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La Petite Lili
The Film:
It is hard to tell what makes La Petite Lili an intriguing watch. Is it the fact that the film is more likely to be considered a theatrical play shot with a camera, or the fact that it is an adaptation of the famous Chekhov work The Seagull, or perhaps the fact that the cast teams up some well-established French actors (Jean-Pierre Marielle, Bernard Giraudeau) with some exciting newcomers (Ludivine Sagnier, Robinson Stevenin, Julie Depardieu).
The Seagull, a comedy play in four acts which Chekhov wrote almost a century ago is used by famous French auteur Claude Miller (L'Effrontee, Alias Betty) as a premise for his not entirely accurate modern adaptation-La Petite Lili. We see a group of professionals that obviously know the ins and outs of the film business on a beautiful estate somewhere in Brittany. Within an hour or so (the duration of the actual play Claude Miller has directed) we learn about Lili (Ludivine Sagnier) and her aspirations to become a successful actress, Julien (Robinson Stevenin) and his evolution as a film director, Brice (Bernard Giraudeau) an actor-business insider, Mado (Nicole Garcia) the unsatisfied social butterfly, and Simon (the charming Jean-Pierre Marielle) who by all means appears to be the voice of reason within a crowd where egos and secret yearnings very much dictate what we are going to witness on the big screen.
I think that those who approach La Petite Lili with an open mind most certainly will realize that this is a multi-layered work offering a number of exciting twists. If you however seek to find where, how, and to what extent the film truthfully reflects Chekhov's play I believe you will be utterly disappointed. Claude Miller has used his right to reinterpret The Seagull in a very unique way that may upset some of Chekhov's hardcore admirers. Certainly the drama and finesse of the story are well-preserved but the subtlety of the characters we are introduced to is lacking quite a bit. I think that they all act, converse, and criticize each other in a manner that anything but suits Chekhov.
On a positive side La Petite Lili could be an entertaining viewing experience if you enjoy seeing European films where character study is the core around which the acting is built upon. Little by little we begin to care about Julien and his director's ambitions, Lili and her film career, and Briss and his bold affair with Lili. As a result I don't find the film to be a tiny bit boring. If anything, I would have loved to see a bit more of the struggle each of the protagonists undergoes during the second act of La Petite Lili.
The most intriguing part of Claude Miller's adaptation in my opinion is the third and final act where we see each of the main characters playing themselves in a piece written by Julien. There are plenty of emotions defying their complex personas and what they symbolize in this story. The masterful eye of Claude Miller successfully captures joy, disappointment, jealousy, and certainly pain in the eyes of the "actors" as their stories are being told as part of Julien's script. But do they really act what the script requires or do they convey what their hearts truly feel?
How Does the Disc Look?
How Does the DVD Sound? Extras: Interview with Claude Miller- Interview with Ludivine Sagnier- Director's Biography- Photo Gallery- Trailer Gallery- Final Thoughts:
With this said, I am enormously disappointed (yet again) that a film I was very much looking forward to has been bastardized with such a poor transfer. I guess it hurts even more knowing that La Petite Lili was screened right here at home in Chicago during the Chicago International Film Festival where Ludivine Sagnier won the Best Actress Award. I suppose all hopes are crushed now….Rent it.
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