Originally intended to be directed by Brett Ratner, 2011's Conan The Barbarian wound up being helmed by Marcus Nispel, the same man who brought us remakes of The Texas Chainsaw Massacre and Friday The 13th. When the film begins after some narration from Morgan Freeman, a Cimmerian warrior named Corin (Ron Perlman) helps his wife give birth to their baby boy right there on the battlefield. Before the woman dies, she names the baby Conan and from there we learn how this child grew into a young man (Leo Howard) and quickly proved himself a mighty swordsman. When Conan's village is attacked by hordes lead by a man named Khalar Zym (Stephan Lang), Conan's father is killed and the young man is left to fend for himself.

A few years later and Conan is now a grown man (Jason Momoa). When Khalar Zym and his witch daughter Marique (Rose McGowan) turn up again they're now more obsessed than ever with sorcery so that they can resurrect Zym's wife/Marique's mother. In order do this, however, they'll need to track down a pureblood descendent of Asheron, which they find in the form of a beautiful female monk named Tamara (Rachel Nichols). Seeking vengeance for his father, Conan is pulled into the fray and winds up risking life and limb in a race to save Tamara from a fate worse than death.

This new take on Conan The Barbarian starts off very strongly with that great sequence where Conan is, as his story goes, born into battle. Ron Perlman makes for a great Corin and it's nice to see the movie start off this way, just jumping headfirst into the gritty world that makes the Conan stories as interesting as they are. From here, things stay strong throughout Conan's younger days, and Leo Howard proves himself a far better 'child actor' than you'd probably expect. If you've read the recent Dark Horse Comics series that details Conan's origins you'll see that the filmmakers obviously pulled from this as influence and rightly so, as it's very much in keeping with the spirit of the characters. Once Conan reaches adulthood, however, the movie, things get less consistent. Jason Momoa looks the part to play Conan, he's a big, strong, handsome guy with a wild look in his eyes and you have no problem believing he'd gladly chop the heads off of his enemies with a stroke of his father's sword, but the storyline takes a much lighter tone after the fantastically dark trip through Conan's youth. Yes, the film does stay fairly consistent in its violence and bloodshed and there's the obligatory sex scene here that, as soft as it is, offers up some of the nudity you'd expect from a movie like this but the atmosphere is much lighter, even all the way through to the finale where Conan predictably squares down with Khalar Zym and Marique.

As far as the other performances are concerned, Rachel Nichols is decent enough as Tamara though her character isn't given a whole lot to do outside of looking good and giving Conan some attitude here and there. Rose McGowan is completely weird as Marique and might be the perfect choice to play that part. She hams it up a bit but has a suitably otherworldly vibe to her that works in the context of who she is portraying. Stephan Lang is solid as the main bad guy, bringing just enough pompous attitude to his part to make it work, and his back and forth with McGowan is handled rather well. Morgan Freeman sure was an odd choice to narrate the opening sequence, however, as he doesn't sound like a barbarian at all.

But what about the look of the film? It's heavily CGI'd throughout, and you'll notice this and if you are susceptible to such things it will take you out of the movie at times. Sequences that should have felt very alive instead feel like something out of a video game though you have to give the design team credit for at least getting the look right. The costumes are good, the backgrounds are great when they're natural and obviously fake when they're not, but the film fails to really bring to light Conan's cunningness and instead seems content to portray him as little more than a sword wielding behemoth that has a way with the ladies. These aspects are part of his story, but let's not forget that down the road Conan would become king. He was as smart as he was deadly and the movie omits this and in its place offers up cliché after cliché and nothing in the way of real character development.

The Blu-ray:

Video:

Conan The Barbarian barges onto Blu-ray in its original 2.40.1 widescreen aspect ratio in an AVC encoded 1080p high definition transfer that, given the context of the movie, looks very good. Natural? No, not at all, there's nothing looking about any of those but colors are reproduced beautifully and skin tones look good. Detail is consistently sharp and while the film is often times bathed in desert hues and given a sandy, dusky look, it translates well to high definition. Black levels are nearly perfect, there are no problems with compression artifacts nor are there any issues with edge enhancement. You might some banding in a few shots but otherwise, this is a solid authoring job of what was obviously some pristine looking source material. Close up shots are the most impressive, as you can see every pore and bead of sweat on the faces of the different characters but medium and long distance shots let us soak in all of the detail that the sets, some real and some CGI, will allow for. Bloods run vividly red here without looking too pumped up while everything else looks just like it would appear those who made it want it to look - not exactly realistic it at all and sometimes processed more than some might have hoped it would be, but nicely replicated on Blu-ray. A 3-D version is also included for those with compatible hardware.