Day Three Write-Up:
When it came time to see films on my third day of
the
festival I ran into a bit of bad luck early on in the day. I had fully
intended
on seeing the premiere of the Conan O’Brien documentary film aptly
titled Conan O’Brien Can’t Stop and yet I
wasn’t able to make it into the audience for that one. I did hear that
the film
itself was excellent and a bit more heartfelt and serious in parts than
audience members were expecting. The film chronicles Conan’s fallout
with NBC
late-night. Later in the day I spoke to someone who did attend and
learned that
Conan was actually in attendance after the film was over and that he
gave a
surprisingly less-comedic discussion of the events that happened and
his
response to it all after the film was over. The overall buzz I was
hearing in
Austin was that the film was a success and worth checking out. If I can
somehow
manage to get a screener copy to review, I will go that route to try
and cover
the film some more but I can’t necessarily make any guarantees in the
direction. However, I am positive this was one of the more special
screenings
held at SXSW 2011 and was naturally disappointed to miss it as a fan of
Conan
O’Brien.
I did make it to the Alamo Drafthouse Lamar to see
Werner
Herzog’s Cave of Forgotten Dreams,
which was not a premiere or Q&A-included screening but was the
premiere in
Austin, TX if I am not mistaken. This new documentary by the famed
film-maker
was essentially about ancient caves that were recently discovered to
have some
of the oldest cave drawings still preserved in history. If you can
believe it
(and if you are a Herzog fan as I am, I know you will) this was a hard
film to
get into. I arrived to the screening earlier (as per usual) and was one
of the
last three people to be allowed into the theater. Literally, only two
other
folks got into the screening room after I did to see this film, before
the
theater manager had to start turning people away. Luckily the film had
one or
two additional screenings at later dates but this was the one and only
screening time I could make, so it was especially important to me that
I made
it in.
In the evening, I attended
several films and kicked things
off with the SXSW spotlight screening of Takashi Miike’s 13
Assassins, which has a plot that pretty much sounds like what
you would naturally expect given the title. The film centers on 13
assassins
that are bent on killing a lord that they deem evil and corrupt. The
cult-favorite
Japanese film-maker has made several favorites of true cinema geeks
over the
years (such as Audition, Dead or Alive, and Ichi the Killer) and the
early word
I heard was that this was one of his best efforts yet. Unfortunately, I
was a
bit let down by the film even as I recognized its ambition. What was
more
disappointing though is that I was not able to deliver on one of the
things I
had mentioned earlier in my SXSW coverage (in terms of having a few
‘surprises’
in store for readers of DVDTalk.com). I had arranged for a 30 minute
long 1:1
interview with Takashi Miike for DVDTalk and I was of course thrilled
by the
opportunity as both a fan and as someone acutely aware of how many
readers
would have loved to see an interview with him featured on the site. I’m
sure
the reason why this interview didn’t pan out will come as no real
surprise to
any reader. With the current situation in Japan following the
devastating tsunami
it came as no real shock that Miike was unable to come to America for a
screening of his latest film (let alone to still participate in
interviews). A festival organizer came
around the long lines for the film and told everyone that he was
unfortunately
unable to attend the screening and that they were sorry to disappoint
those who
were expecting to see him following the film. I was already well aware
of this
through the communication with the fine PR representing 13
Assassins. Before the film was screened a note was read that had
been sent by Takashi Miike so that it could be read to the SXSW
audience. The
general tone of the note was quite sad, but also presented an aura of
hope in
encouraging us to think about Japan and our appreciation of the country
while
watching the film. In a way, it was surprisingly heartfelt from a
director known
for the extreme nature of many (but certainly not all) of his feature
films. I must admit that I started to
get teary-eyed when I heard the note and I feel the same way now as I
write
about my response to hearing it. The festival organizers have luckily
set up a
website to receive donations, and those will be sent to Red Cross to
aid in
Japan’s recovery.
All
that you need to do is visit the website www.sxswcares.org to make a donation today to bring aid to
Japan!
After the 13 Assassins
screening was over the fun wasn’t even close to ending for the day. There would soon be what I would essentially
dub as a ‘double feature’ of sorts with the North American premiere of
Greg
Mottola’s Paul and a special “Work in
Progress” screening of Paul Feig’s Bridesmaids .
|
The Good (Getting to Hear Greg
Mottola, Simon Pegg, Nick Frost, and Kristen Wiig speak about Paul), The Bad (Sitting far back in the
balcony), and The Ugly
(my camera's zoom feature apparently sucks -- ugh, I can't believe how
low-res my zoomed in camera shot was. I'm now planning to buy a better
camera for next year if I continue coverage of SXSW in 2012). It's as though an alien took the picture
from outer-space! Cue the music: Duhn, duhn, duhn!!!
|
Mottola certainly did an ace job directing Paul, but
the biggest stars of the show
are definitely Simon Pegg and Nick Frost who served as both the writers
and
stars of the film. Mottola’s contributions may seem a bit overshadowed.
That
certainly seemed to be the case with the Q&A session following the
film
premiere, in which Simon Pegg ended up with the most time to speak to
the
audience out of all of them on stage. I doubt anyone really minded that much though. Pegg is a comedic
genius and he was able to bring the audience to laughter rather
casually – with
what appeared to be very little uneasiness. Kristen Wiig on the other
hand
seemed entirely nervous when speaking on stage in front of a large
audience. Simon
Pegg jokingly commented that she hadn’t seen Shaun of the Dead or
Spaced, and
to gasps from areas of the audience (myself included) so that probably
didn’t
help ease her nerves, but she was still able to hold herself well in
front of the
crowd. The evening was in many ways a celebration of her comedic chops
and
acting skills. This was made clear by director Paul Feig when he came
out to
speak to the audience about the special screening of Bridesmaids.
I’m honestly not entirely sure if we were the first
audience to see the film or not, but we were certainly an early
audience, and
Feig walked out on stage appearing a bit nervous and unsure of himself.
He
quickly turned this to some joking about how he apparently had a bit
too much
to drink before the screening due to nerves. Feig assured our audience
that
even though they had to promote the Bridesmaids
screening as a Work in Progress version it was actually the final cut
of the
film and that the only things unfinished were a few moments of color
timing and
(if I remember correctly) two sound effects that were needed for a cop car in the film. Basically, the
screening
represented a done deal. The great thing about it was how surprisingly
great
the film was and the fact that is easily surpassed audiences
expectations.
Experiencing this film capped off a great day at the SXSW film festival
in the
best possible way imaginable.
The Rest of the Festival -- OR -- The
Breakdown of
My Coverage:
There are only a few more specifics aspects of my
attendance
at the SXSW film festival that I feel are worth making a special note
of right
now. Unfortunately, I was not able to attend the entire week long
festivities
and screenings but for the time I did spend at SXSW it was one of the
most memorable
and special experiences I have ever had the opportunity to be involved
in.
Getting to do this coverage truly felt like a gift, and I hope that
many of you
have enjoyed getting to read my thoughts on the experiences I have had
with
this festival.
Early in the morning (following Bridesmaids)
I was able to attend a private run-through screening
of Tom McCarthy’s WIN WIN. The film
stars Paul Giamatti as a struggling attorney who also works as a high
school wrestling
coach. When he meets a young athlete who could be a game-changer things
start
to change for the better for the team – but what is happening to the
boy’s
family and to his own life? This was
unquestionably my favorite film of the SXSW festival that I was able to
attend.
Tom McCarthy has long been one of my favorite film-makers and this did
nothing
to change the high opinion I hold him in. So, you might be wondering
why I didn’t
attend the normal premiere. I had to see the film early in order to do
a 1:1
interview with Tom McCarthy about the film. This
ends is disappoint though – at least for
now – as things didn’t work out for this interview either (just as
things didn’t
work out with Takashi Miike). After getting some breakfast and doing
some SXSW souvenir
shopping at American Apparel (where I purchased both a ball-cap and
hoodie) I
arrived early in the afternoon for the interview and ended up being
told that I
had just barely missed him. The PR individuals I spoke to informed me
that there
must have been some kind of mix-up with the schedule as they didn’t see
me on
the list. Instead, they had me pegged as a part of a round-table
interview with
the cast and Tom McCarthy earlier in the day. This was disheartening as
that
was what I had initially set-up with my contact regarding WIN WIN, but
as I
hadn’t seen the film yet and preferred a 1:1 with McCarthy over a slice
of the
pie in a multi-site discussion I had to pick one over the other.
Naturally, I
wouldn’t be able to interview the writer/director of the film without
having
seen it first. I l slowly left the hotel where the interview would have
taken
place feeling disheartened. I had even brought a copy of McCarthy’s The Visitor on Blu-ray to get an
autograph after our scheduled interview (and to think I was having some
regrets
at the time for not bringing my copy of his debut film The
Station Agent for a autograph as well). Before
I had left the building though, those I
spoke to regarding the PR assured me a 1:1 phone-interview would be
set-up in
place of the in-person interview session. When I arrived back at my
hotel I
checked my e-mails and found one telling me that Tom McCarthy had
someplace
important to go to and had to leave early, thus my interview would need
to be
scheduled for a different date/time. After responding to this message
and inquiring
into the phone interview option I haven’t actually heard back yet which
is disappointing.
However, I’m holding out hope that an interview with one of my favorite
film-maker’s may still happen. It would truly be wonderful to be able
to bring
an interview with McCarthy to DVDTalk. Fingers crossed, but at this
moment in
time I can’t make a guarantee.
I had planned on seeing Mike Mills Beginners
in the evening and I was going to participate in a
roundtable multi-site discussion with the writer/director the following
day but
I ended up essentially passing out, sleeping, and not waking up in time
for the
film. I tried to make it there in time and just didn’t manage it. Beginners was unquestionably one of my
most anticipated films playing during the festival and I feel
dissatisfied by
my inability to bring a review of the film at this point in time, but
it wasn’t
something I could really change at that point.
I ended up having to contact the PR contact I had been talking
to about
the roundtable to explain to him how I wasn’t able to participate in
that
interview.
|
Before closing out my time at
SXSW, I was also able to
attend one incredibly awesome event that is absolutely worth
discussion: the 15th
Anniversary Screening in celebration of Harry Knowles Ain’t
It Cool News website of pop-culture (film, comics,
television, etc). There was so much buzz throughout the festival over
what the
film playing would be when the time came for the celebratory screening.
I was
astonished by how it seemed that many people in attendance were at
least
mentioning it even if they didn’t have plans to personally go. This
fever of speculation
talk seemed to even heighten when Knowles made a statement on the AICN
website
letting people know the film would be “vintage” and not a big summer
film tent-pole
premiere event or anything like that. This didn’t stop the chattering
much at
all. In fact, there was one other screening at the festival playing as
a ‘secret
screening’ prior to the AICN event and the most frequently heard tidbit
was
that it was going to turn out to be Marvel’s Thor
along with an extended sneak-peak at Captain America.
That didn’t turn out to be the case at all and
instead the other special screening was an indie-flick that was getting
mostly-positive buzz. I heard it was good, but wasn’t able to attend,
and heard
that it wasn’t able to quite satisfy people’s high expectations for a
big
premiere. This made some question whether or not Knowles wasn’t being
entirely
honest about the vintage film statement and I heard so many people
ponder if Thor would be showing with AICN instead.
So what about my own personal speculation? Back when Star Trek was a
few months
from opening AICN was hosting a ‘special screening’ of The Wrath of
Khan. Yet when movie-goers showed up for
the show
they were instead treated to a surprise premiere to J.J. Abrams Star Trek. I can’t recall if that event
only had a video with Abrams or if he was actually in attendance. I
remember that
some of the makers of the film were there and that it sent signals to
the knowledgeable
members of the audience that perhaps not all was as it appeared to be.
This
memory sent my brain down a different path than what Harry Knowles
meant by “Vintage”
film for the 15th Anniversary screening. I quickly imagined
the screening
being for Abrams Super 8 which in a
sense seemed like it could work within his description as that type of
film-making is now considered as “vintage” in this day and age.
However, I was
totally off-base, and that wasn’t the film at all. It also wasn’t my
back-up
guess (E.T. featuring guest speaker J.J. Abrams). I guess on some level
I just
assumed some kind of Spielberg/Abrams thing would happen. I even picked
up an
express pass (these go quickly in the morning and essentially allow you
to pass
in line) so that I could guarantee myself into the theater. The actual
film
presented was the 1981 Disney/Paramount co-production Dragonslayer.
This was
noticeably ironic due to the fact a new film had just premiered at the
festival
with the same name. The film print shown was a personal copy which
belonged to
none other than one of my all time favorite film-makers: Guillermo Del
Toro,
who attended the screening and spoke afterwards with an entertaining
and
engaging conversation-style discussion with Harry Knowles. This made the entire event worth the wait and
anticipation in my eyes. The walk-outs after Dragonslayer
began were clearly made by people who simply wanted to
see something new and who were not interested in the discussion that
was going
to be had.
The Dragonslayer film itself is obviously one in
which I don’t
feel any need to write a review (the film isn’t anything new after all)
but it
is worth mentioning that while I found the beginning a tad slow and
some of the
characters under-developed I ended up really enjoying the film,
especially in
the second-half where it let it’s campy nature show itself more
naturally, and
I can see why it would be an influence on Del Toro and indeed Peter
Jackson as
well (by all appearances the film looks like it could have been an
inspiration
on The Lord of the Rings Trilogy– and
according to Del Toro it actually was).
Guillermo
Del Toro (right) and Harry Knowles (left) at the 15th Anniversary AICN
Screening
Guillermo Del Toro has long been one of my
favorite film-makers
so being able to actually see him in person as he spoke to our audience
about
his apparent fan-boy love for Dragonslayer
and, for that matter, films in general was a true joy and one of the
highlights
of the entire festival. Del Toro talked
a lot about how he appreciated the score and special effects. He noted
a moment
when the dragon in the film has a moment of rage in his eyes – and how
the
audience is meant to sympathize with the dragon in this scene. He
described it
as a moment in the film where the film-maker would have had to fight to
include
it in the final cut, and said that if he wanted to put a scene like
that in a
film of his own so that audiences were meant to view multiple sides to
the ‘bad
guy’ that it would be a battle to include it, because studios usually
want
clear good vs. evil and not lines that are blurred between showing good
and bad
in people or ‘monsters’, such as the dragon, at the same time. Del Toro
also
said something about sympathizing with the monsters in films most of
the time. He
talked about how the Dragonslayer film had a big impact on him and how
he didn’t
think he would be making movies if it were not for films like it,
because it
opened his eyes to the possibilities of what could be done in cinema in
a way that
appealed to him personally. He liked that it had nudity, violence, and
drew
sympathy to the dragon because it wasn’t something he was used to
seeing in PG
rated films. He described kids today as being unable to see films like
this and
said people are too neutered in wanting to make movies that won’t
offend anyone
– and referenced Rango as an example
of a PG rated film that kids see today. He said he didn’t feel kids
today who
only see PG rated movies like Rango
would grow up to be film-makers, certainly not film-makers like him, if
it is
all they are exposed to at an earlier age in life. Harry Knowles then
asked him
if he would let kids see his own films. Del Toro laughed and basically
gave a
flat out ‘no’ response. He said that some of his films, like The Devil’s Backbone and Pan’s Labyrinth,
were not intended for
kids to see, but that he could probably have seen Pan’s
Labyrinth when he was 11 or 12. But that it would scar most
kids at that age for life. Harry Knowles pointed out a female family
member who
had seen Pan’s Labyrinth at age 12.
Del Toro then turned to her in the audience and apologized to her for
scarring
her for life and many laughs were had in the audience. Unfortunately
though, it
seemed as if a lot of the people attending did not get Del Toro’s humor
or as
if many people were simply overwhelmed by seeing him in person because
for much
of his jokes and charming demeanor it was probably only a small group
of people
truly getting his humor and laughing out loud. I was amongst that
group, I’m
proud to say that, but it was slightly odd that more people did not
seem as
enchanted by his entertaining conversational tone. There was more said
by Del
Toro, by the way, but I’m not going to mention everything – definitely
not – I encourage
strongly that if you have been reading my coverage for the festival and
found
any of it exciting that you seek out more information about the
festival at
SXSW.com and look into attending next year to get a close and personal
piece of
the fun! It’s one of the most thrilling events I have ever been able to
participate in. Hands down – It was absolutely an experience I won’t
forget,
and I encourage others to attend. Even if you can’t get a badge to the
events
they still sell stand-buy tickets if extra seating is left for showings
and
those tickets are only $10 a show. If you’re an Austin resident you
especially
owe it to yourself to give some of these events at least a shot. It’s
completely worth experiencing first-hand!
Before I forget to mention this – getting FREE
FOOD was a
blessing during SXSW. There were a number of restaurants offering food
for free
to SXSW badge holders throughout the downtown area from the likes of
hotdogs to
barbecue. I even snagged a free breakfast one day. This was actually
hugely
important to me because between trying to catch various screenings and
navigate
the venues it sometimes made it difficult to get into some of the
restaurants I
wanted to go to during my stay in Austin and this helped me somewhat in
keeping
me on track more frequently than I would have been otherwise. I’m not
going to
do specific shout-outs to these vendors but will say that It’ perfect
marketing
in that if I ever find myself living in Austin, TX I will make an
effort to actually
go to these places and buy meals from them regularly now. I am also
sure this
is true for other festival attendees. Smart move!
The Area of Many Amazing Poster Art
Designs at the Austin Convetion Center = Astounding View!
OK folks, on that last itty-biddy note, that
concludes my
main coverage of events and screenings attended but it also doesn’t
mean the
end of the coverage altogether. I still have plenty of reviews to write
for one. As
soon as those start appearing on DVDTalk you can look forward to
reading about
my reactions to films and I will link to the reviews on here shortly as
well.
I am also in contact still for interviews with Tom
McCarthy
regarding WIN WIN, and even recently
with Aaron Burns regarding blacktino –
one of the total surprise wonders of the festival for me. We shall see
what
happens in that regard. I’m still hopeful I can bring some interviews
to you
wonderful people but only time will tell what happens. Stay tuned.
UPDATE:
I just heard from the WIN WIN PR team that I will
be conducting a phone interview with Tom McCarthy on 3/24. This
obviously falls outside of SXSW but look forward to the interview soon!
DVDTalk Presents:
The Lowdown on the
Best/Worst of the Festival*
*As seen by Neil
D. Lumbard
SXSW
Favorites:
Review
(coming soon)
WIN WIN
Written and Directed by:
Tom McCarthy
Starring:
Paul Giamatti
Amy Ryan
Bobby Cannavale
Jeffrey Tambor
Burt Young
Melanie Lynskey
Alex Schaffer
Margo Martindale
David Thompson
<>Plot Synopsis:
From the film-maker the brought us The Station Agent and The Visitor
comes a new tale about the power of human connection. The story is
primarily
seen through the eyes of a struggling lawyer (Giamatti) who also works
as a coach
for a high school sports team.
> |
Review (coming soon)
blacktino
Written and Directed By:
Aaron Burns
Starring:
Austin Marshall
Devyn Ray
Tiger Sheu
Danny Trejo
Jeff Fahey
Plot Synopsis:
The 10% based on real
life, 90% made up semi-autobiographical film
about film-maker Aaron Burns, focuses on a 'blacktino' nerd who only
finds
acceptance through his friends as made while in Theater class. The
journey
this character takes is one of finding himself and finding out the
importance of
individuality..
|
Review (coming soon)
Paul
Written By:
Simon Pegg
Nick Frost
Directed By:
Greg Mottola
Starring:
Simon Pegg
Nick Frost
Seth Rogen (as Paul)
Kristen Wiig
Jason Bateman
Bill Hader
Plot Synopsis:
Two geeks (played by professional geeks Simon Pegg and Nick Frost) are
on a road trip
when they meet an alien named Paul, who will change their lives
forever... and ever.
|
Review (coming soon)
Bridesmaids
Written By:
Kristen Wiig
Annie Mumolo
Directed By:
Paul Feig
Starring:
Kristen Wiig
Maya Rudolph
Rose Byrne
Wendi McLendon-Covey
Ellie Kemper
Melissa McCarthy
Chris O'Dowd
Jon Hamm
Plot Synopsis:
When Annie (Wiig) finds out that her longtime best friend Lillian
(Rudolph) is getting married
it leads to a lot of hilarity and craziness like you wouldn't expect to
ever see in a 'chick-flick'.
|
SXSW
Least
Favorites:
Review (coming soon)
Super
Written and Directed By:
James Gunn
Starring:
Rainn Wilson
Ellen Page
Liv Tyler
Kevin Bacon
Nathan Fillion
Plot Synopsis:
A twisted and cynical dark comedy about a man who decides he can fight
crime
by himself through the sheer power of becoming his very own
'super-hero'.
|
Review (coming soon)
Green
Written and Directed By:
Sophia Takal
Starring:
Kate Lyn Shell
Sophia Takal
Lawrence Michael Levine
Plot Synopsis:
Green doesn't stand for money -- or the environment -- or
even the color.
None of these things. It stands for the jealousy found in the psyches
of two
women who could have been friends for a long time had they not liked the
same guy.
|
SXSW Notables:
Review (coming soon)
Source Code
Written By:
Ben Ripley
Directed By:
Duncan Jones
Starring:
Jake Gyllenhaal
Michelle Monaghan
Vera Farmiga
Jeffrey Wright
Plot Synopsis:
The story focuses on a solider (Gyllenhaal) who only has eight minutes
(in a given attempt)
to save passengers on a train through a bizzare form of
'time-travel' known as Source Code.
|
Review (coming soon)
The Innkeepers
Written and Directed By:
Ti West
Starring:
Sara Paxton
Pat Healy
Kelly McGillis
Plot Synopsis:
Two deadend-job employees working at the Yankee Pedlar Inn
are convinced
that the place is actuallly haunted and they set out to prove that as
being the truth!
|
Beginners
Written and Directed By:
Mike Mills
Starring:
Ewan McGregor
Christopher Plummer
Melanie Laurent
Goran Visnjic
Plot Synopsis:
Oliver (McGregor) is shocked to discover that his 75 year old father
has a young lover who happens to be a man. Out of the closet at
75? Yeesh.
|
Review (coming soon)
Cave of Forgotten
Dreams
A Film By:
Werner Herzog
Presented in 3D
Plot Synopsis:
Herzog, using 3D technology to film this documentary, has brought images
of one of the world's oldest caves and their artistic drawings to light
for
audiences of a modern world.
|
Attack the Block
Written and Directed By:
Joe Cornish
Starring:
Jodie Whittaker
John Boyega
Alex Esmail
Franz Drameg
Leeon Jones
Simon Howard
Luke Treadaway
Jumayn Hunter
Nick Frost
Plot Synopsis:
The world premiere was held during the festival for this
film. The nature of the film is
supposedly quite humorous and playful. It focuses on a group of teens
in a gang that
ends up facing down an invasion from aliens. You know, the kind from
outer space.
|
Insidious
Written By:
Leigh Whannell
Directed By:
James Wan
Starring:
Patrick Wilson
Rose Byrne
Lin Shaye
Ty Simpkins
Barbara Hershey
Leigh Whannell
Angus Sampson
Andrew Astor
Joseph Bishara
Plot Synopsis:
This supernatural horror film from the makers of Saw and Paranormal Activity
focuses on a family who must save their comatose son.
|
My Sucky Teen Romance
Written and Directed By:
Emily Hagins
Starring:
Elaine Hurt
Patrick Delgado
Santiago Dietche
Lauren Lee
Tony Vespe
Lauren Vunderink
Devin Bonnee
Tina Rodriguez
Sam Eidson
Plot Synopsis:
In a world filled with insansity regarding vampire stories
at this given point in time, the already cult-established
writer-director Emily Hagins (who is only 18 years old) brings her own
vision to the screen with a real-vampire story. And there's a
convention, amoung other stuff! Sounds cool!
|
Incendies
Written and Directed By:
Denis Villenueve
Starring:
Lubna Azabal
Melissa Desormeaux-Poulin
Maxim Gaudette
Remy Girard
Plot Synopsis:
Nominated for an Academy Award for Best Foreign Language
Film, this new work from the maker of Polytechnique is about siblings
who are trying to discover the truth behind their mysterious mother.
|
The Beaver
Written By:
Kyle Killen
Directed By:
Jodie Foster
Starring:
Mel Gibson
Jodie Foster
Anton Yelchin
Jennifer Lawrence
Cherry Jones
Plot Synopsis:
This collaboration between two 2-time Academy Award
winning actors (Jodie Foster and Mel Gibson), which is also directed by
Foster, is a sad story about a man who must cope with himself using a
handpuppet beaver. The film premiered at SXSW with much controversy
surrounding Gibson but was well received and Jodie Foster was in
attendance for the Q&A (in which she also defended Gibson as one of
Hollywood's best actors to work with).
|
Hobo with a Shotgun
Written By:
John Davies
Directed By:
Jason Eisner
Starring:
Rutger Hauer
Gregory Smith
Molly Dunsworth
Brian Downey
Nick Bateman
Plot Synopsis:
A Hobo (Rutger Hauer) brings his own sense of law and order by using
one of those delightful shotguns used to kill people dead. BAM!
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