Reviewed by Glenn Erickson
Slight, unassuming and cute without being stupid, Gregory's Girl was a surprise in 1981,
when American youth comedies were edging into the crass territory of titles like The
Hollywood Knights. Simple and sweet, the tale of young Gregory hit a nerve of truth in
both the UK and America, and it became an art house hit for the quirky Scots director Bill Forsyth.
Lanky and awkward Gregory (Gordon John Sinclair) has grown five inches in one year
and is simply hopeless at soccer. He's smitten by the self-possessed Dorothy (Dee Hepburn), a
mature and assertive beauty who has won a slot on the school's losing soccer
team. The boys at this school are an unorganized and mildly sex-obsessed
lot, but Gregory's a Dobie Gillis type with no experience, a sweet soul who needs coaching from
his 10-year-old sister for the date he clumsily arranges with the girl of his dreams. Dorothy is
simply out of his league, but Gregory's date works out fine, in, shall we say, a roundabout way.
We know Bill Forsyth best for his hilarious, droll and original Local Hero. His even stranger
Comfort and Joy is a hoot in its own way, and will be pounced upon by Savant the moment it
appears on DVD. Savant caught that and Gregory's Girl not in the theater but on LA's old
Z Channel, a
proto cable service that showed a preponderance of interesting rarities, including the uncut 6 hour
Das Boot TV series, and the ultra-long snooze-fest version of Heaven's Gate. When they'd
air something like Nada or these two Forsyth movies, I'd tune in out of the blue and
more often than not get a pleasant surprise.
Gregory's Girl is as basic as films get, and simply follows the gangly Gregory through a few
days of mild romantic torment. The film's charm is in its conception of kids as curious and coltish,
but basically sweet. Forsyth's little story doesn't impose social theories or have statements to make
about the state of Scottish school kids. The situation is in fact, practically Utopian, a high school
environment free of intimidation, racial tension, or outright terror. A slightly thick but cheerful
guy like Gregory would be meat for the grinder in the high school I came from, and that was back in
the '60s. My boys went to decent schools in the '90s here, and they said they still had to
watch their backs.
By setting his show in such a peaceful climate, Forsyth gets to concentrate his little drama on
Gregory and his little heartthrob for the graceful Dorothy, Miss soccer ace. He's just not mature
enough to fully relate to people quite yet, but the story doesn't become a tale of humiliation and
disgrace. Other boys Gregory's age are either totally hopeless, like the pair who want to run away
to Caracus (sic) in South America because of the male/female ratio; or they're into specific interests
like cooking or photography.
Gregory barely has a notion of what to do with a girl if and when one
slows down long enough to be kissed. Luckily, it's the girls who are more mature, have their acts
together, and cooperate one with another to make things work out. Gregory's 'date' turns out to be
a clever con game that redirects his attentions to a girl who fancies him, the less radiant but
warmly attractive Susan. Gregory's not even aware he's been had, but it's okay: he's too young to
even know what he wants. By evening's end he's infatuated with a totally different lass, and fancies
himself a success in romance. All is well.
Forsyth's camerawork is totally without trickery, yet he throws in some nice visual touches, such as
the person in a penguin mascot suit wandering lost through the halls. His writing links together
odd running gags, like the photographic pursuit of saleable photos of the nurses who undress in
sight of telephoto lenses at night. (By the way, the show opens up with an almost
Porky's - like scene that
might throw one off to the general tone of the film.) Relationships are sketched quickly; there's
one fast scene where Gregory's father almost runs him down on the road. About the closest we get
to a social tract
is the mention that the family doesn't see much of each other, and another bit about a 'successful'
graduate whose 'swell job' is washing windows. There's a sly ending joke that makes a visual
comparison between the
unattainable 'Caracas 9000 miles', and a jogging Dorothy. Savant didn't catch this personally - it
had to be pointed out to him by his wife ... which pretty much proved Forsyth's basic premise.
Gordon John Sinclair is completely charming as Gregory; if you're
already a fan of Local Hero, he's got a major role in that, too. The rest of the
youngsters on view are equally interesting, especially the girls. Clare Grogan, Gregory's eventual
'date', was the lead singer of a Scottish rock band called Altered Images. Heart-stopper
Dee Hepburn is credited, at least in the IMDB, with only one other appearance, in a television
MGM's DVD of Gregory's Girl does the feature proud. It looked like blurry 16mm on television
this 16:9 transfer is just fine. There are two soundtracks, an English redub, and an
original Scottish track. For this reviewer, the Scottish original required use of the closed captions
to follow the thick argot, but hearing how these kids actually speak was worth it. Gregory has a much
lower voice in the Scots original, although the 'English' dubbing is excellent. Be careful when you
start up, because the redub is the default, and you have to choose the Scots track manually.
A trailer simply lifts a minute or so from the hilariously simple scene where Gregory, having gotten
his girl onto the grass in the park, suggests they 'dance', by just lying down and pawing the air
with their hands. It's a great moment that captures perfectly the way even a maladroit can charm
the right female, if he just relaxes and behaves as he normally would - no matter what silly thing
into. You smile watching these moments - it reminds Savant of how at age 14 he'd show up at a girl's
house with a stack of old MAD magazines, when she most likely had more advanced ideas of
how to spend the evening.
Forsyth made more movies later in the '80s, but they didn't fare as well as his earlier work. There's
1999 effort called Gregory's Two Girls, starring Gordon John Sinclair as a grown teacher, but
by all accounts it was not a success.
On a scale of Excellent, Good, Fair, and Poor,
Gregory's Girl rates:
Supplements: Two audio tracks, trailer
Packaging: Amaray case
Reviewed: December 15, 2001
DVD Savant Text © Copyright 2007 Glenn Erickson