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Safe Passage

New Line // PG-13 // April 6, 2004
List Price: $19.97 [Buy now and save at Amazon]

Review by Randy Miller III | posted May 27, 2004 | E-mail the Author
The Movie

Safe Passage (1994) is a relatively simple family film, even though the family in question is relatively complicated. The matriarch of the Singer clan, Margaret (Susan Sarandon), is our focal point, a woman suffering through a failing marriage and the daunting task of raising seven sons. At the heart of this story lies the theme of dysfuction: from the everyday fights and arguments to Margaret's previously-mentioned marriage (or lack thereof), Safe Passage does not sugarcoat middle-class American life, as many family dramas tend to. In that sense, it's a little more refreshing than your average TV movie of the week.

Speaking of TV movies, director Robert Allan Ackerman is no stranger to the genre. Safe Passage was his first feature film; since then, he's directed only one other film (1999's The Reef), having otherwise remained in the boundaries of TV land. For the most part, Safe Passage escapes the clutches of the genre's drawbacks: it's slightly more focused, the performances are generally stronger, and it doesn't go fo a cheap, happy ending. The film follows Margaret's experiences as a near-single mother as she struggles to maintain her sanity, and it hammers home the point that life isn't always easy. Specifically, her personal problems are put on hold after a premonition that one of her sons may be in great danger...but that's where the spoilers end. The real story is in the family itself, and how it tries to come together in the midst of potential tragedy. It's nothing new or groundbreaking (even by 1994 standards), but Safe Passage plays its cards well.

Susan Sarandon (Bull Durham, Thelma & Louise, and real-life partner of Tim Robbins) delivers a noteworthy performance as Margaret Singer. It's not her most memorable role, but she delivers a solid, emotionally stirring performance. Also of note are Nick Stahl (Terminator 3) and Sean Astin (The Lord of the Rings), who play sons Simon and Izzy, respectively. These are but three fine performances from a decent all-around cast, which is reason enough to keep the film above water.

Storywise, the film struggles on occasion to break free from mediocrity. Long story short: despite the relatively good performances and the realistic portrayal of the family, I sometimes felt like I had switched over to TNT by accident. That's not an insult to the film by any means, but more an observation of the genre's influence on director Robert Allen Ackerman. It didn't make the film better or worse overall, but it did become distracting on occasion. Also, the main themes of motherhood don't exactly make me the target audience for the main character's story, there's more to appreciate than a simple story of a family going through hard times.

Still, the film's reluctance to sugarcoat life and "take the easy way out" made for an entertaining viewing experience. Although it may have aged a bit since its theatrical release in 1994, Safe Passage is one worth checking out if you enjoy family dramas, but not recommended for anyone looking for a sentimental, feel-good movie. While it's not as hard-hitting as American Beauty or The Ice Storm, this is a film that doesn't back down from much, and that's a good thing.

New Line's DVD release of Safe Passage is a mixed bag. While the technical presentation is very good, don't look for a wealth of extras here. In short, this isn't exactly a "Platinum Series" disc by any stretch of the imagination, although it makes for a decent movie-only offering.

Quality Control Department

Video Presentation:

Safe Passage is presented in a very pleasing 1.85:1 anamorphic widescreen transfer. The high quality of the video presentation is something of a trademark for New Line, as this movie looks great for its modest age. Colors are bold and accurate, and the black levels and contrast hold up nicely. The transfer is relatively dirt-free, and no major instances of compression problems or edge enhancement were spotted, although a few very minor digital artifacts were visible on occasion. In short, this film looks fresh and vibrant, and the overall video quality is a true highlight of this release.

Audio Presentation:

Viewers are given two audio options: a Dolby Stereo 2.0 mix, and a slightly more impressive 5.1 Surround mix. Since this is a dialogue-driven movie, there's not much surround activity to speak of; in fact, the overwhelming majority of the sound is anchored in the center. Still, dialogue and sounds were easily heard, so that's the best we can hope for. English and Spanish subtitles are also included.

Menu Design, Presentation & Packaging:

The menu designs were better than expected, and featured handwritten-style text and animated transitions and backgrounds (think of a more feminine version of the Almost Famous: Untitled DVD). Navigation was also simple and well-designed. This 97-minute film was divided neatly into 23 chapters, and no layer change was detected. Packaging was not available for this screener copy, but hopefully it'll avoid the New Line "snapper curse".

Bonus Features:

Sadly, this DVD takes a turn for the worse in this department. Extras are limited to the movie's Trailer, as well as brief glimpses of other New Line releases. There's also a negligible amount of DVD-Rom content, which is limited to a few related weblinks. I would have enjoyed hearing an Audio Commentary, or perhaps some participation from the director---this was his first feature film, and undoubtedly impacted his future projects. This was a definite sore spot for this release, and a more focused effort in this department would have strengthened the film's impact.

Final Thoughts

From a movie-lover's standpoint, Safe Passage wasn't anything exciting or original, but it delivered a solid story with a few great performances. It's not for everyone, but there's more to like about this film than some might think. While the disc itself is hit-or-miss, Safe Passage is a decent choice for any lover of family dramas that don't pull any punches, and a respectable effort from first-time director Robert Allan Ackerman. Still, despite its modest strengths, everyone but die-hard fans of the film will be better off by trying this out before they jump right in. Rent It.


Randy Miller III is an art instructor and gallery assistant based in Harrisburg, PA, who also enjoys freelance graphic design and illustration. When he's not doing that, he enjoys slacking off, general debauchery, and writing things in third person.
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