When people discuss Russian film makers, Eisenstein and Tarkovsky are
the directors most often mentioned. The Soviet Union had many good
directors, of course, it is just that historically, it's been hard to see
their films here in the United States. The advent of home video has
eased that situation somewhat, and the success of the DVD format has lead
to a lot of foreign films becoming available to the casual fan. Image,
in association with film preservationist David Shepard and Blackhawk films,
has brought two films from the Russian director Boris Barnet to DVD: The
early sound film Outskirts (1933) and the silent comedy The Girl
with the Hatbox (1927.)
Set in and around a shoe factory in a small town, Outskits is
a slice-of-life drama about Russian life before and during WWI. There
are little vingets of life in the factory and around the city.
The scenes start of with a light tone, one worker uses the chaos when the
police break up a strike to pick up a girl, but they get darker as the
movie goes on. When the war with Germany breaks out, many of the
factory workers enlist in the army. The war is not as easily won
as most of them assume it will be, and life in the trenches is much more
harsh than in the shoe factory. When a German shoe maker is captured,
the narrative follows him back to the town and the POW camp located nearby.
Life in the little town has changed, and not for the better. When
the Russian Tsar abdicated in 1914, that brings even more changes to the
small city and the soldiers fighting for it.
This was a good film. It presented a very interesting look at
Russian existence during the first World War. The main focus is the
people, and how the changes taking place in the world effects this little
village. People who only wanted to make shoes, end up fighting far
from their home for reasons that they don't understand. As one villager
says near the end of the movie: "Explain to me, we don't want to fight,
and they don't want to fight, but it's been three years that we've been
There are several interesting scenes in this film that really make it
worth viewing. After the Tsar steps down, the shoe factory becomes
automated. The workers no longer nail the shoe soles on by hand,
but have loud machines that preform the task in a fraction of the time.
These machines running are cut into scenes of machine guns firing on the
The trench warfare sequences were very good to. It is reminiscent
of, though not nearly as powerful as, All Quiet on the Western Front.
Another powerful scene in the film occurs when a solider doesn't go over
the top because he has a horrible tooth ache. His commanding officer
drags him through the trenches and holds him up over the edge while the
young man screams.
This movie looks like it was filmed silently and dubbed afterwards.
There are few background noises, and those that are included don't sound
natural. Even so, this doesn't distract from enjoying the film.
Girl with the Hatbox:
This early Russian comedy is much lighter in tone than the first feature,
and surprisingly amusing. Natalya is a hat maker who lives with her
grandfather in the rural countryside. Every week she travels to Moscow
to sell her hats to a particular store. The store owners have Natalya
registered as living in one of the bedrooms in their house, so that they
can use it as an office. This arrangement works out well until Natalya
runs into a poor student, Ilya, sleeping in the train station. He
can't find any apartments for rent, and is forced to sleep where ever he
can find the space. Natalya feels sorry for him and comes up with
a bright idea: they will claim to be married so that he can live in her
room in the hat shop. Well, as you can imagine, that doesn't go over
well with the shop owners. They don't like having a strange man living
with them and stop buying Natalya's hats. Instead of paying her for
the last delivery, they give her a lottery ticket instead, which she leaves
with Ilya. But when the ticket turns out to be worth 25,000 rubles,
there's a mad dash to try to get the slip and the fortune it represents.
This was a very enjoyable movie, though very different from Outskirts.
The pacing and situations were very reminiscent of American comedies of
the time. Aside from some of the Russian referances, it could have
been filmed in the States.
There was a little slapstick, a few word jokes, but mainly it was a
situational comedy. Most of the jokes worked well, and the movie
had a lot of laughs. The troubles poor Natalya's grandfather has
to go through to get a paper made me laugh out loud, and scene with Natalya
and Ilya in front of the Housing Committee were also funny.
Another thing that I enjoyed about this movie was seeing what life was
like in Moscow over 80 years ago. The idea of having a government
official come into your house and tell you who would be living with you
(rent free) almost inconceivable. These authorities were not portrayed
as evil or mean, just people doing their jobs. It was also interesting
to note that the shop owner was using an abacus to balance the books.
One thing about the film that I didn't like was that the framing is
rather odd. The tops of heads are cut off frequently, and you often
can't see the speaker's eyes because of this. I'm not sure if it
is an error with the print or the way the movie was filmed, but it did
give the film a rather amature feel to it. Aside from that single
issue, Barnet does a good job, creating some interesting scenes by mounting
the camera on a train, or by playing with the focus. In one interesting
experiment he has two people talking, one in the foreground and one in
the background. Both can't be in focus at the same time, so he focuses
on one individual and then cuts to the same shot, but with the other person
in focus. The effect was a little jarring, but it was an interesting
idea, and something I hadn't seen before.
The audio track for Outskirts is a little muffled and very flat,
but that is to be expected with a film this old. There is not much
distortion and very little hiss. Overall it sounds very good for
a film of this age. This movie has optional English subtitles.
Unfortunately, the silent film The Girl with the Hatbox has the
English translations of the intertitle cards burned into the print.
They are not removable. This should only bother people who can read
Russian though. The musical accompaniment was created by the Gorky
Studios in 1968, and has some hiss, a few dropouts, and other minor defects
associated with older audio, but does an acceptable job.
Both of these movies looked very good considering their age. Outskirts
has some scratches and dirt, but looks very good for a film from the early
30's. The contrast is very good, and the detail is excellent.
The Girl with the Hatbox was a little worse off, but still looked
fine. The contrast wasn't as good as I was hoping, and a lot of details
were lost in black areas. Many dark figures had a slight black halo
around them, but this wasn't distracting. The image was generally
sharp and clear, and looked good for a film so old.
There were no extras included on this disc.
These are two very good movies, though they had very different tones.
The Girl with the Hotbox is a funny film that has the feel of an
American comedy, but also offers an interesting look at life in Moscow
soon after the revolution. Outskirts is an excellent film,
examining the effects of war and the revolution on a small Russian village.
Together they make an excellent package that is sure to delight film buffs.