. "We could put down 'Lucy gets up in the morning, she's terribly tired and goes into the kitchen, barely able to feel her way around because she can't' get her eyes open, and makes a cup of coffee.' That's all it would say on the paper. But it would be seven hilarious minutes on the air..." He also used to tell new writers to "come on down to the set and watch Lucy perform your material. She'll make you think you're writers." Overall this is a great book for anyone who wants to look behind the scenes at one of the funniest and most influential televisions shows ever.
King Vidor was behind the camera on such successful and diverse films as the silent The Big Parade (1925) and The Crowd (1928) and talkies such as The Fountainhead (1949) and War and Peace (1956). He even directed the Kansas scenes (uncredited) in The Wizard of Oz (1939). Through these interviews he discusses all of these and more, including his recollections of several lost silent films. Vidor comes across as modest but knowledgeable and has many tales to tell of Hollywood stars and people who never quite reached stardom. This is an indispensable book for fans of the history of early Hollywood.
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