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Shape of The Moon
The timing of "The Shape of the Moon" is eerie. It is a documentary about a Christian family living in the world's largest Muslim nation -- the nation of Indonesia, which since Dec. 26, 2004, has been the focus of the some of the world's greatest humanitarian efforts after the devastating tsunami there. Some of the places shown in this film (shot in 2003) no longer exist. How's that for putting the film's characters in perspective?
But in many ways, the tragic events make the film more compelling. Though the Christians are occasionally the focus, the movie is mostly a slice-of-life piece on Indonesia itself, as director Leonard Retel Helmrich draws us vividly into a world most of us have never seen. It humanizes an exotic, faraway place.
Helmrich paints a picture of squalid living conditions, starving alley cats, and fervent anti-U.S. protesters amidst the ordinary devout Muslims. The local newspapers warn of the threat of "Christianization" -- a threat probably more real than imagined, but one that might inflame anti-Western attitudes even further.
In the midst of these Muslims lives Rumidja, an elderly widow who practices Christianity quietly and humbly with her adorable young granddaughter Tari. She donates money to the local mosque during a fundraising drive, and she even incorporates some Muslim traditions into her life. She has the appearance of someone who was born Muslim and subsequently converted to Christianity, though we are not told whether that's the case. Rumidja's son Bakti isn't particularly spiritual in any direction, but he does finally convert to Islam so he can marry his Muslim girlfriend. (Probably not the best reason, but better than not doing it at all, right?)
The "Christian in a Muslim land" angle doesn't get the attention it deserves, but the film excels at bringing us graphically into this foreign world. We see characters doing mundane things like eating and sleeping, and while those scenes aren't particularly interesting separately, they combine to make Indonesia an unforgettable, tragically real place. It is an engaging travel brochure for a place most of us will never visit.
THE DVD
The film is in Indonesian and Javanese with English subtitles. They're not optional, either, so even if you speak the languages in question, you're gettin' subtitles.
There are no alternate language tracks or any other subtitles.
VIDEO: The widescreen (1.85:1) anamorphic transfer is adequate and came from a flawless print. However, some of the footage itself is a little grainy, simply owing to the equipment it was shot on. In other words, the DVD is probably as good as could be expected -- and even without those stipulations, it's not bad at all.
AUDIO: A basic Dolby Digital Stereo (2.0) mix. The sounds of Indonesia are captured with crispness and are mixed and balanced well.
EXTRAS: None whatsoever.
IN SUMMARY
This film premiered at the 2004 Amsterdam International Documentary Film Festival, won a prize at Sundance in January 2005, made its way to a couple other smaller fests ... and then sort of disappeared. It's tough for documentaries of any kind to get theatrical distribution ("March of the Penguins" notwithstanding), and even more so for a documentary in a foreign language. It's a shame, because it's an engrossing film, particularly if you're interested in world cultures. It's worth a rental, though the completely bare-bones DVD release prevents it from being worth buying outright.
(Note: Most of the "movie review" portion of this article comes from the review I wrote when the movie was released theatrically. I have re-watched the film in the course of reviewing the DVD, however.)
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