Manipulating your way to the top--in song!
Loves: The look of classic cinema, musicals
Likes: Absurdity, Kino Lorber's Studio Classics Line
Dislikes: Robert Morse's mugging
Hates: Old accepted corporate sexism
Stretch that out over two hours and one's patience becomes well-tested.
This is a musical though (based on the Bob Fosse-choreographed, Tony-winning Broadway show) which means there are a number of song and dance numbers to help pass that somewhat lengthy runtime a bit more enjoyably. There's not that big, breakout number though, with most of the songs, like "I Believe in You" and "Brotherhood of Man" falling firmly in the pleasant range, rather than remarkably memorable, humming-it-as-you-leave-the-theater great. A few flirt with that level of quality, like the opening "How To" or the adorably classic-Broadway tune "Been a Long Day" (which gives Kay Reynolds' crush-worthy Smitty a spotlight), but for the most part, the songs are better noted for their orchestral instrument arrangements than the sum of their parts. There's nothing wrong with the performances, but the songs just don't have that "it" factor.
Written and directed in adaptation by David Swift (the TV veteran who brought us The Parent Trap), the film has all the hallmarks of a Broadway musical, with full-cast dance numbers like "A Secretary is Not a Toy" and monologue-like solo songs, but the film feels like too much of a literal adaptation of the stage source, rather than a film that takes full advantage of the possibilities of cinema. Except for the few moments when the movie steps outside the offices of World Wide Wickets, the feel that the film is shot in a studio, and all the constraints and artificiality that brings is hard to shake. Yes, there are laughs to be had and there are some clever moments of absurdity and surrealism, but the film as a whole feels too loyal to the genre to really reach the heights it's capable of.
Another entry in Kino's delightful Studio Classics line, How to Succeed in Business Without Really Trying arrives on one DVD, packed in a standard keepcase with the film's simple poster art on the cover. The disc has a static menu with options to watch the film, select scenes, adjust languages and check out the extras. There are no audio options, but subtitles are available in English.
The audio arrives with a center-balanced Dolby Digital 2.0 track, which gives Nelson Riddle's wonderfully era-appropriate tunes the delivery they need, while dialogue is solid, showing no signs of distortion and enjoying good separation from the film's music and sound effects. There's a good weight to the audio across the board.
With plenty of dancing and a healthy amount of songs that will remind you of the classic era of Broadway, How to Succeed in Business Without Really Trying is a throwback musical, likely to best appeal to the genre's core audience, though there's a lot to like about the cast and the colorful sets. Kino Lorber's presentation does a nice job with the material, though the extras are limited to a handful of promos. If you enjoy old-school song and dance flicks, there's no reason to think this film won't do the trick, but give it a look before diving in with a purchase (especially with that Blu-ray out there in limited quantities.)