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Late Show, The
The plot behind The Late Show is simple enough; A private detective (Art Carney) is hired by a woman (Lily Tomlin) to find her cat, and stumbles onto several murders.
But two qualities set The Late Show apart: The successful clash of 40s film noir with 70s counter-culture Los Angeles, and Art Carney.
Ira Wells (Carney) is from a simpler, "less enlightened" time, where women were dames and men shot each other. But when an old colleague shows up at his door moments from death, he sets out to find out who did it – along with figuring out how a new-age oddball Margo (Tomlin) fits into the picture.
The Late Show is structured as a classic film noir while simultaneously asking whether or not that world of shady private eyes and cliché'-spouting bad guys still exists. The conflicts between Wells and Margo, not to mention those between Wells and most of the villains, show the private detective to be behind the times, holding on to an outdated philosophy.
The reason that it works is Carney. He won the 1977 National Society of Film Critics award for Best Actor for his work here, and it's because of how effortless his work looks. His gimp is picture perfect, his posture exudes "beaten down," and his tired speech gives away that Wells is a man that has seen much in his days. It is a masterful performance, the type that doesn't need over-the-top accents or showy emoting to pull the viewer into his world.
Tomlin keeps up with Carney with an energetic performance as the flighty Margo. Bill Macy also stands out as Wells' "partner," Charlie. In fact, there isn't a missed beat amongst the cast, surely a credit to writer/director Robert Benton (Bonnie and Clyde, Kramer vs. Kramer).
A note about the MPAA and you: Somehow, The Late Show got a PG rating. There are multiple shootouts, fairly bloody scenes and several profanities. Today it would get a PG-13 rating.
The DVD
Video:
The anamorphic widescreen transfer of The Late Show is as would be expected; there is some grain, especially notable in the film's darker scenes, and the colors are a bit faded. But for a 1977 film, Warner Bros. seems to have done all it could do without giving it a full-fledged restoration.
Audio:
The mono track holds up well, though it doesn't get much of a workout. The dialogue is crisp (but there is an English subtitle track included) and the Kenneth Wannberg (now better known as a music editor, working on Star Wars I, Artificial Intelligence: AI and Harry Potter and the Sorcerer's Stone) score is vibrant.
Extras:
The theatrical trailer is included, along with a clip of Tomlin doing a publicity interview with Dinah Shore on her show "Dinah!" The clip is noteworthy for a brief glimpse at Tomlin's phone operator character and as a chance to laugh at the clothing of the show's other guests, the Doobie Brothers.
The Late Show is not the film that Art Carney is known for and, as the extra list and transfer show, is not a priority release for Warner. But it still would have been nice for the disc to give a tribute to the quasi-recently-deceased Carney, not unlike the Jack Lemmon tribute found on the Glengarry Glen Ross disc.
Final Thoughts:
An interesting twist on a tried-and-true film genre, The Late Show holds up today because of the interesting writing and the solid performances, especially the standout work from Carney.
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