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Reviews » Blu-ray Reviews » Short Night of Glass Dolls (Blu-ray)
Short Night of Glass Dolls (Blu-ray)
Twilight Time // Unrated // October 16, 2018 // Region Free
List Price: $35.95 [Buy now and save at Twilighttimemovies]
Review by Tyler Foster | posted December 3, 2018 | E-mail the Author
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The word giallo likely inspires a very specific set of images in the minds of most horror fans: black gloves, beautiful naked women, and bloody violence (often inflicted with straight razor blades). 1971's Short Night of Glass Dolls eschews those trademarks for something more subtly surreal and unique, so much so that many fans debate whether or not the film actually fits in the genre. Directed by Aldo Lado and starring the handsome Jean Sobel, this oddball mystery offers a great hook, gorgeous visuals, and an extremely slow-burn approach to horror that add up to a pretty memorable and singular suspense picture.

American reporter Gregory Moore (Sorel) has a mystery to solve. A few days ago, Gregory's beautiful girlfriend Mira Svoboda (Barbara Bach) arrived in Prague to see him, much to the chagrin of his previous girlfriend, fellow journalist Jessica (Ingrid Thulin). Then, following a few days of bliss and happiness, Mira mysteriously disappeared without a word, leaving behind not just her suitcase, her passport, and her cash, but also all of her clothing and shoes as well. Gregory has the help of his friend and co-worker Jacques (Mario Adorf), as well as a reluctant Jessica, but they run into problems with the local police. Yet, that's not even the worst part: Gregory has just woken up to discover that he is dead, a prisoner trapped in his own lifeless body, where he has to try and remember and unravel what happened to him before the local doctors decide to bury him...or worse.

Short Night of Glass Dolls is an unusually elegant mystery-thriller that starts out with horror as a backdrop and slowly ratchets up the unease over the course of 97 minutes. The film segues back and forth between the present-day scenes where Gregory exists in voiceover, frantically trying to deduce a way to communicate to the outside world, and his actions over the previous few days trying to deduce what happened to Mira. Throughout the film, director Aldo Lado peppers the movie with incredibly striking imagery. At a party that seems to hold the key to the mystery, wealthy elites silently surround Mira, staring, while Gregory talks to someone else. A corpse's body lies on the cobblestones, covered in newspaper, as if to underline the way her life has been thrown away. Gregory's corpse lies motionless under a sheet in a freezer, yet feels alive and trapped thanks to the urgency of his thoughts. Lado also does great things with light: in one of the film's most incredible visuals, Gregory retreats into the shadows of an all-black room where only a chandelier, a table with a flower, and a doorway with a man in it are lit. Later, there is the potent emptiness of the interior of a phone booth with a light in it on a dark street corner.

Sorel is an interesting leading man, falling somewhere on a spectrum that includes Robert Redford, Franco Nero, and Robert Goulet. In the flashback sequences, there is a calm about him even as his concern for Mira grows, a sturdiness that helps to underline the panic he manages to convey even though he cannot move or make a sound. Although Gregory is not a particularly charismatic character (he's a bit of a bore sometimes), Sorel has a certain magnetism that serves the film well, even as some of the investigative sections of the movie drag. The supporting cast playing friends of Gregory also make an impression: Adorf is memorably gregarious as Gregory's hard-drinking but surprisingly dependable co-worker, and Relja Basic plays Ivan, a doctor and old acquaintance of Gregory's who can't help but have some nagging questions as to why his corpse hasn't dropped in temperature and still shows some nascent signs of life.

As the film starts to bring its threads together, the horror aspects of the film ramp up, subtly at first. In one scene, Gregory stumbles upon a piano recital, and while he never notices, the audience will no doubt key into the pallid faces and eerie stares of the audience listening to the music. Although there is a sense that present-day Gregory will be safe up to a certain point, the ticking of that clock starts to sound a little louder, even with Ivan's curiosity. The climax of the movie is a fascinating one: although the movie doesn't necessarily state any specific political positions, there are aspects to the movie's story that feel very timely, which only adds to the film's effectiveness. Short Night of Glass Dolls may not be a traditional giallo, but it's definitely unsettling, a haunting nightmare that slowly but surely closes in on the viewer.

The Blu-ray
The painted poster artwork for Short Night of Glass Dolls, replicated for Twilight Time's Blu-ray, is a surreal series of images that doesn't necessarily mean anything at first glance, but is actually a pretty great visual representation of the film. The one-disc release comes in an eco-friendly Viva Elite Blu-ray case -- Twilight Time's order page suggests that the company will ship the title with a non-eco transparent Viva Elite Blu-ray case in keeping with the rest of their relases -- with the expected booklet featuring liner notes from the company's Julie Kirgo.

The Video and Audio
The high definition presentation of Short Night of Glass Dolls provided to Twilight Time is extremely impressive across the board. The 2.39:1 1080p AVC video transfer is lovely, offering great depth and impressive detail, with vibrant and satisfying colors (no revisionism here) and a healthy sheen of film grain. The movie has quite a bit of striking imagery and it all looks very nice. Sound is offered in two iterations, Italian and English, both DTS-HD Master Audio Mono. For the purposes of this review, I listened to the Italian track, and it sounds very nice, offering an impressive balance of dialogue and Ennio Morricone's eerie score. There are a number of hallucinatory sequences that have a nice otherworldly quality to them, and the track is free of distortion or damage. English subtitles are provided.

The Extras
Short Night of Glass Dolls was recently released in Germany/Region B by Camera Obscura in a lavish 2-disc set featuring multiple commentary tracks and an interview with director Aldo Lado that runs as long as the film. While Twilight Time either chose not to or could not license those extras for their Region A edition, they have included their own exclusive extras. The more unique of the two is an audio commentary by film historians David Del Valle and Matteo Molinari. Both men are especially enthusiastic about the movie and well-versed in the history behind the film, cast, and crew. Molinari reveals early on that he spoke to director Lado over the phone and provides some insights from that chat, while the pair of them largely frame their chat in the context of how Short Night of Glass Dolls deviates from the traditional definitions of giallo. The pair, who are clearly friends, have a great rapport with each other, and the track has a conversational tone to it throughout. The other unique extra is Twilight Time's traditional isolated score, presenting Morricone's work in DTS-HD Master Audio 2.0. (The aforementioned English-language dub is also technically an exclusive extra, with Camera Obscura's edition only offering Italian and German tracks.)

Two original theatrical trailers, one in Italian and the other in English, are also included.

Conclusion
Short Night of Glass Dolls is a unique little gem of a horror movie, deviating from the norm in fascinating and haunting ways. Twilight Time's Blu-ray looks and sounds great, and features some unique extras that even those who already own the German edition may want to own. Recommended.


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