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Garbo - The Signature Collection
Paris, 1917. Mata Hari (Swedish-born Greta Garbo) is a chic, seductive, and above all elegant German spy on a mission to obtain crucial documents from Russian Gen. Serge Shubin (Lionel Barrymore). Relying on her seductive skills Mata Hari impeccably exerts her power over Gen. Shubin and quickly moves on to her next target- a young and utterly romantic Lt. Alexis Rosanoff (Ramon Novarro). But when Rosanoff falls madly in love with Mata Hari her mission is jeopardized and things become rather complicated. Will she be forced to pay the ultimate price?
Given a lavish treatment by the once glorious MGM Mata Hari (1932) is a flawed film that nevertheless shines from the beginning to the end. There are spectacular decors, excellent costumes, an elegant erotic dance performed by Greta Garbo, and of course a passionate affair with a twist. Despite all of its tasty ingredients however Mata Hari is perhaps one of Greta Garbo's less stellar works. It feels as if there is a certain amount of tension between the main actors as neither Lionel Barrymore nor Ramon Novarro as the young and rather naïve Alexis Rosanoff deliver the convincing performances one would expect from such a glorious cast. Even Garbo's heavy Swedish accent is easily discernable as she often seems rather less convincing in her speech.
If there is one thing in Mata Hari that during the years I always found extremely erotic it was Garbo's shiny, stylish, and often exotic costumes. The dresses which she wore, the long sparkly gowns, the elegant French top, even the manner in which she would gracefully walk through the room, made me look at Mata Hari as a guilty pleasure. There is absolutely no doubt in me why she was regarded as the timeless seductress and there is no doubt in me why American directors from the beginning of the century were madly in love with her. Greta Garbo truly was the ultimate femme fatale of her time.
How Does the DVD Look? How Does the Disc Sound? Extras: Grand Hotel (1932): Recipient of the coveted 1932 Academy Award for Best Picture Grand Hotel is a lavish production that teams an enormous array of stars- Greta Garbo, John Barrymore, Joan Crawford, Lewis Stone, Wallace Beery, and Jean Hersholt among others. Perhaps best remembered for its timeless statement: "People come. People go. Nothing ever happens" uttered by Lewis Stone's character Dr. Otternschlag Grand Hotel tells the story of the eccentric Baron Geigern, who appears to be in a dire need of some financial relief, and is secretly planning to steal the pearls of Grusinskaya, a charming Russian ballerina performed flawlessly by Greta Garbo. His plans however take an unexpected turn when Grusinskaya falls madly in love with the Baron and he is forced to consider a different way to pay off his debts. Labeled by many as one of the true glamour classics of its time Grand Hotel is indeed a curious film to watch. Its often over-polished style and camera work that can not be mistaken with anything else but as Hollywood-esque give this film a special charm. Created at a time when MGM was the most powerful and celebrated studio in Hollywood Grand Hotel was directed by British playwright-turned-director Edmund Goulding (The Great Lie). After he immigrated to the United States in 1921 Goulding built an enormous reputation as a film director which truly fits the marquee proclamation "An American dream come true". It is almost an impossible task for a reviewer to try and describe in simple words why Grand Hotel is admired by film buffs and what are its strengths as a film. I suppose it is an easier job to dig deep and attempt to explain why one might not find the film as appealing as it once was. For me personally it was always a feature that staged two of the greatest film stars Hollywood would ever be graced with- the sophisticated and elegant European diva Greta Garbo and the all-American, irresistible and very young, Joan Crawford. I always considered Grand Hotel somewhat of a character clash if you will for two of America's film divas that 73 years later look as classy as they once were. How Does the DVD Look? How Does the DVD Sound? Extras: Checking out: Grand Hotel -an informative featurette on the history of the film and some interesting facts surrounding the main stars and their performances- The Hollywood Premiere of MGM's Grand Hotel – a short "documentary" recreating the gala opening of Grand Hotel where the old vibe of classic Hollywood is easily detectable. While extremely short, only nine minutes, I found this little bit of extra material to be extremely charming. A Word of warning –a short trailer-"warning" announcing that Grand Hotel will be screened at the famous Grauman's Theater. Nothing Ever Happens –a Vitaphone presentation of Grand Hotel with slightly different characters that nevertheless recreate the basic plot utilized for the motion picture. Two trailers- The original 1932 trailer for Grand Hotel as well as the trailer for the 1945 remake Week-end at the Waldorf. Ninotchka (1939): Regarded as the first Greta Garbo comedy feature Ninotchka follows the story of a young Russian woman on a mission in Paris. Ninotchka must follow up on a group of Russians and their assignment involving the diamonds of Grand Duchess Swana. But when the patriotic Russian encounters Count Leon d'Algout (Melvyn Douglas) she is instantly captivated by his charm and irresistible personality. All of a sudden Ninotchka finds herself in a complicated situation where her loyalty to Mother Russia is contradicted by her attraction to the Count. Can love win over politics? Without a doubt a cornerstone in Greta Garbo's career Ninotchka marks the transition of the Swedish film star from silent cinema to her classic "spoken-films". Directed by Ernst Lubitsch Ninotchka is indeed the film that catapulted Greta Garbo to an internationally renowned star though oddly enough it left some rather mixed feelings among film critics. As it appears Ninotchka never really convinced the critics that its narrative was flexible enough to outgrow the political overtones Lubitsch snuck in. The easily recognizable attacks at the Russian state targeting their favorable at the time policy of collectivism as well as the unfortunate class tensions that instigated the Bolshevik ascend are certainly aspects that defy Ninotchka as more than a simple comedy feature. Above all however this early Greta Garbo film is a happy, warm, and ultimately extremely charming film that touches upon some very controversial issues. The "luxuries and excess" of capitalism versus the loyalty and comradeship of socialism quickly become the stage for an engaging film that easily ranks amongst Greta Garbo's best. Even her Russian accent is quite convincing as she manages very convincingly to portray the Russian zenstina that ultimately succumbs to the power of love. What a magnificent film!! How Does the DVD Look? How Does the DVD Sound? Extras: Anna Karenina (1935): The enigmatic story of Leo Tolstoy's Anna Karenina has been a favorite film subject for many directors– Frederic Zelnik and his silent 1919 classic German picture, Marton Garas' almost unknown Hungarian rendition completed in 1918, Tatyana Lukashevich's famous Soviet production released in 1953, Aleksandr Zarkhy's Soviet remake funded by Mosfilm in 1967, and of course Bernard Rose' more recent remake starring French superstar Sophie Marceau released in 1997. While each one of these films had its fair share of success and of course passionate criticism directed at those that dared touch the legacy of the famous Russian character Clarence Brown's version of Anna Karenina starring Greta Garbo, Fredric March as Vronsky, May Robson as Countess Vronsky, Basil Rathbone as Karenin, and Freddie Bartholomew as Sergei among others is one of the few film adaptations that actually stays rather true to Leo Tolstoy's timeless novel. Clarence Brown's film focuses extensively on the love relationship between Anna Karenina and Vronsky unveiling remarkable production values and impressive acting from everyone involved in this early adaptation funded by MGM. The film stays true to Tolstoy's novel following the struggle of Anna Karenina to overcome her feelings for Vronsky that will ultimately lead to her tragic fate. Greta Garbo's performance comes at the pinnacle of her acting career and not surprisingly she scored big with both critics and audiences earning the coveted New York Critics Best Actress Award for her role as Anna Karenina. A true testament for the enormous international success of the film however was its well-deserved acceptance by the jury at the Venice Film Festival in 1935 where Anna Karenina won the prestigious at the time Mussolini Cup for Best Foreign Film. There has been an ongoing debate during all these years as to which is the most powerful yet truthful rendition of Leo Tolstoy's novel and there is no doubt in me that Clarence Brown's film ranks as one of the best if not the most poignant adaptation of Anna Karenina. The acting and especially stage presence of Greta Garbo as the emotionally battered Anna Karenina is among the best in her career as an actress. A lot of credit should also go to Clarence Brown for his amazing camera work as the talent of Garbo is captured in a manner that many film directors can only dream about. In fact Anna Karenina is unlike any of the previous films Garbo became known for as the film reveals an extremely sophisticated and mature actress well aware of her radiant presence in front of the camera. How Does the DVD Look? How Does the DVD Sound? Extras: Queen Christina (1933) Much like the famous story of Queen Elizabeth Sweden's Queen Christina (Greta Garbo) must choose between power, loyalty, and her heart. She is forced into a marriage of interest where she must marry her cousin though her heart longs for a charming and beautiful Spanish nobleman (John Gilbert). Perhaps one of Greta Garbo's most treasured films Queen Christina offers an intimate look at the personal struggle of a woman attempting to outgrow her feelings for a man that society would not accept. Queen Christina offers a subtle character study that showcases a very emotional yet strong woman up against some difficult decisions. Easily one of the greatest duos to ever appear in front of the film camera Greta Garbo and John Gilbert deliver a performance that is hard to describe in simple words. The famous inn scene is easily one of the most romantic and touching encounters I have ever seen captured on film negative. Directed by Russian filmmaker Rouben Mamoulianm, who immigrated to the United States in the beginning of the century, Queen Christina is also known for the fact that the great Lawrence Olivier and Greta Garbo failed to muster a productive relationship and as a result the role of Don Antonio was given to John Gilbert. Though often disputed and criticized for its portrayal of (bisexual?) Queen Christina, it is not the story but the elegant performance of Greta Garbo (yet again) that elevates this production as one of the best that MGM was able to finance at the time. Without a doubt a remarkable achievement in Greta Garbo's career Queen Christina is a spectacular film that blends flawlessly both style and substance. How Does the Film Look? How Does the DVD Sound? Extras: Anna Christie (1931): This is it!! The film where Greta Garbo spoke for the very first time! Her famous "Gimme a whiskey…" changed the world of cinema forever. Based on the Pulitzer Prize play by Euegene O'Neal Anna Christie was shot in two versions, a German and an English one, and without a doubt both of them created legions of adamant supporters and unforgiving critics. Anna Christie is famous for the fact that this is the only film where Greta Garbo spoke a foreign language before creating some of her famous MGM pictures. I am certainly having a difficult time deciding which one is better. They both appear equally curious in terms of composition and especially camera work as unlike many of Garbo's earlier silent films and of course her later work under the MGM logo Anna Christie very much reminds me of a German expressionistic film. Following the story of a former prostitute attempting to erase her past and begin her life anew Anna Christie is a film that begs to be analyzed. Under the supervision of director Clarence Brown the English version (1930) features a totally different cast boasting such actors as Charles Bickford (Hell's Heroes), Marrie Dressler (The Girl Said No), and George F. Marion (Chris Christofferson) among others. The German version (1931) was directed by Jacques Feyder and brought together some impressive cast as well- Theo Shall (Ten Minute Alibi), Salka Viertel (Anna Karenina), and Hans Junkermann among others. Regardless of where your preferences fall, be it the English version or the favored by Garbo German version, Anna Christie is indeed a remarkable film that reveals the elegant style of a star waiting to be embraced by a whole new generation of film lovers unfamiliar with her early silent films! How Does the Film Look? How Does the DVD Sound? Extras: Camille (1936) Based on the famous novel by Alexander Dumas Camille is most certainly the signature Greta Garbo film. Following the love affair between a sophisticated French courtesan (Greta Garbo) and a young and charming nobleman (Robert Taylor) Camille is the ultimate escapist film-Paris full of elegant courtesans, men dressed in spectacular tuxes, and of course the games they all play…ahh…how could you not love Camille. Directed by George Cukor and lavishly produced by MGM in 1936 Camille earned an Oscar nomination for Greta Garbo and won her the prestigious NYFCC Award (the New York Film Critics Circle) for Best Actress. Set to deliver such hits as The Philadelphia Story (1940) and of course My Fair Lady (1964) George Cukor created what is considered by many as the ultimate adaptation of Alexander Dumas' Camille. While certainly not amongst Greta Garbo's best films Camille in my opinion is one of the most enjoyable features she was involved with. The film is full of passion, drama, and of course plenty of romantic scenes that place Camille between the best classic tearjerkers Hollywood once proudly produced. Filled with witty humor and regarded as the "sequel" to the famous line that supported the premiere of Anna Christie "Garbo Talks" Camile earned the smiles of its viewers with the notorious…"Garbo Coughs"! How Does the DVD Look? How Does the DVD Sound? Extras: Leo is on the Air- A short Radio Promo that announces the emergence of Camille. The original theatrical trailer for Camille. The Garbo Silents Collection Perhaps the jewel of the Garbo collection this double DVD set includes the timeless classics that preceded Greta Garbo's "spoken" films. The following films are included in this set: Disc 1: Flesh and the Devil (1926): This is the famous Clarence Brown production starring John Gilbert, Lars Hanson, and Greta Garbo in a story that defies the modern perception of a "doomed love triangle". Leo (John Gilbert) and Ulrich (Lars Hanson) are two inseparable friends and from a very early age they tend to share everything in their lives. Until one day Leo falls in love with the enigmatic Felicitas (Greta Garbo) and the friendship between the two friends is put to the test. Based on Hermann Sudermann's novel "The Undying Past" and a screenplay by Benjamin F. Grazer. How does the Film Look? How Does the Film Sound? Extras: A commentary by Barry Paris- a very insightful commentary that I listened to in its entirety and I highly recommend it to anyone interested in learning more about the history of these early silent Garbo films. Barry Paris is the author of the Greta Garbo biography book simply titled "Garbo". Settling the Score- a TCM original production investigating the nature of music scores composed to compliment the timeless silent classics. The documentary follows the final hours of a group of young composers as they get judged in a ruthless competition. Alternate Ending- Photo montage- a series of photo stills Disc 2 (a "flipper" containing data both on side A and Side B): My Mysterious Lady (1928): Directed by Fred Niblo My Mysterious Lady tells the story of a merciless Russian spy (Greta Garbo) who seduces her victims in order to accomplish...her mission. Attracted by the enormous beauty of Tania Federova, Captain Carl Von Raden (Conrad Nagel) quickly succumbs to the beauty of the Russian spy. He possesses important documents which Tania steals from him. Consequently, after being humiliated by an army court, the Captain heads back to Vienna as he is determined to avenge Tanya. How Does the Film Look? How Does the Film Sound? Extras: The Divine Woman- a section of a very early silent feature (1928) starring Greta Garbo, Lars Hanson, and Polly Moran, and directed by Victor Sjostrom (9 min.). This is the only section of this film known to exist and the quality is indeed rather poor. Kudos to WB for including it in this collection. Interestingly enough there is some Russian text on it. Photo montage- The Temptress (1926): Here it is the crown jewel of the silent films that Garbo made in the early 1920s. Based on the novel by Vicente Blasco-Ibanez and directed by Fred Niblo The Temptress is Greta Garbo's second Hollywood feature. A personal favorite The Temptress retells the story of a Spanish girl that gets involved in some rather dubious affairs before she discovers the man of her dreams. How Does the Film Look? How Does the DVD Sound? Extras: Garbo- from the TCM Archives (bonus DVD) Available exclusively through this magnificent boxset of films WB have decided to add up the spectacular documentary about Greta Garbo and her life that was originally shown on Turner Classic Movies. Narrated by Julie Christie this magnificent documentary follows the life and career of the "Sphinx of Hollywood" from her early years in Sweden to her arrival in Hollywood and her glory days at MGM All in all if you consider yourself a Garbo fan you have to see this documentary, it is splendid. Final Words: Thank you Warner Brothers!!!!
Once again, an excellent audio quality delivered by WB that will certainly satisfy even the most demanding audiophiles. Great!!
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One could certainly write pages and pages of pointless words...the truth is...what the Garbo set delivers is a journey back to the glory days of Hollywood and the works of one the best to ever step in front of the camera...the "Sphinx of Hollywood".
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