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Redemption

Fox // R // August 17, 2004
List Price: $29.98 [Buy now and save at Amazon]

Review by Kim Morgan | posted August 17, 2004 | E-mail the Author
Jamie Foxx is an actor of such power that he's destined for deserved Oscar nominations in the near future. Not that the Oscar is a testament to an actor's ability—especially when someone like Foxx has been honing his craft for years. Already a big talent in mediocre movies and underrated performances, Foxx has become a force in cinema with the feeling of an overnight sensation. He's a gifted actor, but also the consequence of smart directors giving the ex-comic a chance to flex a range so many thespians, even great ones, lack. Michael Mann's masterful L.A. noir Collateral has given Foxx his greatest notice and the upcoming Ray will test his mettle. It can't be easy playing music legend Ray Charles and a blind man at that.

But before he stepped in the shoes of both an existential cabbie and a musical genius, Foxx donned prison blues as Stanley "Tookie" Williams, a real-life gang leader and 23-years-on-Death-row inmate. Redemption, the life story of this man, showcases another impressive turn by Foxx in a performance that holds a quiet menace and scarred demeanor that's so layered and so resonant, you never see a hint of Foxx underneath. It's an astounding, real piece of work that's sadly, too good for the film itself.

Directed by Vondie Curtis Hall (he of Glitter infamy), the movie originally aired on television's FX network—a 90-minute morality lesson that feels too much like TV than cable TV should. Flatly directed, there isn't any distinction to the picture aside from Foxx and the fascinating, inspiring story at hand.

The founder of the Crips street gang, notorious for their feuds with the Bloods, Stanley "Tookie" Williams was an eminent, fearsome figure in South Central Los Angeles gangland. He was taken from the streets in 1981 after being sentenced to death for allegedly killing four people (we presume he's mortally wounded many others). The movie chronicles his journey in San Quentin, where in solitary; he educates himself and seeks redemption. His sole mission now is to keep children away from gang violence. As the film opens, Williams'name is announced with the Nobel, one of the four Nobel Peace Prizes the 50-year will be nominated for.

Through the initial interest of writer Barbara Becnel (played here by Lynn Whitfield) wishing to write a book on gang life, Williams is given more access to voicing his message and eventually writes books for children that make an impact as far as South Africa (Winnie Mandela comes to visit him in prison). Via Becnel's conversations with Williams, the film takes us through the man's life—from childhood in Louisiana where he learned to fight, to his rejection from his father (who left him in a hotel room in Oakland), to his violent thug life to his imprisonment. The film uses flashbacks in a patchy, hazy manner that leaves little significance other than having us say to ourselves, yes, we understand, this guy's life was sad and violent. There's also nothing mentioned of his crimes, leaving a gap in the narrative that's tough to shrug off. Perhaps Hall thought that in showing what happened the possibility of either demonizing or glorifying Williams was too risky. Hall wanted to hammer home Wiliams dual mission of steering impressionable kids from the glamour of guns and gangs while giving the world a chance to consider him a human being and not a monster. That he needs to live to spread the peace. But Hall should have trusted his actor. Foxx conveys a damaged person so expertly, that Williams could have been the Anti-Christ or Adolph Hitler—we'd still feel empathy for him. And given that Williams has been up for the Nobel Peace Prize, it's a safe bet that much of outside world finds him redeemable also. After all, that is the message and (for heaven's sake) title of the film itself.

The DVD

Video:
Fox presents Redemption in both Widescreen anamorphic (1.78:1) and Full Screen Standard (1.33:1). The transfer is crisp, clean and very, very DV-looking. The movie would serve better had it looked a bit muddier as its subject matter is often dark and intense. This might be the first time I wished a disc had a worse transfer, just to give the cinematography some artistry and roughness.

Sound:
The audio comes in Dolby Digital 5.1 and Dolby Digital 2.0 Surround. The quality is excellent--very important when Foxx is speaking softly (which is quite often).

Extras:
The extras include a commentary by director Vondie Curtis Hall, film editor Terilyn Shropshire and co-producer/real life writer of the story Barbara Becnel. The only person who says anything particularly interesting is Becnel, who's able to speak for Williams and point out some aspects of the picture that are more fictional. And since Williams is a fascinating figure, the commentary is already loaded with interesting information. Though you really wish Williams or Foxx had chipped in. But if anyone had requested Williams' participation, San Quentin wasn't down so two telephone recorded audio tracks are used instead. Two separate messages are recorded, with images, in which Williams speaks a bit about the film, but focuses on his non-violent call to inner city youth.

Final Thoughts:
Blessed with a powerhouse lead performance by Jamie Foxx and an inspiring true story, Redemption is certainly watch-able. But because of its acted and inherent strengths, the film leaves you frustrated. Foxx, and especially Williams, deserved a superior movie.

Read More Kim Morgan at her blog Sunset Gun



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