¡Viva la muerte! ¡Viva la muerte! Cult Epics 1970 / Color / 1:78 anamoprphic 16:9 / 87 90 min. / Street Date October 29, 2002 / $29.99 Starring Núria Espert, Mahdi Chaouch, Anouk Ferjac, Ivan Henryques, Jazia Klibi Cinematography Jean-Marc Ripert Production Designer Set decoration Hechmi Marzouk Film Editor Laurence Leininger Original Music Jean-Yves Bosseur Written by Claudine Lagrive, Fernando Arrabal from his novel Baal Babylone Produced by Hassen Daldoul, Jean Velter Directed by Fernando Arrabal
	DVD Savant mostly reviews films from an entertainment point of view. ¡Viva la muerte! can hardly be called entertaining; it's a shock-political-poetic gauntlet of a film made by a famous exile from Franco's Spain, and it has scenes that are purposely disgusting and disturbing. It isn't quite the abomination that Pier Paolo Pasolini's Salo is, but it's a step in that direction. That said, ¡Viva la muerte! was a critically acclaimed film when it came out in 1970, a time when many openly revolutionary movies were circulating on the art circuit, like Jodorowsky's El Topo. Reviewed by Glenn Erickson   Synopsis: During the Spanish Civil War (even though anachronisms abound) young Fando (Mahdi Chaouch) is forced to watch as Garcia Lorca is executed by a taunting Fascist firing squad. He keeps asking his mother (Núria Espert) what happened to his father, and eventually learns that his mother betrayed him to the Franco government because of his unspoken leftist ideas. Fando imagines bizarre scenarios where his father is tortured and mutilated. Many of his visions present his mother as a monster who gouges out his father's eyes, or makes love to his captors in front of him, in addition to other gruesome and scatalogical horrors. Fando also shows signs of sexual interest in his libidinous aunt Clara (Anouk Ferjac) and a neighbor girl, Thérèse (Jazia Klibi), as he lives a miserable existence acting out the cruelty of his mother with small cruelties of his own. Long Live the Dead! Fernanado Arrabal is a very well-known Spanish author, a surrealist who (at least in this movie) adds a shock factor to the already disturbing precedent of Salvador Dalí and Luis Buñuel, both of whom have made very edgy anti-Fascist and anti-clerical statements in their work. ¡Viva la muerte! is Arrabal's first movie and his most famous, although censorship has certainly made it more well-known than it might have been. If a political movie is supposed to bring about positive change, ¡Viva la muerte! doesn't qualify. Something tame like Norma Rae, with its pro-labor position, is a lot more potent than this unpleasant and sometimes disgusting film, which could easily be used by the Fascists in Spain to prove that liberalism is decadent, blasphemous, and evil. ¡Viva la muerte! is more successful as anti-Fascist poetry, the equivalent of the political prisoner retaliating in the only way he can, by screaming obscenities at his captors. A lot of horrible themes run through ¡Viva la muerte!, all made more disturbing because they're communicated through the mind of an impressionable child. The titles are surreal ink drawings of Hieronymous Bosch-like horror, drawings of humans impaled and mutilated in morbid ways that suggest torture as disturbingly as possible - buzzsaws cutting a man in half, rats pictured ready to eat a nude woman, etc. Every few minutes the picture switches to solarized color, or kinescoped video, for another of Fando's horrible visions. His mother caresses his bound father, then gouges out his eyes with her long fingernails. And that's a tame example. The slight stylization of these scenes makes them more painful, as we're able to imagine the traumatic details we can't clearly see. ¡Viva la muerte! also has a very squeamish theme of aberrant sexuality, as the disturbed Fando is seen biting the head from a lizard, and helping his very strange Aunt Clara by whipping her. His young girlfriend remains untouched and innocent, which would be a relief, if it didn't make the rest of the show seem all the more misogynistic - in this Spanish world of political madness, it's the virtuous and loving father who is betrayed by the church-crazed, politically fanatic, and Sadistic women. The literary praise for Fernando Arrabal is very high, and critics of his written work compare him to Cervantes. As a provocative shock politic moviemaker, this first film is well-directed and suitably surreal without resorting to visual clichés. It's also very nicely photographed, and well-acted. Just the same, it's a movie that can only be recommended to two groups - the morbidly curious or academically-minded aesthetes. In the face of all the torture, imprisonment and murder that was being undertaken by repressive governments in 1970, it's difficult to discount the methodology of a genuine political exile - no other kind of film or media really gives a damn about these political abominations. Cult Epic's DVD of ¡Viva la muerte! is an excellent transfer from pristine materials obviously very carefully hidden from the censors. The normal scenes look very good in 16:9 enhancement, and the color-altered and strange video hallucination scenes are also well-transferred. The soundtrack can be played in the original French or Spanish with removable English subtitles. The music is very clear, especially a Dutch children's song that serves as a very creepy counterpoint to the more outrageous & ugly scenes. The extras include a selection of stills, and a series of short, recent interviews with Fernando Arrabal. The author turns his interviews into a dadaist performance act, talking in elliptical phrases that don't express much about the film, but sound very authoritative. To give you and idea of what the interviews are like, in one of them, he holds and turns a chair before him while talking to us. He gives away his act by reaching for a glass of wine at frequent intervals, however. Even though it's a Dalí -like stunt, it amply expresses what Arrabal's critics describe as his constant game-playing, a theme said to run through all his work - presenting the most horrible and serious subjects, and then not taking them seriously. On a scale of Excellent, Good, Fair, and Poor, ¡Viva la muerte! rates: Movie: Good but a very extreme movie not recommended for general audiences Video: Excellent Sound: Good Supplements: Stills, Fernando Arrabal interview clips Packaging: Clear keep case Reviewed: November 14, 2002 [Savant Main Page] [Savant Links] [Article Index] [Review Index] [Savant 5 Year Report] DVD Savant Text © Copyright 2007 Glenn Erickson Advertise With Us Review Staff | About DVD Talk | Newsletter Subscribe | Join DVD Talk Forum Copyright © DVDTalk.com All rights reserved | Privacy Policy